Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 541 to 600 of 743
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work by other artists
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this.
Bibliothèque nationale de France
work by other artists
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this.
Bibliothèque nationale de France
work by other artists
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this.
Bibliothèque nationale de France
work by other artists
Barthélemy d´Eyck, Brustbild eines Mannes (Portrait of a Man), oil on panel, The Princely Collections, Liechtenstein.
The Princely Collections, Liechtenstein
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
D'après Michel-Ange: deux soldats, c.1874–79 (3008-48b)
D'après Michel-Ange: deux soldats, c.1874–79 (3008-48b)
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Marcantonio Raimondi, La Cassolette, engraving after Raphael, V&A's collections, London.
Victoria and Albert Museum, London
work by other artists
Marcantonio Raimondi, La Cassolette, engraving after Raphael, V&A's collections, London.
Victoria and Albert Museum, London
Feuille d'études, c.1879 (2293)
Feuille d'études, c.1879 (2293)
work by other artists
Marcantonio Raimondi, La Cassolette, engraving after Raphael, V&A's collections, London.
Victoria and Albert Museum, London
work by other artists
Augustin Pajou, Psyché abandonnée (Psyche Abandoned), 1790, marble, Musée du Louvre, Paris.
Thierry Ollivier; Musée du Louvre
Feuille d'études avec autoportrait  et d'après Pajou: Psyché abandonnée, c.1876 (nude woman); 1883 (self-portrait); 1885 (son) (2265)
Feuille d'études avec autoportrait et d'après Pajou: Psyché abandonnée, c.1876 (nude woman); 1883 (self-portrait); 1885 (son) (2265)
work by other artists
Portrait of the painter Juan Fernando de Navarrete (1526-79), known as El Mudo, wood engraving in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [55]
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
work by other artists
Le Magasin pittoresque, 1845, p. 133.
Source gallica.bnf.fr/ Bibliothèque national de France
work by other artists
Hans Holbein the Younger, Die Familie des Künstlers (The Family of the Artist), Kunstmuseum Basel.
Stephanie Buck, Hans Holbein, Cologne: Könemann, 1999
work by other artists
Dominique Lefèbvre after Michel Anguier, Mercure, marble, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
D'après Rubens: Bellone, 1879–82 (2137)
D'après Rubens: Bellone, 1879–82 (2137)
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
D'après Rubens: Bellone, 1879–82 (2138-TA)
D'après Rubens: Bellone, 1879–82 (2138-TA)
work by other artists
Antoine Coysevox, Venus accroupie (Crouching Venus), marble, Louvre, Lens
Chatsam
work by other artists
Antoine-Louis Barye, Jaguar marchant, bronze.
D'après Barye: Jaguar, 1877–80 (3008-05b)
D'après Barye: Jaguar, 1877–80 (3008-05b)
work by other artists
Le Magasin pittoresque, 1858, p. 12.
gallica.bnf.fr / Bibliothèque national de France
work by other artists
Le Magasin pittoresque, 1858, p. 13.
gallica.bnf.fr / Bibliothèque national de France
work by other artists
Le Magasin pittoresque, 1858, p. 13.
gallica.bnf.fr / Bibliothèque national de France
work by other artists
Leonardo da Vinci, Tête d'enfant de trois quarts à droite, Musée du Louvre, Paris.
RMN-Grand Palais (Musée du Louvre)
work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
work by other artists
Eugène Delacroix, Jeunes filles de Sparte s'exerçant à la lutte, Musée du Louvre, Paris.
RMN
work by other artists
Portrait of the painter Francisco de Goya y Lucientes, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [266], after an etching of Goya's self-portrait, plate 1 of Los Caprichos.
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
D'après Puget: Milon de Crotone, 1880–83 (3015-35b)
D'après Puget: Milon de Crotone, 1880–83 (3015-35b)
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
D'après Puget: Milon de Crotone, 1882–85 (3005-02a)
D'après Puget: Milon de Crotone, 1882–85 (3005-02a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
D'après Alonso Cano: Le Christ mort, After 1882 (3002-45b)
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
D'après Puget: Milon de Crotone et scène de genre: trois hommes allumant un feu de bois, Milo of Crotona, 1866–69; genre scene, 1870–73 (2220)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1877–80 (3006-28b)
D'après l'Ecorché, 1877–80 (3006-28b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1877–80 (3006-11a)
D'après l'Ecorché, 1877–80 (3006-11a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-34b)
D'après l'Ecorché, 1879–82 (3006-34b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-33b)
D'après l'Ecorché, 1879–82 (3006-33b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-19a)
D'après l'Ecorché, 1879–82 (3006-19a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-20a)
D'après l'Ecorché, 1879–82 (3006-20a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-37b)
D'après l'Ecorché, 1879–82 (3006-37b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-36a)
D'après l'Ecorché, 1879–82 (3006-36a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1881–84 (3012-06a)
D'après l'Ecorché, 1881–84 (3012-06a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-23b)
D'après l'Ecorché, 1879–82 (3006-23b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
L'Ecorché, 1900–04 (3010-29b)
L'Ecorché, 1900–04 (3010-29b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (3018-32b)
D'après l'Ecorché, 1893–96 (3018-32b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (3012-04b)
D'après l'Ecorché, 1893–96 (3012-04b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (2175)
D'après l'Ecorché, 1893–96 (2175)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
Etude de "l'Ecorché", 1893–96 (2173)
Etude de "l'Ecorché", 1893–96 (2173)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (2174-TA)
D'après l'Ecorché, 1893–96 (2174-TA)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3011-02a (right))
D'après Puget: Hercule au repos, 1887–90 (3011-02a (right))
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1889–92 (3002-28b)
D'après Puget: Hercule au repos, 1889–92 (3002-28b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1890–94 (3010-18a)
D'après Puget: Hercule au repos, 1890–94 (3010-18a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1881–84 (3010-44b)
D'après Puget: Hercule au repos, 1881–84 (3010-44b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1894–97 (3007-12b)
D'après Puget: Hercule au repos, 1894–97 (3007-12b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3005-03a)
D'après Puget: Hercule au repos, 1887–90 (3005-03a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3005-03b)
D'après Puget: Hercule au repos, 1887–90 (3005-03b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1890–94 (3005-39a)
D'après Puget: Hercule au repos, 1890–94 (3005-39a)
results 541 to 600 of 743
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php (accessed on May 20, 2024).