Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 541 to 600 of 726
Filter by:
work by other artists
Modern study of Jean-Antoine Houdon's Ecorché by Avishek Banerjee.
Avishek Banerjee
D'après Houdon: l'Ecorché, 1894–98 (3018-11a)
work by other artists
Roman, 2nd century AD ?, after a Greek original, c. 150 BC, Hermaphrodite endormi, marble, Musée du Louvre, Paris.
Pierre-Yves Beaudouin
work by other artists
Nicolas Coustou, Chasseur au repos dit aussi Adonis se reposant de la chasse, marble, Musée du Louvre, Paris.
Hervé Lewandowski; RMN-Grand Palais
work by other artists
Nicolas Coustou, Chasseur au repos dit aussi Adonis se reposant de la chasse, marble, Musée du Louvre, Paris.
Hervé Lewandowski; RMN-Grand Palais
work by other artists
Nicolas Coustou, Chasseur au repos dit aussi Adonis se reposant de la chasse, marble, Musée du Louvre, Paris.
Hervé Lewandowski; RMN-Grand Palais
work by other artists
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.
Stéphane Maréchalle; 2010 RMN
work by other artists
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.
Stéphane Maréchalle; 2010 RMN
work by other artists
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.; RMN-Grand Palais (Musée du Louvre)
work by other artists
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.; RMN-Grand Palais (Musée du Louvre)
work by other artists
Jean-François Millet, Faucheur, vu par derrière, charcoal drawing, Musée du Louvre, Paris.
T. Le Mage; RMN-Grand Palais
work by other artists
Joseph Chinard, Portrait d'homme, terracotta, Musée du Louvre, Paris.
D'après Chinard: buste d'homme, 1897–1900 (3011-26a)
work by other artists
Nicolas Poussin, Echo et Narcisse, oil on canvas, Musée du Louvre, Paris.
Martine Beck-Coppola; 2011 Musée du Louvre
work by other artists
Lombard school, copy after Polidoro Caldara, Un trophée avec un casque, une cuirasse, deux boucliers et deux vases, Musée du Louvre, Paris.
RMN
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
Feuille d'études, c.1875–78 (male bather); c.1880 (Cezanne's son); c.1873 (watercolor) (2257)
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
Etude pour La toilette, 1879–82 (3007-41b)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
La Toilette, 1885–90 (665)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
La Toilette, c.1900 (695)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
Femme debout se coiffant, c.1887–90 (3010-30b)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
La Toilette, 1895–1900 (3018-x4a)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Théodore Géricault, Deux chevaux de halage, vus de dos, et un troisième indiqué à mi-corps, Musée du Louvre, Paris.
RMN
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
Etude pour La toilette, 1879–82 (3007-41b)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
La Toilette, 1885–90 (665)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
La Toilette, c.1900 (695)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
Femme debout se coiffant, c.1887–90 (3010-30b)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
La Toilette, 1895–1900 (3018-x4a)
work by other artists
Eugène Delacroix, Etudes de jeunes filles luttant, et personnage fouettant un enfant, Musée du Louvre, Paris.
RMN
work by other artists
2nd century AD, Bacchus, marble, Musée du Louvre, Paris.
Jastrow
D'après l'antique: Bacchus, 1882–85 (3002-01a)
work by other artists
Claude-Joseph Vernet, Le matin: les baigneuses (Women Bathers), oil on canvas, Musée du Louvre, Paris.
Michel Urtado; RMN-Grand Palais (Musée du Louvre)
work by other artists
Bartolomé Esteban Murillo. Le jeune Mendiant, Musée du Louvre, Paris.
Angèle Dequier; RMN-Grand Palais (Musée du Louvre)
D'après Murillo: Le jeune mendiant, c.1882–85 (3003-05a)
work by other artists
Charles-Antoine Coysevox, Portrait présumé de Charles Le Brun, premier peintre du roi de France Louis XIV (1643-1715) (Presumed Portrait of Charles Le Brun), marble, Musée du Louvre, Louvre-Lens.
René-Gabriel Ojéda; RMN-Grand Palais (Musée du Louvre)
work by other artists
Antonio Pisanello, Mulet harnaché, de profil vers la gauche, Musée du Louvre, Paris.
Michèle Bellot; RMN-Grand Palais
work by other artists
Giovanni Antonio Boltraffio, Profil d'enfant tourné vers la gauche, Musée du Louvre, Paris.
RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Luca Signorelli, Deux hommes nus luttant, et deux femmes nues luttant (Two Women and Two Men), black chalk, Musée du Louvre, Paris.
Jean-Gilles Berizzi; RMN-Grand Palais
work by other artists
Peter Paul Rubens, L'Échange des deux princesses de France et d'Espagne sur la Bidassoa à Hendaye, le 9 novembre 1615 (Exchange of the Two Princesses) from the Medici cycle, Musée du Louvre, Paris.
René-Gabriel Ojéda / Thierry Le Mage; RMN-Grand Palais
work by other artists
Luca Signorelli, Homme nu, debout, de dos, portant sur ses épaules un corps inerte (The Living Carrying the Dead), graphite, brown wash, and watercolor heightened with white on paper, Musée du Louvre, Paris.
Michèle Bellot; RMN-Grand Palais (Musée du Louvre)
work by other artists
Paul Gauguin, Chou Quarries at Pontoise II, 1882. National Gallery of Canada, Ottawa
work by other artists
Camille Pissarro, Les Carrières du Chou, Pontoise, 1882.
work by other artists
Georges Manzana-Pissarro, Impressionist Picnic (Guillaumin, Pissarro, Gauguin, Cézanne, Madame Cézanne and Manzana-Pissarro). Pen and ink on paper, inscribed "Souvenir de l'été 1881."
postcard
Postcard view of motif identified by Alain Mothe, Osny, La Viosne à Immarmonth.
postcard
Postcard view of the Pont des Trois Sautets.
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
postcard
Postcard view of Restaurant Mistral
postcard
Postcard view of Montigny-sur-Loing. Courtesy Alain Mothe
postcard
Postcard view of the fountain. Courtesy Alain Mothe
postcard
Postcard view of Colombier. Courtesy Alain Mothe.
postcard
Postcard view site. Courtesy Alain Mothe
Vue d'un bourg (Emagny), c.1890 (1258-TA)
postcard
Postcard view of the church. Courtesy Alain Mothe
postcard
Postcard view of motif. Courtesy Alain Mothe.
postcard
Postcard view of the site in Pontoise. Courtesy Alain Mothe
La Péniche (Pontoise?), 1873–77 (1026)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
historical photography
Henri Matisse in Nice, 1932
historical photography
Henri Matisse in Nice, 1932
postcard
Vintage postcard view of the motif.
Courtesy Alain Mothe
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
postcard
Historical postcard of the plaster cast of the Foolish Virgin's head, Musée des Monuments français, Paris.
Centre de documentation, Musée des monuments français, Paris
results 541 to 600 of 726
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on October 27, 2021).