Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

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historical photography
Cézanne seated in front of this painting in his Lauves studio, 1904.
Emile Bernard
Grandes baigneuses, 1895–1906 (980)
work by other artists
Lucien Freud, After Cézanne, 1999-2000. Oil on canvas. National Gallery of Australia, Canberra
postcard
Le Pont et le déversoir à Pontoise, image from A.Mothe
work by other artists
Armand Guillaumin, Nature morte: fleurs, faience et livres, dated July 1872, Musée d'Orsay; same fabric on table
Bouquet au dahlia jaune, 1872–73 (718)
work by other artists
Camille Pissarro, Louveciennes, 1871. Oil on canvas, 90 x 116.5 cm. Private Collection
work by other artists
Page from La Mode Illustrée, May 7, 1871
La Promenade, 1871 (608)
work by other artists
Pissarro, Rue de la Citadelle, Pontoise, 1873 (Pissarro-Snollaerts, no. 323)
work by other artists
Vincent van Gogh, Maisons à Auvers, June 1890. Toledo Museum of Art (Gift of Edward Drummond Libbey)
work by other artists
Camille Pissarro, Le Jardin de Maubuisson, Pontoise, printemps, 1877. Musée d'Orsay, Paris
work by other artists
Camille Pissarro, La Rue de l'Hermitage, au Fond de l'Hermitage, 1875 (Pissarro-Snollaerts, no. 408)
work by other artists
Eugène Delacroix, Hamlet et Horatio au cimetière (Hamlet and Horatio at the Grave), oil on canvas, Musée du Louvre, Paris.
site photography
le cabanon du Claou, before restoration
Gardanne vu du Claou, 1883–85 (197)
site photography
le cabanon du Claou after restoration (2006)
Gardanne vu du Claou, 1883–85 (197)
site photography
House in Le Quartier des Fabriques, Sainte-Victoire seen from "La Barque"
work by other artists
Armand Guillaumin, La Seine à Bercy (Kunsthalle Hamburg)
work by other artists
Nicholas Poussin, L'Été , circa 1660–64. Musée du Louvre, Paris
La Moisson, c.1877 (651)
work by other artists
Camille Pissarro, Rue de Gisors, la maison du père Gallien, Pontoise, 1873. Private collection, U.S.A.
work by other artists
Henry Moore, Three Bathers – After Cézanne, 1978. Bronze.
Trois baigneuses, c.1875 (920)
work by other artists
Edouard Vuillard, Le Salon Hessel, rue de Rivoli, 1901
Cinq baigneuses, 1877–78 (941)
work by other artists
Honoré Daumier, "Une salle de l'hôtel Drouot, un jour d'exposition," Le Monde illustré, May 10, 1862, wood engraving
Vénus et l'Amour, c.1878 (652)
work by other artists
Armand Guillaumin, Route Tournante. 1877. 46 x 55 cm. (Sotheby's June 23, 2011, Lot 155)
La Route tournante, c.1877 (110)
work by other artists
Auguste Renoir, Crags at L'Estaque, 1882. Museum of Fine Arts, Boston
work by other artists
Maurice Denis, Hommage à Cézanne, 1900-01, Musée d'Orsay
Nature morte au compotier, 1879–80 (780)
work by other artists
Edouard Vuillard, Portrait of Jos Hessel, 1905 (Private collection)
work by other artists
Formerly attributed to El Greco, Lady in a Fur Wrap, c. 1577 (Glasgow Museums). The painting was reattributed to Alonso Sanchez Coello in 2019.
work by other artists
J.-B. Laurens after an engraving of El Greco, Lady in a Fur Wrap. published in Le Magasin pittoresque, vol. 28, 1860, p. 292
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
Le Bac à Bonnières, 1866 summer (42)
postcard
Vintage postcard view of the motif
Courtesy Alain Mothe
postcard
Vintage postcard view of the motif.
Courtesy Alain Mothe
postcard
Vintage postcard view of the Seine taken upstream from the quai Austerlitz
Courtesy Alain Mothe
postcard
Postcard view of the house of Père Lacroix
Courtesy Alain Mothe
postcard
Postcard view of the two dams in Melun
Courtesy Alain Mothe
postcard
Vintage postcard view of the motif
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Vintage postcard view of the motif.
Courtesy Alain Mothe
Le Château de Médan, c.1880 (149)
postcard
Vintage postcard view of the Pont de Maincy.
Courtesy Alain Mothe
Le Pont de Maincy, 1879–80 (143)
postcard
Postcard view of Gardanne
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Postcard view of typical rock formations in the forest of Fontainebleau
Courtesy Alain Mothe
Rochers dans le bois, c.1893 (290)
postcard
Postcard view of motif. Courtesy of Alain Mothe.
postcard
Pont et petit bras de l'île Machefer
Courtesy Alain Mothe
postcard
Postcard view of the moulin brûlé
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
Arbres et maisons au bord de l'eau, 1892–93 (possibly earlier) (280)
postcard
1910 postcard view of house, which no longer exists
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
Le Lac d'Annecy, 1896 (311)
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
Giverny, 1894 (300)
postcard
Courtesy Alain Mothe
postcard
Vintage postcard view of the park at the Château de Busagny in Osny.
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
postcard
Vintage postcard view of the motif.
Courtesy Alain Mothe
work by other artists
Rembrandt van Rijn, The Flayed Ox, 1655. Musée du Louvre, Paris
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Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on June 25, 2021).