Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:
Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.
Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.
Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.
Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.
Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).
Alonso Cano, Cristo muerto sostenido por un ángel (The Dead Christ Supported by an Angel), Museo del Prado, Madrid. Cezanne probably knew this work from a wood-engraved reproduction in Charles Blanc's 1869 Histoire des peintres de toutes les écoles: Ecole espagnole.
Raphael, Psyché présentant à Vénus l'eau du Styx or Psyché présentant à Vénus le cadeau de Proserpine (Venus receiving rom Psyche the flask containing water from the Styx), sanguine, Musée du Louvre, Paris. S. Nagy; RMN-Grand Palais (Musée du Louvre)
Luca Signorelli, Homme nu entourant les épaules d'un autre homme avec son bras gauche (Study of two standing men), black stone on paper, Musée du Louvre, Paris.
Studio of Paulo Veronese, La famille de Loth fuyant Sodome (Lot's Family fleeing Sodom), oil on canvas, Musée du Louvre. The original of the painting is held at the Kunsthistorische Museum in Vienna.
Luca Signorelli, Homme nu entourant les épaules d'un autre homme avec son bras gauche (Study of two standing men), black stone on paper, Musée du Louvre, Paris.
Luca Signorelli, Homme nu entourant les épaules d'un autre homme avec son bras gauche (Study of two standing men), black stone on paper, Musée du Louvre, Paris.
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris. Erich Lessing; Musée du Louvre
Martin van den Bogaert, known as Desjardins, Bust of Pierre Mignard, marble, Musée du Louvre, Paris. Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
Martin van den Bogaert, known as Desjardins, Bust of Pierre Mignard, marble, Musée du Louvre, Paris. Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
Martin van den Bogaert, known as Desjardins, Bust of Pierre Mignard, marble, Musée du Louvre, Paris. Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
2nd century AD, after a bronze groupe from the 2nd century BC, Satyre dansant, fragment of a group known as "L’Invitation à la danse", marble, Musée du Louvre, Paris. Thierry Olivier; 2011 Musée du Louvre
Desiderio da Settignano, Head of a young boy, marble, Museo Nazionale del Bargello, Florence. Cezanne copied a plaster cast of the work in the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
Roman, c. 20 BC, Statue funéraire et honorifique de Marcellus formerly known as Germanicus, marble, Musée du Louvre, Paris. Hervé Lewandowski; 1996 RMN
Roman, c. 20 BC, Statue funéraire et honorifique de Marcellus formerly known as Germanicus, marble, Musée du Louvre, Paris. Hervé Lewandowski; 1996 RMN
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
Roman copy, 2nd century AD, after a Greek original of the 2nd century BC, Centaure âgé tourmenté par Eros (Cupidon), dieu de l’amour (Old Centaur teased by Eros) , marble, Musée du Louvre, Paris. Jastrow (2006)
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris. Erich Lessing; Musée du Louvre
Benedetto da Maiano, Bust of Pietro Mellini, marble, National Museum of Bargello, Florence. Cezanne copied a plaster cast that was on exhibit at the Musée de Sculpture comparée in the Palais de Chaillot, Trocadéro, Paris.
Eugène Delacroix, Prise de Constantinople par les Croisés (12 avril 1204), dit aussi Entrée des Croisés à Constantinople (Entry of the Crusaders in Constantinople), Musée du Louvre, Paris.
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris. Erich Lessing; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php(accessed on May 1, 2025).