The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
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© The Barnes Foundation, Merion, Pennsylvania, USA/ The Bridgeman Art Library
FWN 224
Gardanne (vue horizontale)
c.1885
Alternate titles: Ansicht von Septenne; Gardanne; Gardanne (Horizontal View); Gardanne—Les Moulins; Gezicht op Gardanne; Septemes; Septenne; Une Bourgade provençale; Veduta di Septenne; Vue présumée de Septenne, près d'Aix
Rewald (569): c.1885; Venturi revised: 1885–86; Venturi (430): 1885–86; Rivière: 1885 and 1886; Cooper: probably 1885
Oil on canvas
25 9/16 x 39 1/2 in. (65 x 100.3 cm)
25 1/2 x 39 1/2 in. (64.8 x 100.3 cm) (BF)
Provenance
Exhibition History
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 21, as Une Bourgade provençale, lent by E. Fabbri (Note: a label on the verso lists the work as No. 20, which corresponds to the first printed catalogue of the exhibition).
Biennale, Venice, Italy, Mostra Individuale di Paul Cézanne, April 15–October 31, 1920, no. 19, (dated 1885), as Septemes, lent by Fabbri.
Kunsthalle, Basel, Switzerland, Cézanne, February 6–March 6, 1921, no. 10, as Septenne, lent by Fabbri.
National Gallery of Art, Washington, D.C., Great French Paintings from the Barnes Foundation, May 2–August 15, 1993, no number, pp. 110–11, ill. Traveled to: Musèe d'Orsay, Paris, November 6, 1993–January 2, 1994; National Museum of Western Art, Tokyo, January 21–April 3, 1994; Kimbell Art Museum, Forth Worth, Texas, April 24–August 16, 1994; Art Gallery of Ontario, Toronto, September 17–December 31, 1994; Philadelphia Museum of Art, Philadelphia, January 29–April 1995; Haus der Kunst, Munich, June 23–October 22, 1995.
Published References
Duret, Théodore. Histoire des peintres impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin. Paris: H. Floury, 1906, ill. p. 191.
Bernard, Émile. "Erinnerungen an Paul Cézanne." Kunst und Künstler 6, nos. 10-12 (1908), p. 475, ill.
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1913, pl. 115, as Ansicht von Septenne.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 124.
Henraux, Lucien. "I Cézanne della raccolta Fabbri." Dedalo vol. 1, no. 1 (1920), ill. p. 68, as Veduta di Septenne.
Gasquet, Joachim. Cézanne. Paris: Les Editions Bernheim-Jeune, 1921, p. 49, pl. p. 48, as Gardanne.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 153.
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1923, pl. 119 (as Ansicht von Septenne).
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, pp. 212, 213, listed, ill. opp. p. 176, as Gardanne—Les Moulins, dated 1885.
L.[ucien] H.[enraux]. "Une grande collection de Cézanne en Italie: la collection Egisto Fabbri." L'Amour de l'art 5, no. 11 (November 1924), ill. p. 342, as Septenne, 1885.
Gasquet, Joachim. Cézanne. Paris: Les Editions Bernheim-Jeune, 1926, p. 80, pl. [16] hors texte, as Gardanne.
Anonymous. "Paul Cézanne." Opgang: Geillustreerd weekblad voor godsdienst, wetenschap, kunst, [..] (Amsterdam) 6, no. 260 (February 6, 1926), p. 127, ill., as Gezicht op Gardanne, 1880, coll. Fabbri, Paris.
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, p. 59, fig. 23, pl. XVI.
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XXXIII.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 103, ill.
Klein, Jerome. The Lillie P. Bliss Collection. New York: The Museum of Modern Art, 1934, p. 33, ill.
Barnes, Albert C., and Violette de Mazia. The Art of Renoir. Merion, PA: The Barnes Foundation Press, 1935, pp. 123n, 219, 490.
Combe, Jacques. "L'influence de Cézanne." La Renaissance (Paris), vol. 19, nos. 5-6 (May–June 1936), ill. p. 26, as Gardanne.
Dabit, Eugène. "Au musée de l'Orangerie: Paul Cézanne." Regards (Paris), no. 125 (June 4, 1936), ill. p. 16, as Vue présumée de Septenne, près d'Aix.
