Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 601 to 660 of 726
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postcard
Historical postcard of the plaster cast of the bust before destruction, Musée des Monuments français, Paris.
Centre de documentation, Musée des monuments français, Paris.
work by other artists
Bartolomé Esteban Murillo. Le jeune Mendiant, Musée du Louvre, Paris.
Angèle Dequier; RMN-Grand Palais (Musée du Louvre)
D'après Murillo: Le jeune mendiant, 1878–80 (3003-x2a-TA)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneurs, c.1890 (possibly later) (3018-03a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur descendant dans l'eau, c.1886–89 (3003-31a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Deux études de baigneurs, 1877–80 (3003-41a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur et annotations diverses, 1883–86 (3007-01a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur descendant dans l'eau, after 1882 (3010-00)
work by other artists
Roman, c. 20 BC, Statue funéraire et honorifique de Marcellus formerly known as Germanicus, marble, Musée du Louvre, Paris.
Hervé Lewandowski; 1996 RMN
work by other artists
Charles-Antoine Coysevox, Berger flûteur (Faun Playing a Flute), marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
D'après Puget: Atlas, 1886–89 (3002-15a)
work by other artists
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
D'après Puget: Atlas, 1886–89 (2156)
work by other artists
Verso of paravent (FWN560) that is now separated from the front. This screen is now held in the Musée Granet, Aix-en-Provence and combines the left (R2/V1) and right (R3/V2) halves seen here.
site photography
The pigeon tower and house at Bellevue. Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of History, Anthropology, Religions, Performing Arts, Sapienza University of Rome)
Lionello Venturi; Archivio di Lionello Venturi, Sapienza University of Rome
Pigeonnier de Bellevue, 1889–90 (270)
site photography
The pigeon tower and house at Bellevue. Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of History, Anthropology, Religions, Performing Arts, Sapienza University of Rome)
Lionello Venturi; Archivio di Lionello Venturi, Sapienza University of Rome
postcard
Postcard view of the Gorges de l'Areuse. Courtesy of Raymond Hurtu
site photography
Le Promenade Micaud, Besançon, the motif suggested by Raymond Hurtu.
Raymond Hurtu
site photography
Photo of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
postcard
1910 postcard view of house, which no longer exists
Courtesy Alain Mothe
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
site photography
The millstone in the park of Château Noir. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
site photography
Site identified by Alain Mothe.
Pavel Machotka, 2013; Courtesy Pavel Machotka Archive
La Voûte, 1862–64 (17)
site photography
Site identified by Bruno Ely.
Pavel Machotka; Courtesy Pavel Machotka Archive
postcard
Site identfied by Alain Mothe.
Postcard; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
Le Bac à Bonnières, 1866 summer (42)
site photography
Site identified by John Rewald.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
Le Village des pêcheurs à l'Estaque, 1867–69 (possibly 1870) (49)
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
site photography
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Leopold Reidemeister; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1988; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Ma; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
site photography
Site probably identified by Pavel Machotka.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Dr. François Corsy.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
Le Pont de Maincy, 1879–80 (143)
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
Le Château de Médan, c.1880 (149)
site photography
Site identified by Xavier Prati.
Pavel Machotka, 2004; Courtesy Pavel Machotka Archive
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
Le Viaduc à l'Estaque, 1879–82 (151)
site photography
Site identified by Pavel Machotka, Xavier Prati and Benedicte Sire.
Pavel Machotka, 2004; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
Rochers à l'Estaque, 1879–82 (153)
site photography
Site identified by Erle Loran.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
La Baie de l'Estaque, 1879–83 (155)
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Alain Mothe.
Pavel Machotka, 2011; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
John Rewald; Sabine Rewald
site photography
Site identified by John Rewald.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka, 1999; Courtesy Pavel Machotka Archive
Vue sur l'Estaque, 1882–83 (188)
site photography
Site identified by John Rewald.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
Château Noir derrière les arbres, c.1885 (possibly later) (237)
site photography
Site identified by John Rewald.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka, 1977; Courtesy Pavel Machotka Archive
site photography
Site identified by John Rewald.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
Gardanne (l'après-midi), 1885–86 (223)
site photography
Site identified by Denis Coutagne.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Site identified by Denis Coutagne.
Pavel Machotka, 2004; Courtesy Pavel Machotka Archive
site photography
Site identified by Pavel Machotka.
Pavel Machotka, 1976; Courtesy Pavel Machotka Archive
Le Pilon du Roi, 1887–88 (242)
results 601 to 660 of 726
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on November 29, 2021).