Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 241 to 300 of 743
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site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Recent photograph of the motif
J. Warman
Etude de Bibémus, n.d. (1233-TA)
Etude de Bibémus, n.d. (1233-TA)
site photography
Recent photograph of motif near Bibémus Quarry
J. Warman
Rochers à Bibémus, 1895–1900 (1383)
Rochers à Bibémus, 1895–1900 (1383)
site photography
Photograph of the motif
Didier Bonfort
site photography
Possible motif of FWN 314, although the overgrown vegetation shown in the photograph obscures what is seen in the foreground of the painting.
Didier Bonfort
site photography
Paul Smith
La Montagne Sainte-Victoire, 1900–02 (348)
site photography
Courtesy Paul Smith
site photography
Paul Smith
Rochers à l'Estaque, 1879–82 (153)
Rochers à l'Estaque, 1879–82 (153)
site photography
Paul Smith
La Carrière de Bibémus, 1898–1900 (318)
La Carrière de Bibémus, 1898–1900 (318)
site photography
Geneviève Blanc
site photography
Geneviève Blanc
site photography
Geneviève Blanc
La Mer à l'Estaque, 1878–79 (possibly later) (122)
La Mer à l'Estaque, 1878–79 (possibly later) (122)
site photography
Paul Smith
Bibémus, 1894–95 (305)
Bibémus, 1894–95 (305)
site photography
Photo montage of motif
Didier Bonfort
work by other artists
Lucien Freud, After Cézanne, 1999-2000. Oil on canvas. National Gallery of Australia, Canberra
work by other artists
Armand Guillaumin, Nature morte: fleurs, faience et livres, dated July 1872, Musée d'Orsay; same fabric on table
Bouquet au dahlia jaune, 1872–73 (718)
Bouquet au dahlia jaune, 1872–73 (718)
work by other artists
Page from La Mode Illustrée, May 7, 1871
La Promenade, 1871 (608)
La Promenade, 1871 (608)
work by other artists
Pissarro, Rue de la Citadelle, Pontoise, 1873 (Pissarro-Snollaerts, no. 323)
work by other artists
Vincent van Gogh, Maisons à Auvers, June 1890. Toledo Museum of Art (Gift of Edward Drummond Libbey)
work by other artists
Camille Pissarro, Le Jardin de Maubuisson, Pontoise, printemps, 1877. Musée d'Orsay, Paris
work by other artists
Camille Pissarro, La Rue de l'Hermitage, au Fond de l'Hermitage, 1875 (Pissarro-Snollaerts, no. 408)
work by other artists
Eugène Delacroix, Hamlet et Horatio au cimetière (Hamlet and Horatio at the Grave), oil on canvas, Musée du Louvre, Paris.
work by other artists
Armand Guillaumin, La Seine à Bercy (Kunsthalle Hamburg)
work by other artists
Nicholas Poussin, L'Été , circa 1660–64. Musée du Louvre, Paris
La Moisson, c.1877 (651)
La Moisson, c.1877 (651)
work by other artists
Camille Pissarro, Rue de Gisors, la maison du père Gallien, Pontoise, 1873. Private collection, U.S.A.
work by other artists
Henry Moore, Three Bathers – After Cézanne, 1978. Bronze.
Trois baigneuses, c.1875 (920)
Trois baigneuses, c.1875 (920)
work by other artists
Edouard Vuillard, Le Salon Hessel, rue de Rivoli, 1901
Cinq baigneuses, 1877–78 (941)
Cinq baigneuses, 1877–78 (941)
work by other artists
Honoré Daumier, "Une salle de l'hôtel Drouot, un jour d'exposition," Le Monde illustré, May 10, 1862, wood engraving
Vénus et l'Amour, c.1878 (652)
Vénus et l'Amour, c.1878 (652)
work by other artists
Armand Guillaumin, Route Tournante. 1877. 46 x 55 cm. (Sotheby's June 23, 2011, Lot 155)
La Route tournante, c.1877 (110)
La Route tournante, c.1877 (110)
work by other artists
Auguste Renoir, Crags at L'Estaque, 1882. Museum of Fine Arts, Boston
work by other artists
Maurice Denis, Hommage à Cézanne, 1900-01, Musée d'Orsay
Nature morte au compotier, 1879–80 (780)
Nature morte au compotier, 1879–80 (780)
work by other artists
Edouard Vuillard, Portrait of Jos Hessel, 1905 (Private collection)
work by other artists
Formerly attributed to El Greco, Lady in a Fur Wrap, c. 1577 (Glasgow Museums). The painting was reattributed to Alonso Sanchez Coello in 2019.
