The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 260
La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph
1888–90
Alternate titles: Colline des pauvres; La Colline des pauvres; Le Domaine Saint-Joseph; Paysage; View of the Domaine Saint-Joseph
Rewald (612): 1888–90; Venturi revised: 1890–94; Venturi (660): 1888–94; Rivière: c.1892; Vollard: 1887 (Armory Show); Reff: 1890–94 (MoMA)
Oil on canvas
25 5/8 x 31 7/8 in. (65 x 81 cm)
Vollard A stockbook: no. 3759, huile; paysage; au milieu d'une verdure deux maisons jaunes, 65 x 81 cm (200 frs)
Provenance
Exhibition History
Frankfurter Kunstverein, Frankfurt, Germany, Die klassische Malerei Frankreichs im 19. Jahrhundert: ein Überblick über die Entwicklung der modernen französischen Malerei in ausgewählten Werken der führenden Meister, July 18–September 30, 1912, hors catalogue.
Armory of the Sixty-Ninth Regiment, New York, International Exhibition of Modern Art [Armory Show], February 17–March 15, 1913, no. 217, as Colline des pauvres, lent by Vollard. Traveled to: Art Institute, Chicago, March 24–April 15, 1913; Copley Hall, Boston, April 28–May 18, 1913.
The Metropolitan Museum of Art, New York, Landscape Painting, May 14–September 30, 1934, no. 53.
Pennsylvania Museum of Art, Philadelphia, Cézanne, November–December 1934, no. 41, as La Colline des pauvres, lent by Met.
Cincinnati Art Museum, Cincinnati, Pictures for Peace: A Retrospective Exhibition Organized from the "Armory Show" of 1913, March 18–April 16, 1944, no. 4, ill.
Pavillon de Vendôme, Aix-en-Provence, France, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July 21–August 15, 1956, no. 52, ill. lent by Metropolitan Museum.
Haus der Kunst, Munich, Paul Cézanne, October 12–November 18, 1956, no. 46, ill. lent by Metropolitan Museum.
Wallraf-Richartz-Museum, (Kunsthaus Lempertz), Cologne, Cézanne, Ausstellung zum Gedenken an sein 50. Todesjahr, December 1956–January 1957, no. 25, ill. lent by Metropolitan Museum.
Musée d'Art Moderne, Paris, Les Sources du XXe siècle: les arts en Europe de 1884 à 1914, November 4, 1960–January 23, 1961, no. 84, as La Colline des pauvres, c. 1895-97, lent by The Metropolitan Museum of Art, New York.
Österreichische Galerie, Belvedere, Vienna, Paul Cézanne, April 14–June 18, 1961, no. 35.
Munson-Williams-Proctor Institute, Utica, New York, 1913 Armory Show: 50th Anniversary Exhibition, February 17–March 31, 1963, no. 217, ill., p. 51. Traveled to: Armory of the 69th Regiment, New York, April 6–28, 1963.
Association of American Painters and Sculptors, Armory of the 69th Regiment, New York, April 6–28, 1963, no. 217. Traveled to: Munson-Williams-Proctor Institute, Utica, New York, February 17–March 31, 1963.
Wildenstein Galleries, New York, Olympia's Progeny: French Impressionist and Post-Impressionist Paintings (1865-1905), October 28–November 27, 1965, no. 66, ill., as La Colline des pauvres, 1888-94, lent by The Metropolitan Museum.
National Museum of Western Art, Tokyo, Cézanne, March 30–May 19, 1974, no. 38. Traveled to: Municipal Museum, Kyoto, Japan, June 1–July 17, 1974; Cultural Center, Fukuoka, Japan, July 24–August 18, 1974.
Yokohama Museum of Art, Yokohama, Japan, Treasures from the Metropolitan Museum of Art, March 25–June 4, 1989, no. 91, ill.
Musée Granet, Aix-en-Provence, France, Sainte-Victoire: Cézanne, June 16–September 2, 1990, no. 26, fig. 136.
Art Gallery of New South Wales, Sydney, Classic Cézanne, November 28, 1998–February 28, 1999, no. 28, ill., as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph, 1888-90, lent by The Metropolitan Museum of Art, New York.
