The Paintings, Watercolors and Drawings of Paul Cezanne
Alternate titles: Les deux Promeneuses; The promenade; Zwei Frauen im Garten
Rewald: (153) 1871; Venturi: (119) c.1870; Venturi revised: c.1871; Rivière: c.1875–76; Machotka et al: c.1871
Oil on canvas
22 3/16 x 18 1/5 in. (56.5 x 47 cm)
Private collection, New York;
Traveled to: Isetan Museum of Art, Tokyo, October 17–December 9, 1980.
Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C, January 29–April 30, 1989.
[English translation: Impressionism, Fashion & Modernity], September 25, 2012–January 20, 2013, no. 25, ill., as La Promenade, shown with original hand colored engraving, lent by Private collection. Traveled to: The Metropolitan Museum of Art, New York, February 26–May 27, 2013; The Art Institute of Chicago, Chicago, June 26–September 22, 2013.
Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Heilbut, Emil. "Die Ausstellung der Berliner Secession." Kunst und Künstler 1 (1902-03), p. 308.
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 203, listed.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 119, ill. vol. II, as La Promenade.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 37, ill. p. 170 (analysis p. 313).
Vauxcelles, Louis. "Le Salon des Indépendants." Le Monde illustré (Paris) (March 25, 1939), n.p., as La Promenade.
Rewald, John. The History of Impressionism. New York: The Museum of Modern Art, 1946, p. 179, ill.
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 25, listed p. 146.
Rewald, John. The History of Impressionism. New York: The Museum of Modern Art, 1961, p. 208, ill.
Buren, Anne H. van. "Madame Cézanne's Fashions and the Dates of Her Portraits." Art Quarterly 29, no. 2 (1966), p. 124, note 2.
Roskill, Mark W. "Early Impressionism and the Fashion Print." The Burlington Magazine 112, no. 807 (June 1970), p. 392, note2.
Roskill, Mark W. "Early Impressionism and the Fashion Print." The Burlington Magazine 113, no. 814 (January 1971), p. 46.
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 126.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 153, ill. vol. 2, as La Promenade.
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, pp. 46–47, 195, fig. 1.34, as La Promenade, owner erroneously listed as Pushkin Museum.
Dombrowski, André. "The emperor's last clothes: Cézanne, fashion and 'l'année terrible.'" The Burlington Magazine 148, no. 1242 (September 2006), fig. 8, as The promenade, c.1871, with photograph of color plate from La Mode illustrée.
Dombrowski, André. Cézanne, Murder, and Modern Life. Berkeley: University of California Press, 2013, pl. 15a.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 266, ill.
Record last updated May 6, 2020. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "La Promenade, 1871 (FWN 608)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=161 (accessed on December 2, 2022).