Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 661 to 720 of 726
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site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka,
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 2005; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald..
Pavel Machotka, 1991; Courtesy Pavel Machotka Archive
La Maison de Bellevue, c.1890 (269)
site photography
Site identified by Erle Loran.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
Pigeonnier de Bellevue, 1889–90 (270)
site photography
Site identified by Didier Bonfort and Pavel Machotka.
Didier Bonfort, 2013; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka, 2010; Courtesy Pavel Machotka Archive
La Meule, 1892–94 (291)
site photography
Site identified by Erle Loran.
Erle Loran; Courtesy P
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Erle Loran.
Erle Loran; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald and Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
Le Lac d'Annecy, 1896 (311)
site photography
Site identified by John Rewald.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1978; Courtesy Pavel Machotka Archive
site photography
Site identified by Erle Loran.
Pavel Machotka, 1962; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka and Dr. François Corsy.
Pavel Machotka, 2006; Courtesy Pavel Machotka Archive
La Carrière de Bibémus, 1898–1900 (318)
site photography
Site identified by John Rewald.
John Rewald; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Lawrence Gowing and Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
Forêt, 1902–04 (341)
site photography
Site identified by Erle Loran.
Erle Loran; Courtesy Pavel Machotka Archive
site photography
Site identified by Erle Loran.
Pavel Machotka, 2010; Courtesy Pavel Machotka Archive
site photography
Site located by Erle Loran.
Erle Loran; Courtesy Pavel Machotka Archive
site photography
John Rewald, 1935; Courtesy Pavel Machotka Archive
site photography
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
Château Noir, 1903–04 (360)
site photography
Site identified by Emil Barnard.
Emil Barnard; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Erle Loran.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
work by other artists
Front and back views of the plaster cast which belonged to Cezanne and which is conserved in his Lauves studio. Image from Chappuis, 1973, p. 228.
L'Amour en plâtre, 1900–04 (2180)
work by other artists
Front and back views of the plaster cast which belonged to Cezanne and which is conserved in his Lauves studio. Image from Chappuis, 1973, p. 228.
L'Amour en plâtre, 1900–04 (2182)
work by other artists
Gian Battista Lodi, Une ville incendiée (formerly attributed to Giulio Pippi, known as Giulio Romano). Cabinet des Dessins, Musée du Louvre (inv. 3532 recto).
H. Lewandowski; RMN-Grand Palais
work by other artists
After Juan de Pareja, The Calling of Saint Matthew, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [177].
Esquisse d'un paysage; têtes d'après Pareja, landscape, 1883–86; heads, 1869–72 (2310-TA)
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka,
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka,
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
Château Noir, 1903–04 (361)
site photography
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
John Rewald, 1935; Courtesy Pavel Machotka Archive
site photography
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
D'après B. da Maiano: Filippo Strozzi, 1882 or later (3002-23b)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Peter Paul Rubens, L'Échange des deux princesses de France et d'Espagne sur la Bidassoa à Hendaye, le 9 novembre 1615 (Exchange of the Two Princesses) from the Medici cycle, Musée du Louvre, Paris.
René-Gabriel Ojéda / Thierry Le Mage; RMN-Grand Palais
work by other artists
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
Etudes: têtes et copies, 1878–80 (2289-TA)
work by other artists
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
Feuille d'études, 1880–81 (2299)
work by other artists
Pierre Puget, Hercules Resting, marble, Musee du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3005-40a)
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
site photography
Site identified by John Rewald.
John Rewald; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
John Rewald; Courtesy Pavel Machotka Archive
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
results 661 to 720 of 726
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on December 5, 2021).