Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:
Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.
Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.
Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.
Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.
Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).
Photo of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photo of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
The millstone in the park of Château Noir.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, c. 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
The millstone in the park of Château Noir.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, c. 1935; Sabine Rewald
The millstone in the park of Château Noir.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, c. 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photograph of the motif, a copy of which was found in Cézanne's Lauves studio.
Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. possibly Emile Bernard, 1904
Head of a life-size dummy from Cézanne's studio. Private collection, Aix-en-Provence.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris. Erich Lessing; Musée du Louvre
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this. Bibliothèque nationale de France
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this. Bibliothèque nationale de France
Hans Holbein the Younger, Die Familie des Künstlers (The Family of the Artist), Kunstmuseum Basel. Stephanie Buck, Hans Holbein, Cologne: Könemann, 1999
Roman, c. 20 BC, Statue funéraire et honorifique de Marcellus formerly known as Germanicus, marble, Musée du Louvre, Paris. Hervé Lewandowski; 1996 RMN
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France. Source gallica.bnf.fr / Bibliothèque nationale de France
Peter Paul Rubens (studio of), Anton van Dyck, Le Christ en croix, la Vierge, saint Jean et sainte Madeleine (Christ on the Cross, Mary, John, and the Magdalene), oil on canvas, Musée du Louvre, Paris.
Jean-Gilles Berizzi / Thierry Le Mage; RMN-Grand Palais (musée du Louvre)
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php(accessed on January 25, 2021).