Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 121 to 180 of 743
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site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Le Manoir du Jas de Bouffan, c.1870 (possibly later) (1018)
Le Manoir du Jas de Bouffan, c.1870 (possibly later) (1018)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
La Tranchée, 1867–68 (48)
La Tranchée, 1867–68 (48)
site photography
The rue des Saules. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the houses in Auvers seen in nos. 79 and 80. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the houses in Auvers seen in nos. 79 and 80. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
site photography
The pool and orangery of the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; John Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Vallon de Riaux, L'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
site photography
An orchard in Hattenville, Normandy. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald; Sabine Rewald
site photography
View of l'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Vue sur l'Estaque, 1882–83 (188)
Vue sur l'Estaque, 1882–83 (188)
site photography
View of l'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Trees in front of the pool at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The allée of chestnut trees at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The pigeon tower and house at Bellevue. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Pigeonnier de Bellevue, 1889–90 (270)
Pigeonnier de Bellevue, 1889–90 (270)
site photography
The Maison Maria in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Composite photograph of motif. Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Erle Loran
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1939; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Château Noir, 1900–04 (361)
Château Noir, 1900–04 (361)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Château Noir, 1903–04 (360)
Château Noir, 1903–04 (360)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Château Noir, c.1904 (358)
Château Noir, c.1904 (358)
site photography
The allée of chestnut trees as the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Les Marronniers et le bassin du Jas de Bouffan, 1868–70 (possibly later) (55)
Les Marronniers et le bassin du Jas de Bouffan, 1868–70 (possibly later) (55)
site photography
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Rewald-Marschutz
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
The pigeon tower and house at Bellevue. Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of History, Anthropology, Religions, Performing Arts, Sapienza University of Rome)
Lionello Venturi; Archivio di Lionello Venturi, Sapienza University of Rome
Pigeonnier de Bellevue, 1889–90 (270)
Pigeonnier de Bellevue, 1889–90 (270)
site photography
The pigeon tower and house at Bellevue. Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of History, Anthropology, Religions, Performing Arts, Sapienza University of Rome)
Lionello Venturi; Archivio di Lionello Venturi, Sapienza University of Rome
Pigeonnier de Bellevue, c.1890 (271)
site photography
Le Promenade Micaud, Besançon, the motif suggested by Raymond Hurtu.
Raymond Hurtu
site photography
Photo of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
site photography
Site identified by Alain Mothe.
Pavel Machotka, 2013; Courtesy Pavel Machotka Archive
La Voûte, 1862–64 (17)
La Voûte, 1862–64 (17)
site photography
Site identified by Bruno Ely.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
Le Bac à Bonnières, 1866 summer (42)
Le Bac à Bonnières, 1866 summer (42)
site photography
Site identified by John Rewald.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
Le Village des pêcheurs à l'Estaque, 1867–69 (possibly 1870) (49)
Le Village des pêcheurs à l'Estaque, 1867–69 (possibly 1870) (49)
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
site photography
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Leopold Reidemeister; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1988; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Ma; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
site photography
Site probably identified by Pavel Machotka.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Dr. François Corsy.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
Le Pont de Maincy, 1879–80 (143)
Le Pont de Maincy, 1879–80 (143)
results 121 to 180 of 743
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php (accessed on May 28, 2024).