work by other artists
J.-B. Laurens after an engraving of El Greco, Lady in a Fur Wrap. published in Le Magasin pittoresque, vol. 28, 1860, p. 292
work by other artists
Rembrandt van Rijn, The Flayed Ox, 1655. Musée du Louvre, Paris
Pain et gigot d'agneau, c.1865 (705)
work by other artists
Peter Paul Rubens, Ixion trompé par Junon, c. 1610. Musée du Louvre, Paris
Satyres et Nymphes, c.1867 (592)
Satyres et Nymphes, c.1867 (592)
work by other artists
Coysevox, Vénus accroupie, 1685–86. Musée du Louvre, Paris
Satyres et Nymphes, c.1867 (592)
Satyres et Nymphes, c.1867 (592)
work by other artists
Henri Matisse, "Peaches and Leaves" after Cézanne, 1914, charcoal on paper (Metropolitan Museum of Art, NY)
Fruits et feuillages, c.1890 (?) (816-TA)
Fruits et feuillages, c.1890 (?) (816-TA)
work by other artists
P-A Renoir, Pigeonnier de Bellevue, c. 1888–89, 54 x 65 cm, Barnes Foundation, Philadelphia
Pigeonnier de Bellevue, 1889–90 (270)
Pigeonnier de Bellevue, 1889–90 (270)
work by other artists
Camille Pissarro, Portrait de Paul Cézanne, 1874. National Gallery, London (On loan from Laurence Graff OBE)
Portrait de l'artiste, c.1875 (434)
Portrait de l'artiste, c.1875 (434)
work by other artists
Camille Pissarro, Near Sydenham Hill, 1871, Oil on canvas 17 1/8 x 21 1/16 in. (43.5 x 53.5 cm)
Kimbell Art Museum
work by other artists
Armand Guillaumin, La Seine à Paris, 1871, Museum of Fine Arts, Houston.
Portrait de Madame Cezanne, c.1872 (431-TA)
work by other artists
Armand Guillaumin, La Seine à Paris, 1871, Museum of Fine Arts, Houston.
Portrait de l'artiste, c.1875 (434)
Portrait de l'artiste, c.1875 (434)
work by other artists
Caricature by Stock
no image available
Femme nue, Before 1870 (595-TA)
work by other artists
Eugène Delacroix, Le Barque de Dante
work by other artists
Camille Pissarro, Bouquet de Pivoines, 1873 (Ashmolean)
work by other artists
Morgan Russell, Three Apples, 1910. Museum of Modern Art, NY
Cinq pommes, 1877–78 (756)
Cinq pommes, 1877–78 (756)
work by other artists
Paul Gauguin, Portrait of a Woman, 1890 (Art Institute of Chicago)
Nature morte au compotier, 1879–80 (780)
Nature morte au compotier, 1879–80 (780)
work by other artists
Marius Reinaud, Intérieur du Colisée, 1814. Etching after a drawing by Granet. Cabinet des Estampes, Bibliothèque Nationale.
work by other artists
Georges Manzana-Pissarro, Impressionist Picnic (Guillaumin, Pissarro, Gauguin, Cézanne, Madame Cézanne and Manzana-Pissarro). Pen and ink on paper, inscribed "Souvenir de l'été 1881."
work by other artists
Camille Pissarro, Les Carrières du Chou, Pontoise, 1882.
work by other artists
Paul Gauguin, Chou Quarries at Pontoise II, 1882. National Gallery of Canada, Ottawa
work by other artists
Auguste Renoir, Crags at L'Estaque, 1882. Museum of Fine Arts, Boston
Au fond du ravin, l'Estaque, 1878–79 (123)
work by other artists
Georges Manzana Pissarro, Cézanne à la maison du pendu
work by other artists
P.-A. Renoir, La Montagne Sainte-Vicroire, 1889. Yale University Art Gallery, New Haven, Ct.
La Montagne Sainte-Victoire, 1888–90 (258)
work by other artists
Edouard Vuillard, Portrait of Paul Cézanne, transfer lithograph, 1914
work by other artists
Adriaen van Ostade, La Famille, 1647. Etching
results 241 to 300 of 743
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php (accessed on May 20, 2024).