The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 709
Pot vert et bouilloire d'étain
1867–69
Alternate titles: Narure morte à la bouilloire; Naturaleza muerta con hervidor; Nature morte; Nature morte à la bouilloire d'étain; Nature morte en noir et blanc; Nature morte noire et blanche; Pot verd i cafetera d'estany; Still Life with Green Jar and Pewter Kettle (Pot vert et bouilloire d'étain); Still Life wtih Green Jar and Pewter Kettle; Stilleven in zwart en wit
Rewald (137): 1867–69; Venturi revised: c.1870; Venturi (70): 1871–72; Rivière: 1875; Cooper: 1869–71; Gowing: 1870
Oil on canvas
24 13/16 x 31 1/2 in. (63 x 80 cm)
Vollard archives: photo no. 154, Annotated by Cezanne's son: 1870–75 ; in another hand: Bernheim
Provenance
Exhibition History
New Gallery, London, Exhibition of the International Society, January–February 1906, no. 199, lent by Bernheim-Jeune.
Manzi, Joyant & Cie, l'Hôtel de la revue "Les Arts," Paris, Exposition d'art moderne, June 6–July 6, 1912, no number, [lent by Bernheim-Jeune].
Kunsthaus Zürich, Zurich, Französische Kunst des XIX. und XX. Jahrhunderts, October 5–November 14, 1917, no. 33, ill., as Nature morte, lent by Bernheim-Jeune.
Galerie Bernheim-Jeune, Paris, Exposition rétrospective Paul Cézanne (1839-1906) au profit de la caisse du Monument Cézanne, June 1–30, 1926, no. 49, as Nature morte noire et blanche, lent by Bernheim-Jeune.
Galerie Bernheim-Jeune, Paris, Cézanne, May 18–29, 1931.
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 14, pl. XXXI, as Pot vert et bouilloire d'étain, lent by MM. J et G. Bernheim-Jeune, Paris [private coll.]
Stedelijk Museum, Amsterdam, Honderd jaar Fransche kunst, July 2–September 25, 1938, no. 5, ill., as Nature morte en noir et blanc, lent by Gaston B. de V.
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 12, ill. lent by Gaston B. de V. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
Galerie Bernheim-Jeune-Dauberville, Paris, Cézanne – Aquarelliste et Peintre, May–July 1960, no. 28, as Nature morte noire et blanche, 1871-72.
Orangerie, Paris, Vingt ans d'acquisitions au musée du Louvre 1947-1967, December 1967–March 1968, no. 403, ill., as Nature morte à la bouilloire d'étain.
Orangerie, Paris, Cézanne dans les musées nationaux, July 19–October 14, 1974, extended until October 28, no. 3, ill. in b/w, as Nature morte à la bouilloire d'étain, c. 1867-1869.
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, no. 53, ill. shown in Paris only. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C., January 29–April 30, 1989.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 18, ill. shown in Paris only. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Musée du Louvre, Paris, Des mécènes par milliers: un siècle de dons par les amis du Louvre, April 21–July 21, 1997, no. 567, ill., as Narure morte à la bouilloire.
The Museum of Modern Art, New York, Pioneering Modern Painting: Cézanne & Pissarro 1865–1885, June 26–September 12, 2005, no. 3, ill., p. 80 (dated c. 1869), as Pot vert et bouilloire d'étain. Traveled to: Los Angeles County Museum of Art, Los Angeles, October 20, 2005–January 16, 2006; Musée d'Orsay, Paris, February 27–May 28, 2006 (Cézanne et Pissarro 1865-1885).
Published References
Meier-Graefe, Julius. "Cézanne und sein Kreis: Paul Cézanne." In Entwicklungsgeschichte der modernen Kunst: vergleichende Betrachtungen der bildenden Künste, als Beitrag zu einer neuen Aesthetik vol. 1. Stuttgart: Jul. Hoffmann, 1904, p. 166 (... auf grauem Grund eine grüne [sic] Kaffeekanne und ein grüner Topf.).
Meier-Graefe, Julius. "Cézanne and his Circle: Paul Cézanne." In Modern Art: Being a Contribution to a New System of Aesthetics. vol. I, translated by Florence Simmonds and George W. Chrystal. London: Heinemann, 1908, p. 267 (... a green [sic] coffee-pot and a green jar on a shelf ...).
Alexandre, Arsène. "Exposition d'art moderne à l'Hôtel de la revue 'Les Arts.'" Les Arts: revue mensuelle des musées, collections, expositions, no. 128 (August 1912), ill. p. VII, no. 9, as Nature morte.
Bernheim-Jeune, ed. Cézanne. With contributions by O. Mirbeau, T. Duret, L. Werth, et al. Paris: Editions Hollande, 1914, pl. XVII.
Sacs, Joan. "Les natures-mortes den Pau Cézanne." Revista nova (Barcelona) Year I, no. 22 (September 3, 1914), ill. p. 4, as Pot verd i cafetera d'estany, Private collection.
Bernheim-Jeune, ed. L'Art moderne et quelques aspects de l'art d'autrefois: cent-soixante-treize planches d'après la collection privée de MM. J. & G. Bernheim-Jeune, poèmes de Henri de Régnier , 2 vols. Paris: Bernheim-Jeune, 1919, pl. 15.
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 202, listed.
Rivière, Georges. "La formation de Paul Cézanne." L'Art vivant (Paris), no. 15 (August 1, 1925), p. 3, ill., as Nature morte.
Charensol, Georges. "Les détracteurs de Cézanne [Hommage à Paul Cézanne]." L'Art vivant (Paris), no. 37 (July 1, 1926), p. 495, ill., as Nature morte.