The Metropolitan Museum of Art, New York, Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, September 14, 2006–January 7, 2007, no. 39, fig. 27, pp. 23, 341, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph. Traveled to: The Art Institute of Chicago, Chicago, February 17–May 13, 2007; Musée d'Orsay, Paris, June 19–September 16, 2007.
Montclair Art Museum, Montclair, New Jersey, Cézanne and American Modernism, September 13, 2009–January 3, 2010, no. 8, ill., p. 150, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph. Traveled to: The Baltimore Museum of Art, Baltimore, February 14–May 23, 2010; Phoenix Art Museum, Phoenix, June 26–September 26, 2010.
New-York Historical Society, New York, The Armory Show at 100, Modernism and Revolution, October 11, 2013–February 23, 2014.
Metropolitan Museum of Art, New York, Unfinished: Thoughts left visible, March 18–September 4, 2016, p. 163, pl. 120, text p. 280.
Published References
Burroughs, Bryson. "Recent Accessions: A Landscape by Cézanne." Bulletin of the Metropolitan Museum of Art 8 (May 1913), pp. 108–09, ill.
Bernheim-Jeune, ed. Cézanne. With contributions by O. Mirbeau, T. Duret, L. Werth, et al. Paris: Editions Hollande, 1914, pl. LI.
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 219, listed (as La Petite Roquefavour).
Burroughs, Bryson. Catalogue of Paintings. New York: The Metropolitan Museum of Art, 1926, p. 49.
Parker, De Witt H. The Analysis of Art. New Haven: Yale University Press, 1926, p. 6, ill.
Sakier, George. "La peinture française du XIXe siècle au 'Metropolitan Museum of Art' de New York." L'Amour de l'art 7, no. 6 (June 1926), ill. p. 202.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 660, ill. vol. II, as La Colline des pauvres.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 33.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 110, listed (analysis pp. 356–57).
Mellquist, Jerome. "The Armory Show Thirty Years Later." Magazine of Art 36 (December 1943), p. 301, ill.
Sterling, Charles, and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art, vol. III. New York: The Metropolitan Museum of Art, 1967, p. 115, ill.
Salinger, Margaretta. "Windows Open to Nature." Bulletin of the Metropolitan Museum of Art 27, no. 1 (Summer 1968), ill.
Reff, Theodore. "Painting and Theory in the Final Decade." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 27, ill.
Baetjer, Katherine. European Paintings in the Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue. New York: The Metropolitan Museum of Art, 1980, p. 27, ill. p. 618.
Shiff, Richard. Cézanne and the end of Impressionism: a study of the theory, technique, and a critical evaluation of modern art. Chicago; London: The Univesity of Chicago Press, 1984, pp. 121-123, fig. 29, as View of the Domaine Saint-Joseph, c. 1888-1898.
Moffett, Charles S. Impressionist and Post-Impressionist Paintings in the Metropolitan Museum of Art. New York: Harry N. Abrams, 1985, p. 201, ill.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, pp. 192, 200, 203–07.
Lartigue, Charles de. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, p. 30, ill.
Machotka, Pavel. Cézanne: Landscape into Art. New Haven: Yale University Press, 1996, p. 83, fig. 52, with photograph of motif, p. 82, fig. 51, as Le Domaine Saint-Joseph.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 612, ill. vol. 2, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph.
Shiff, Richard. "Mark, Motif, Materiality." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 114, fig. 18, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph.
Smith, Paul. "Cézanne's Late Landscapes, or the Prospect of Death." In Cézanne in Provence. Washington, D.C.: National Gallery of Art; New Haven: Yale University Press, 2006. Exhibition catalogue, p. 69, fig. 12, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 232; vol. 2, p. 158, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph.
Taylor, Michael R. "Learning from 'Papa Cézanne': Arshile Gorky and the (Self-) Invention of the Modern Artist." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: Yale University Press, 2009. Exhibition catalogue, p. 412, fig. 15.1, as View of the Domaine Saint-Joseph, dated late 1880s.
Machotka, Pavel. Cézanne: Landscape into Art. Prague: Arbor Vitae, 2014, p. 135, fig. 46b, with color photo of motif, fig. 46a, as La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 71, ill., as Paysage.
Record last updated March 31, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Colline des Pauvres près du Château Noir, avec vue sur Saint-Joseph, 1888–90 (FWN 260)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=594 (accessed on April 19, 2024).
