Catalogue entry

print this page
265
Montagne Sainte-Victoire et viaduc du côté de Valcros
c. 1890
Alternate titles: L'acquedotto; L'aqueduc; L'Aqueduc; Le Viaduc; Paysage de Provence; Pins devant la Sainte-Victoire depuis la colline de Valcros
Rewald: (695) c.1890; Venturi: (477) 1885–87; Venturi revised: 1886–87
Oil on canvas
35 13/16 x 28 5/16 in. (91 x 72 cm)
Vollard A stockbook: no. 3466, huile; grands arbres verts se détachant sur un ciel bleu; au fond on devine des coteaux de Ste. Victoire, 92 x 73 cm (300 frs)
Vollard archives: photo no. 77, Annotated by Cézanne's son: Aix 1886

Keywords

Explore catalogue entries

decade: 1890–99 »
theme: Landscape »

Provenance

Ambroise Vollard, Paris
Sergei Shchukin, Moscow (May 4, 1906)
First Museum of Modern Western Painting, Moscow (1918);
State Museum of Modern Western Art, Moscow (1923);
Pushkin Museum, Moscow (1948)

Exhibition History

1904b Paris: Grand Palais, Salon d'Automne, no. 15, L'Aqueduc, lent by Vollard.
1926 Moscow: Museum of Modern Western Art, Paul Cézanne, Vincent van Gogh, no. 21.
1936c Paris: Musée de l'Orangerie, Cézanne, no. 103, Le Viaduc, lent by Moscow.
1939 Moscow: French 19th–20th Century Landscape, no number, p. 46.
1956a Leningrad: Hermitage Museum, Paul Cézanne: 50 Years since His Death, no. 10, ill.
1966–67 Tokyo and traveling: National Museum, Tokyo, Masterpieces of Modern Painting from the U.S.S.R., no. 55, ill.
1972 Prague: Narodni Galerie, Masterpieces from the Pushkin Museum of Fine Arts in Moscow, no. 6.
1973 Washington, D.C. and traveling: National Gallery of Art, Washington, D.C, Impressionist and Post-Impressionist Paintings from the U.S.S.R., no. 2, ill.
1987 Lugano: Villa Favorita, Impressionisten und Post-Impressionisten aus sowjeischen Muséen II, no. 16, ill.
1997 Kasama: Kasama Nichido Museum of Art, Kasama, Ibaraki, Cézanne, no. 18, ill.
1998 St. Petersburg and traveling: State Hermitage Museum, St. Petersburg, Cézanne and the Russian Avant-Garde, no. 22, ill. (dated 1886–87).
2002 Rome: Complesso dei Vittoriano, Cézanne: Il padre dei moderni, no number, ill, p. 177, L'acquedotto, lent by Pushkin Museum.
2006 Washington, D.C. and traveling: National Gallery of Art, Washington, D.C, Cézanne in Provence, no. 71, ill. (dated c. 1885–90).
2016–17 Paris: Fondation Louis Vuitton, Icons of Modern Art, The Shchukin Collection, pp. 207, 438, ill.

Published References

Marx 1904a: "Le Salon d'Automne," p. 463, ill, L'aqueduc.
Vollard 1914: Paul Cézanne, pl. 45.
Bernard 1925: Souvenirs sur Paul Cézanne: une conversation avec Cézanne: la méthode de Cézanne, ill. opposite p. 141.
Ternovetz 1925: "Le Musée d'Art moderne de Moscou (Ancienne Collections Stchoukine et Morosoff)," p. 471, ill, Paysage de Provence.
Bernard 1926a: Souvenirs sur Paul Cézanne, Une Conversation avec Cézanne, ill. opp. p. 12.
Réau 1929: Catalogue d'art français dans les musées russes, no. 730.
Rewald and Marschutz 1936: "Cézanne et la Provence," frontispiece.
Huyghe 1936a: "Cézanne et son oeuvre," fig. 69.
Venturi 1936b: Cézanne: Son Art, Son Oeuvre, no. 477, ill. vol. II, L'aqueduc.
Benesch 1937: "Cézanne," p. 73, ill.
Besson 1938: Cézanne, 10 Planches en couleurs
Barnes and de Mazia 1939: The Art of Cézanne, no. 152, p. 261, ill. (analysis p. 347).
Sterling 1957: Musée de l'Ermitage: La Peinture française de Poussin à nos jours, pl. 85.
Erpel 1958: Paul Cézanne, p. 25.
Sterling 1958: Great French Painting in the Hermitage Museum, Leningrad, pl. 85.
Descargues 1961: The Hermitage Museum, Leningrad, p. 221, ill.
Feist 1963: Paul Cézanne, pp. 29, 44, pl. 53.
Sedova 1974: From Manet to Picasso, no. 28, ill.
Elgar 1975: Cézanne, fig. 120.
Barskaya 1975a: Paul Cézanne, pl. 10.
Kuznetsova and Georgievskaia 1979: French Painting from the Pushkin Museum: 17th to 20th Century, no. 177, ill.
Bessonova and Williams 1986: Impressionism and Post-Impressionism: The Hermitage, Leningrad, The Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington, p. 163, ill.
Lévêque 1988: La Vie et l'oeuvre de Paul Cézanne, p. 13, ill. in color.
Boardingham 1995: "Cézanne and the 1904 Salon d 'Automne, 'Un chef d'une école nouvelle'," fig. 6 p. 36, L'Aqueduc.
De Lartigue 1995: Les paysages de Paul Cézanne, p. 101, ill.
Rewald 1996: The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols., no. 695, ill. vol. 2, L'Aqueduc.
Schmidt 2004a: Cézannes Lehre, fig. 35.
Feilchenfeldt 2005c: "Cézannes Motive: Versuch einer neuen Ordnung," p. 211, ill.
Machotka 2008: Cézanne: The Eye and the Mind, 2 vols., vol. 1, fig. 236; vol. 2, p. 160, L'Aqueduc.
Machotka 2014: Cézanne: Landscape into Art, p. 122, fig. 40a, with color photo of motif, fig. 40b, Pins devant la Sainte-Victoire depuis la colline de Valcros.
Chédeville 2014e: "Le Viaduc dans la plaine de l'Arc IV"
Coutagne 2015: "P. Cézanne, sur la colline de la Constance–Valcros," ill. p. 56.
Page citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Montagne Sainte-Victoire et viaduc du côté de Valcros, c. 1890 (cat. no. 265)." The Paintings of Paul Cézanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=673 (accessed August 18, 2018).
Record last updated May 31, 2017. Please note that the information on this and all pages is periodically reviewed and subject to change.