Dormoy, Marie, translated by Margarete Mauthner. "Die Cézanne - Ausstellung bei Bernheim-Jeune." Kunst und Künstler 24, no. 11 (1926), p. 447.
Anonymous. "L'exposition Cézanne." L'Action française (Paris) (June 22, 1926), p. 2, as Nature morte noire et blanche.
Combe, Jacques. "L'influence de Cézanne." La Renaissance (Paris), vol. 19, nos. 5-6 (May–June 1936), ill. p. 31, as Nature morte.
Di San Lazzaro, Gualtieri. Paul Cézanne. Paris: Chroniques du Jour, 1936, fig. 25.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 70, ill. vol. II, as Nature morte noire et blanche.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 55, ill., as Nature morte.
M.V. "Een eerezaal voor den meester van Aix: […] De Fransche expositie te Amsterdam." Algemeen Handelsblad (Amsterdam), August 5, 1938, ill. p. 9, as Stilleven in zwart en wit.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 27, ill. p. 163 (analysis p. 312).
J.A.L. "Paul Cézanne 1839 - 19Januari - 1939." Algemeen Handelsblad (Amsterdam), January 15, 1939, ill. p. 9, as Stilleven in zwart en wit.
Rewald, John. The History of Impressionism. New York: The Museum of Modern Art, 1946, p. 139, ill.
Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 11, as Pot vert et bouilloire d'étain.
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Flammarion, 1950, pp. 34, 69.
Bernheim de Villers, Gaston. Un ami de Cézanne. Paris: Editions Bernheim-Jeune, 1954, pl. [1], as Nature morte noire et blanche.
Elles, Iris. Das Stilleben in der französischen Malerei des 19. Jahrhunderts. Zurich: Origo Verl, 1958, p. 100.
Rewald, John. The History of Impressionism. New York: The Museum of Modern Art, 1961, p. 157, ill.
Adhémar, Hélène, and Anne Dayez. Musée du Jeu de Paume. Paris: Editions des Musées Nationaux, 1973, listed p. 140, ill. p. 17, as Narure morte à la bouilloire, 1869-71.
Ginsburg, Michael. "Art Collectors of Old Russia, the Morosovs and the Shchukins." Apollo 98, no. 142 (December 1973), p. 470, ill.
Geist, Sidney. "What Makes 'The Black Clock' Run." Art International 22, no. 2 (February 1978), p. 8, ill.
Harris, Nathaniel. The Art of Cézanne. London: Optimum Books, 1982, p. 28, ill. in color.
Müller, Joseph-Emile. Cézanne. Translated by Jane Brenton. Paris: Fernand Hazan, 1982, pl. 1.
Wetzel, Christoph. Paul Cézanne: Leben u. Werk. Stuttgart/Zurich: Belser, 1984, p. 19, ill. in color.
Compin, Isabelle et Anne Roquebert. Catalogue sommaire illustré des peintures du musée du Louvre et du musée d'Orsay. 3, École Française, A-K. Paris: Réunion des musées nationaux, 1986, p. 115, ill., as Narure morte à la bouilloire, c. 1869.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 55, ill.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 118, fig. 66.
Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 15, ill.
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 8.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 137, ill. vol. 2, as Pot vert et bouilloire d'étain.
Berger, John. "¿Cómo aparecen las cosas? O carta abierta a Marisa." translated by Pilar Vázquez. Arte y Parte: revista de arte (Madrid) 26 (April-May 2000), ill. p. 42, as Naturaleza muerta con hervidor, c. 1869-70.
Freudenberg, Inken. Der Zweifler Cézanne. Heidelberg: Kehrer Verlag Heidelberg, 2001, pl. 42.
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 125, fig. 3.25, as Pot vert et bouilloire d'étain.
Dittmann, Lorenz. Die Kunst Cézannes: Farbe, Rythmus, Symbolik. Cologne: Böhlau, 2005, p. 233, ill. in b/w.
Feilchenfeldt, Walter. "Cézannes Motive: Versuch einer neuen Ordnung." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 202, ill.
Mothe, Alain, et al. Cézanne à Auvers-sur-Oise. Saint-Ouen-L'Aumône: editions du Valharmeil, 2006, p. 62, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 68; vol. 2, p. 62, as Pot vert et bouilloire d'étain.
Echte, Bernhard and Feilchenfeldt, Walter. "Paul Cézanne, 22. April bis 15. Juni 1904." Kunstsalon Paul Cassirer: Die Ausstellungen 1901-1905. vol. 2, "Man steht da und staunt". Wädenswil: Nimbus, 2011, p. 497, ill.
Benedetti, Maria Teresa. "Gli artisti italiani e Cézanne." In Cézanne et gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue, p. 64, fig. 82.
Athanassoglou-Kallmyer, Nina M. "Cézanne in the Studio." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue, p. 211, fig. 11, as Still Life with Green Jar and Pewter Kettle (Pot vert et bouilloire d'étain).
Causey, Faya. "Finds." In Cézanne, The Rock and Quarry Paintings. Princeton: Princeton University Art Museum; New Haven: Yale University Press. Exhibition catalogue, p. 52, fig. 34, as Still Life wtih Green Jar and Pewter Kettle, dated 1867–69.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 9, ill., as Pot vert et bouilloire d'étain (installation photrographs from 1931 exhibition, p. 121, as well as interior of Bernheim-Jeune residence, pp. 8 and 9).
Record last updated November 15, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Pot vert et bouilloire d'étain, 1867–69 (FWN 709)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=147 (accessed on December 8, 2024).
