The Paintings, Watercolors and Drawings of Paul Cezanne
Le Pont des Trois Sautets
Alternate titles: De rivier bij de Pont des Trois Sautets; La rivière au Pont des Trois Sautets; The River at the Bridge of Trois Sautets
Rewald: (W644); Venturi revised: 1906; Venturi: (1076) 1906; Ratcliffe: possibly August 1906
Graphite and watercolor on paper
16 1/16 x 21 3/8 in. (40.8 x 54.3 cm)
Traveled to: Musee de l'Orangerie, Paris, October 1958–January 1959; Metropolitan Museum of Art, New York, February 3–March 15, 1959.
Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Paris: Vollard, 1914, p. 117, ill.
Munich: R. Piper, 1918, ill. p. 204.
Munich: R. Piper, 1922, ill. p. 246.
Paris: Editions Paul Rosenberg, 1936, no. 1076, ill. vol. II, as La rivière au Pont des Trois Sautets.
Berkeley: University of California Press, 1943, p. 112, pl. XXV (with photograph of the motif).
Art Quarterly (Winter 1952), p. 348.
Bulletin of the Cincinnati Art Museum 11 (May 1952), pp. 6-7, ill.
"Cézanne and a Pine Tree." Bulletin of the Allen Memorial Art Museum 21, no. 1 (Fall 1963), p. 20.
New York: Time-Life Books, 1968, p. 159, ill.
Prague, 1968; Paris 1972, fig. 63.
"The Logic of Organized Sensations." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 69, ill.
"Cézanne's Last Motifs at Aix." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 104, ill. (with photograph of the motif) and pl. 113.
Geneva: Éditions d'Art Albert Skira, 1979, p. 198, ill.
Aix-en-Provence: Edisud, 1982, p. 36, ill.
Boston: Little, Brown; London: Thames & Hudson, 1983, no. 644, ill.
London: Macdonald, 1988, p. 246, ill.
Paris: Flammarion, 1995, p. 122-23, ill.
"Les paysages." Dossier de l'art (Dijon), no. 25 (September - October 1995), ill. p. 20.
Paris: Réunion des musées nationaux, 1996, p. 174.
Edited by Pavel Machotka. Marseille: Editions Crès, 2005, p. 55, ill., two photos of motif by Henry Ely and Pavel Machotka, p. 54.
Paris: Flammarion, 2006, p. 39, fig. 11.
New Haven and London: Yale University Press, 2008, p. 188, fig. 142.
Paris: Éditions Langlaude, 2010, p. 79, ill.
Edited and translated by Alex Danchev. London and Los Angeles: Thames & Hudson; Getty Publications, 2013, p. 368, ill.
"Cézanne's 'Primitive' Perspective, or the 'View from Everywhere.'" The Art Bulletin 95, no. 1 (March 2013), fig. 2.
Prague: Arbor Vitae, 2014, p. 204, fig. 76a, with color photo of motif, fig. 76b, as Le Pont des Trois Sautets.
London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 259, fig. 185.
Record last updated June 6, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Le Pont des Trois Sautets, 1906 (FWN 1519)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=1627 (accessed on May 29, 2022).