Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 121 to 180 of 726
Filter by:
historical photography
Antony Valabrègue, date unknown
work by other artists
Camille Pissarro, Self-portrait, 1873. Musée d'Orsay, Paris
work by other artists
Camille Pissarro, Portrait de Paul Cézanne, 1874. National Gallery, London (On loan from Laurence Graff OBE)
work by other artists
Lucien Freud, After Cézanne, 1999-2000. Oil on canvas. National Gallery of Australia, Canberra
work by other artists
Camille Pissarro, Portrait de Paul Cézanne, 1874. National Gallery, London (On loan from Laurence Graff OBE)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
La Maison de Bellevue, c.1890 (269)
site photography
Photograph of the motif. Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome.
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
Vintage postcard view with identifications of the tile factories by Geneviève Blanc, L'Estaque, art et patrimoine (2013, p. 188)
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
La Meule, 1892–94 (291)
site photography
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Rewald-Marschutz
site photography
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Rewald-Marschutz
site photography
Motif for no. 149 John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
Le Château de Médan, c.1880 (149)
site photography
The farm at Montgeroult. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The cistern in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Motif for no. 292. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Château Noir seen through the trees. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
La Maison de Bellevue, c.1890 (269)
site photography
The house of Bellevue and pigeon tower. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
The house at Bellevue. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
View of Gardanne John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
Gardanne (l'après-midi), 1885–86 (223)
site photography
Motif for no. 227. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
View of la montagne Sainte-Victoire seen from Les Lauves. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Route du Tholonet with la montagne Sainte-Victoire in the distance. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The Route du Tholonet with a parasol pine and la montagne Sainte-Victoire in the distance. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Tall trees at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Tall trees at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Chestnut trees of the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photo of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
A view of the Château du Duingt seen across the Lac d'Annecy. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
Le Lac d'Annecy, 1896 (311)
postcard
Postcard view of the mill on the banks of La Couleuvre near Pontoise. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
site photography
Motif for no. 153. Photo courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Rochers à l'Estaque, 1879–82 (153)
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
site photography
Château Noir seen through the trees. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald,circa 1935; Sabine Rewald
Château Noir derrière les arbres, c.1885 (possibly later) (237)
site photography
Motif for no. 238. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The house of the Jas de Bouffan seen through the chestnut trees. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
historical photography
Interior of the salon of the Jas de Bouffan in 1912. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Contraste, c.1870 (605)
historical photography
Interior of the salon of the Jas de Bouffan in 1912. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Le Christ aux limbes, c.1869 (598)
historical photography
Interior of the salon of the Jas de Bouffan in 1912. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
site photography
The winding road above La Roche-Guyon. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
site photography
The pigeon tower at Bellevue. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa. 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Denis Coutagne
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, 1934; Sabine Rewald
site photography
Photograph of the motif, a copy of which was found in Cézanne's Lauves studio. Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
possibly Emile Bernard, 1904
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
historical photography
Head of a life-size dummy from Cézanne's studio. Private collection, Aix-en-Provence. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
L'Homme à la pipe, 1892–96 (1767)
results 121 to 180 of 726
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on October 27, 2021).