Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 181 to 240 of 726
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site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
Le Château Noir, 1887–90 (1228)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Tour Sommati (Saumati), c 1900
Toits de l'Estaque, 1878–82 (1057)
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Le Manoir du Jas de Bouffan, c.1870 (possibly later) (1018)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
La Tranchée, 1867–68 (48)
site photography
The rue des Saules. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the houses in Auvers seen in nos. 79 and 80. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the houses in Auvers seen in nos. 79 and 80. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
site photography
The pool and orangery of the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; John Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Vallon de Riaux, L'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
site photography
An orchard in Hattenville, Normandy. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald; Sabine Rewald
site photography
View of l'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Vue sur l'Estaque, 1882–83 (188)
site photography
View of l'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Trees in front of the pool at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The allée of chestnut trees at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The pigeon tower and house at Bellevue. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Pigeonnier de Bellevue, 1889–90 (270)
site photography
The Maison Maria in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Composite photograph of motif. Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
Erle Loran
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1939; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Château Noir, 1903–04 (361)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Château Noir, 1903–04 (360)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Château Noir, c.1904 (358)
site photography
The allée of chestnut trees as the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Les Marronniers et le bassin du Jas de Bouffan, 1868–70 (possibly later) (55)
work by other artists
Roman, c. 20 BC, Statue funéraire et honorifique de Marcellus formerly known as Germanicus, marble, Musée du Louvre, Paris.
Hervé Lewandowski; 1996 RMN
work by other artists
2nd century AD, Bacchus, marble, Musée du Louvre, Paris.
D'après l'antique: Bacchus, 1882–85 (3002-01a)
work by other artists
Augustin Pajou, Jeanne Bécu, comtesse Du Barry (1743-1793, marble. Musée du Louvre, Paris.
D'après Pajou: Madame du Barry, 1892–95 (3002-01b)
work by other artists
Thomas Couture, Romains de la décadence (The Romans of the Decadence), oil on canvas, Musée d'Orsay, Paris.
work by other artists
Etude pour Léda, c.1882 (3002-06a)
work by other artists
Peter Paul Rubens, La Naissance du dauphin (futur Louis XIII) à Fontainebleau, le 27 septembre 1601 (Birth of Louis XIII), from the Medici cycle, Musée du Louvre, Paris.
work by other artists
Charles-Antoine Coysevox, Berger flûteur (Faun Playing a Flute), marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Pierre Puget, Milon de Crotone, marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
work by other artists
Hellenistic Art (3rd-1st centuries BC), Marsyas supplicié (The Torment of Marsyas), marble, Musée du Louvre, Paris.
Musée du Louvre
D'après l'antique: Marsyas, 1882–85 (3002-34b)
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, La Prise de Juliers (The Victory at Jülich), from the Maria de Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
Tête de cheval, n.d. (3010-15b)
work by other artists
D’après Lysippe, 2nd century AD, Rome, after a Greek bronze, c. 300 BC, Le dieu Hermès (Mercure) rattachant sa sandale, dit "Cincinnatus" (Hermes Fastening his Sandal), marble, Musée du Louvre, Paris.
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, La Prise de Juliers (The Victory at Jülich), from the Maria de Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
D'après Rubens: cheval, c.1900 (3010-27a)
work by other artists
Roman 1st - 2nd century AD, Aphrodite du type du Capitole, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Michelangelo, La Résurrection du Christ (The Resurrection of Christ), red chalk, Musée du Louvre, Paris.
work by other artists
François Boucher, Les forges de Vulcain (Vulcan's Forge), oil on canvas, Musée du Louvre, Paris.
work by other artists
Roman 1st - 2nd century AD, Aphrodite du type du Capitole, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
D'après Rubens: Bellone, 1888–91 (3010-39b)
work by other artists
Antoine-Louis Barye, Lion and Serpent, bronze, Musée du Louvre, Paris.
Thierry Ollivier; Musée du Louvre
work by other artists
Peter Paul Rubens, Le Traité d'Angoulême (The Negotiations at Angoulême), from the Medici cycle, Musée du Louvre, Paris.
D'après Rubens: Mercure, 1884–87 (3010-41b)
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Jean-Baptiste Pigalle, Mercure attachant ses talonnières, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
D'après Pigalle: Mercure, 1873–76 (2123-TA)
results 181 to 240 of 726
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on October 27, 2021).