The Paintings, Watercolors and Drawings of Paul Cezanne
An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
FWN 80
Vue d'Auvers-sur-Oise – La Barrière
c.1873
Alternate titles: La Barrière (Chantilly); Le Printemps; Paysage d'Auvers; Springtime: view of Auvers; Vue d'Auvers; la Barrière
Rewald: (200) c.1873; Venturi revised: 1873–75; Venturi: (149) 1873–75; Rivière: 1888
Oil on canvas
17 1/2 x 13 5/8 in. (44.5 x 34.5 cm)
Signed lower right in black: P. Cezanne
Vollard archives: photo no. 256, Annotated by Cezanne's son: Pontoise 1880
Provenance
Mr. and Mrs. Herbert Klapper, New York;
Exhibition History
McLellan Gallery, Glasgow, United Kingdom, French Painting in the XIXth Century, May 1934, no. 11.
Alex Reid & Lefevre, London, Renoir, Cézanne and Their Contemporaries, June 1934, no. 7, as Le Printemps, 1888 at Chantilly.
Göteborgs Konsthall, Gothenburg, Sweden, [French Art], mid-February-mid-March 1937.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1958, no. 23, as Springtime: view of Auvers, lent through the courtesy of Mr. and Mrs. Henry Ittleson, Jr.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1959, no. 13, lent through the courtesy of Mr. and Mrs. Henry Ittleson, Jr.
National Gallery of Art, Washington, D.C, Masterpieces of Impressionist and Post-Impressionist Painting, April 25–May 24, 1959, listed p. 27, ill., as Le Printemps, 1873-1875, lent by Ittleson collection, New York.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1960, no. 15, lent through the courtesy of Mr. and Mrs. Henry Ittleson, Jr.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1961, no. 11, lent through the courtesy of Mr. and Mrs. Henry Ittleson, Jr.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, July 3–September 3, 1962, no. 8, lent through the courtesy of Mr. and Mrs. Henry Ittelson, Jr.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1963, no. 8, lent by Mr. and Mrs. Henry Ittleson, Jr.
The Metropolitan Museum of Art, New York, Summer Loan Exhibition: Paintings, Drawings and Sculpture from Private Collections, July–September 1967, no. 16, lent through the courtesy of Mr. and Mrs. Henry Ittleson, Jr.
The Metropolitan Museum of Art, New York, New York Collects: Paintings, Watercolors and Sculpture from Private Collections, July 3–September 2, 1968, no. 28, as Springtime: view of Auvers, lent through the courtesy of Mr. and Mrs. Henry Ittleson, Jr.
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, hors catalogue, shown in Washington, D.C. only. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C, January 29–April 30, 1989.
Published References
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 217, listed, as La Barrière (Chantilly).
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 149, ill. vol. II, as Vue d'Auvers; la Barrière.
Carlsund, Otto G. "Fransk konst i Göteborg." Konstrevy (Stockholm) XIII (1937), ill. p. 43, as Paysage d'Auvers.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54, as ...paysage ...
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 130.
Bernheim de Villers, Gaston. Un ami de Cézanne. Paris: Bernheim-Jeune, 1954.
Rewald, John. "Chocquet et Cézanne." Gazette des beaux-arts, vol. 74, periode 6 (July–August 1969), p. 43; p. 83, no. 16.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 200, ill. vol. 2, as Vue d'Auvers-sur-Oise – La Barrière.
Platzman, Steven. Cézanne: The Self-Portraits. Berkeley: University of California, 2001, p. 75, ill., as Vue d'Auvers-sur-Oise – La Barrière.
Mothe, Alain, et al. Cézanne à Auvers-sur-Oise. Saint-Ouen-L'Aumône: editions du Valharmeil, 2006, p. 107, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 94; vol. 2, p. 82, as Vue d'Auvers-sur-Oise – La Barrière.
Record last updated May 17, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Vue d'Auvers-sur-Oise – La Barrière, c.1873 (FWN 80)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=204 (accessed on March 31, 2023).
