The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 182
Le Clos normand (Hattenville)
1882
Alternate titles: Die Bäume; Farm at Hattenville, Normandy; Farm in Normandy; Ferme normande: la cour plantée; Le Clos normand; Le verger (Hattenville)
Rewald (507): 1882; Venturi revised: 1880–81; Venturi (445): 1885–86; Rivière: 1885
Oil on canvas
19 11/16 x 25 5/8 in. (50 x 65 cm)
Vollard archives: photo no. 328, Annotated by Cezanne's son: Hattenville 1885
Provenance
Exhibition History
Knoedler Galleries, New York, Paintings from the Ambroise Vollard Collection, XIX-XX Centuries, November 6–December 3, 1933, no. 8, as Ferme normande: la cour plantée, 1888. Traveled to: Arts and Crafts Club, Detroit, December 11, 1933–January 1934.
National Gallery of Canada, Ottawa, Ontario, Canada, French Painting of the 19th Century, January 1934, no. 13. Traveled to: Art Gallery of Toronto, Toronto, February 1934; Art Association, Montreal, March 1934.
Alex Reid & Lefevre, London, Cézanne, June 1937, no. 15, as Ferme normande: la cour plantée, dated 1885–86.
Los Angeles County Museum of Art, Los Angeles, Aspects of French Painting from Cézanne to Picasso, January 15–March 2, 1941, no. 9.
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 74, ill., as Le Clos normand (Hattenville). Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
Wallraf-Richartz-Museum & Fondation Corboud, Cologne, Impressionismus: Wie das Licht auf die Leinwand kam [Painting Light: The hidden techniques of the Impressionists], February 29–June 22, 2008, no. 284, ill., p. 284, shown in Vienna only. Traveled to: Palazzo Strozzi, Florence, July 11–September 28, 2008; Albertina, Vienna, September 11, 2009–January 10, 2010.
Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, Vo Monet bis Picasso, Aus der Sammlung Batliner – Albertina Wien, October 4–December 1, 2013, pp. 30–31, ill. dated circa 1885–86.
Museo Thyssen-Bornemisza, Madrid, Cézanne: site / non-site, February 4–May 18, 2014, no. 26, ill.
Published References
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 212, listed.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 445, ill. vol. II, as Le Clos normand.
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 149, ill.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 114, ill. p. 211 (analysis p. 388, quoted above).
Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 31, as Le Clos normand (Hattenville).
Rewald, John. "Chocquet et Cézanne." Gazette des beaux-arts, vol. 74, periode 6 (July–August 1969), p. 61, fig. 20 p. 62; p. 83, no. 12.
Rewald, John. "Some Entries for a New Catalogue Raisonné of Cézanne's Paintings." Gazette des beaux-arts, vol. 86, periode 6 (November 1975), pp. 163–68, ill., as Le Clos normand (Hattenville).
Pickvance, Ronald, and Hideo Takumi. Cézanne. Tokyo: Tokyo Shimbun, 1986. Exhibition catalogue, p. 48, ill. b/w.
Rewald, John. "Chocquet and Cézanne." In Studies in Impressionism, Edited by Irene Gordon and Frances Weitzenhoffer. New York: Harry N. Abrams, Inc., 1986, p. 151, fig. 83, as Farm at Hattenville, Normandy.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 507, ill. vol. 2, as Le Clos normand (Hattenville).
Reff, Theodore. Review of The Paintings of Paul Cézanne: A Catalogue Raisonné, by John Rewald, in collaboration with Walter Feilchenfeldt and Jayne Warman. The Burlington Magazine 139, no. 1136 (November 1997), p. 801, dates the painting 1882 or later.
Warman, Jayne. "Chocquet und Cézanne – eine einzigartige Freundschaft." In Victor Chocquet – Freund und Sammler der Impressionisten, Renoir, Cézanne, Monet, Manet. Bern and Munich: Bundesamt für Kultur and Hirmer Verlag, 2015. Exhibition catalogue, p. 106, pl. 64.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 61, ill., as Le verger (Hattenville).
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 172, fig. 5, as Farm in Normandy.
Record last updated October 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Le Clos normand (Hattenville), 1882 (FWN 182)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=496 (accessed on December 2, 2024).