Rewald, John, and Léo Marschutz. "Cézanne et la Provence." Le Point 4 (August 1936), p. 24, ill. Check.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 430, ill. vol. II, as Gardanne.
Laver, James. French Painting and the Nineteenth Century. London: B.T. Batsford, 1937, pl. 114.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54, as Gardanne.
Bazin, Germain. "Cézanne et la Montagne Sainte-Victoire." L'Amour de l'art 19, no. 10 (December 1938), ill. p. 380 (detail).
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 153, ill.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 101.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 92, ill. p. 221 (analysis pp. 343–45).
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 105, ill.
Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 59, pl. XVI fig. 23, as Gardanne.
De Mazia, Violette. "Creative Distortion: The Case of the Levitated Pear." The Barnes Foundation Journal of the Art Department 4, no. 1 (Spring 1973), p. 10, pl. 1.
De Mazia, Violette. "E Pluribus Unum." The Barnes Foundation Journal of the Art Department 7, no. 1 (Spring 1976), pp. 17, 24–27, pl. 99 (detail), pl. 100.
"The Elusive Goal." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 78, ill.
Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Lux: pls. 1, 10.
Lloyd, Christopher. "Reflections on La Roche-Guyon and the Impressionists." Gazette des beaux-arts, vol. 105, periode 6 (January 1985), p. 44 (footnote 20).
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, pp. 44, 337, fig. 9.
Verdi, Richard. Cézanne and Poussin: The Classical Vision of Landscape. Edinburgh: National Gallery of Scotland, 1990. Exhibition catalogue, fig. 50.
Cachin, Françoise, and Joseph Rishel. Cézanne. Paris: Réunion des musées nationaux, 1995. Exhibition catalogue, p. 298, fig. 1.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 569, ill. vol. 2 and p. 54, ill. col. vol. 1, as Gardanne (vue horizontale).
Schwarz, Birgit. "Landscapes." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 300, fig. 1, as Gardanne (vue horizontale).
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 118, fig. 3.19, as Gardanne (vue horizontale).
Ely, Bruno. "Gardanne, Montbriand and Bellevue." In Cézanne in Provence. Washington, D.C.: National Gallery of Art; New Haven: Yale University Press, 2006. Exhibition catalogue, p. 151, fig. 1, as Gardanne (vue horizontale).
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, p. 263, fig. 26, as Gardanne (vue horizontale), with erroneous illustration.
Cézanne, Paul. The Letters of Paul Cézanne. Edited and translated by Alex Danchev. London and Los Angeles: Thames & Hudson; Getty Publications, 2013, p. 240, ill.
Colrat, Jean. Cézanne: Joindre les mains errantes de la nature. Paris-Sorbonne: PUPS, 2013, p. 159, pl. 57.
Cézanne: Pioneer of Modern Art. Kanagawa: Pola Museum of Art, Pola Art Foundation, 2015. Exhibition catalogue, p. 71, fig. 12.
Mitterand, Henri. Paul Cézanne, Émile Zola, Lettres croisées, 1858–1887. Paris: Gallimard, 2016, fig. 16.
Nagaï, Takanori. "Cézanne and Jas de Bouffan." In Le "basho" dans l'art moderne français. Tokyo: Sangensha, 2016, p. 135, ill.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 268, fig. 93.
Warman, Jayne. "Chronologie." In Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 268, fig. 93.
Warman, Jayne. "Chronology." In Cézanne Portraits. London and Princeton, NJ.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 103.
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 38 p. 55.
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, no. 29, pp. 158–65, as Gardanne (Horizontal View) (catalogue notes by N. Athanassoglou-Kallmyer).
Lewis, Mary Tompkins. "Cezanne and Constructivism, Historiography." In Cezanne to Malevich, Arcadia to Abstraction. Budapest: Museum of Fine Arts, 2021. Exhibition catalogue, fig. 2.
Athanassoglou-Kallmyer, Nina M. "Cézanne nostalgique: Nostalgia, Memory, Illusion." Nineteenth-Century Art Worldwide, Autumn 2023, fig. 9.
Record last updated January 6, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Gardanne (vue horizontale), c.1885 (FWN 224)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=556 (accessed on April 26, 2024).
