The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 2283
Feuille d'études dont un portrait de Goya
1877–80
Alternate titles: Page of studies, including a portrait of Goya; Portrait de Cézanne; Portrait de l'artiste; Etude d'après un autoportrait de Goya; Baigneuse; Skizzenblatt mit Selbstbildnis und Bildnisstudie nach Goya
Chappuis (405); Venturi (1474): 1883–47
Graphite on paper
19 11/16 x 11 13/16 in. (50 x 30 cm)
Private collection, New York
Provenance
Private collection, New York
Exhibition History
Österreichische Galerie, Belvedere, Vienna, Paul Cézanne, April 14–June 18, 1961, no. 105, c. 1885.
Pavillon de Vendôme, Aix-en-Provence, France, Exposition Cézanne: Tableaux, Aquarelles, Dessins, July 1–August 15, 1961, no. 47, ill., frontispiece, as Portrait de l'artiste; Etude d'après un autoportrait de Goya; Baigneuse, 1887-1890, lent by Sir Kenneth Clark, London.
Kunsthalle, Tübingen, Germany, Paul Cézanne - Das zeichnerische Werk, October 21–December 31, 1978, no. 43, ill. p. 138, as Skizzenblatt mit Selbstbildnis und Bildnisstudie nach Goya, 1877-1880, lent by Kenneth Clark, London.
Royal Academy of Arts, London, Master Drawings – The Woodner Collection, July 8–October 18, 1987, no. 94.
Published References
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 20 (detail (autoportrait)).
Levy, Simon. "Lettre sur Cézanne." L'Amour de l'art 1, no. 8 (December 1920), ill. p. 286 (detail (portrait de l'artiste)).
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 20 (detail (autoportrait)).
Meier-Graefe, Julius. "Cézanne." In Entwicklungsgeschichte der modernen Kunst vol. 3. Munich: R. Piper & Co., [1924] (copyright 1915), ill. p. 593 (detail (autoportrait)), as Selbstbildnis.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1474, ill. vol. II (detail), as Portrait de Cézanne.
Berthold, Gertrude. Cézanne und die alten Meister. Stuttgart: W. Kohlhammer, 1958, cat. no. 275, ill.
Schapiro, Meyer. "The Apples of Cézanne: An Essay on the Meaning of Still-Life." Art News Annual 34 (1968), p. 34, ill.
Andersen, Wayne V. Cézanne's Portrait Drawings. Cambridge, MA, London: MIT Press, 1970, no. 21, ill.
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 405, ill., as Page of studies, including a portrait of Goya.
Krumrine, Mary Louise. "Paul Cézanne: The Bathers." In Paul Cézanne: The Bathers. Basel: Museum of Fine Arts, 1989. Exhibition catalogue, ill. 45 p. 77.
Platzman, Steven. Cézanne: The Self-Portraits. Berkeley: University of California, 2001, p. 203, no. 10, ill., also p. 57, ill.
Ballas, Guila. Cézanne: baigneuses et baigneurs: thème et composition. Paris: Adam Biro, 2002, p. 282, no. 79, ill.
Friedman, Samantha. "Condensation: Cézanne's Study Sheets." In Cézanne Drawing. New York: The Museum of Modern Art, 2021. Exhibition catalogue, p. 20, fig. 1.
Record last updated July 31, 2020. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Feuille d'études dont un portrait de Goya, 1877–80 (FWN 2283)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=2064 (accessed on May 3, 2025).