Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:
Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.
Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.
Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.
Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.
Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Pierre Puget, L'Enlèvement d'Andromède par Persée dit aussi Persée délivrant Andromède, 1684, Musée du Louvre, Paris. RMN-Grand Palais (musée du Louvre) / René-Gabriel Ojéda
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris. Erich Lessing; Musée du Louvre
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris. Erich Lessing; Musée du Louvre
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
Mino da Fiesole, Busto ritratto di Rinaldo della Luna, Museo Nazionale del Bargello, Florence. Cezanne copied from a plaster cast in the Musée de Sculpture comparée in the Palais de Chaillot, Trocadéro, now lost.
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio. Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio. Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio. Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France. Source gallica.bnf.fr / Bibliothèque nationale de France
Portrait of the painter Juan Fernando de Navarrete (1526-79), known as El Mudo, wood engraving in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [55]
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France. Source gallica.bnf.fr / Bibliothèque nationale de France
Feuille d'études, c.1875–78 (male bather); ca. 1880; (Cezanne's son), ca. 1873 (watercolor)(2257)
work by other artists
Augustin Pajou, Psyché abandonnée (Psyche Abandoned), 1790, marble, Musée du Louvre, Paris.
Thierry Ollivier; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96). gallica.bnf.fr / Bibliothèque nationale de France
Portrait of the painter Francisco de Goya y Lucientes, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [266], after an etching of Goya's self-portrait, plate 1 of Los Caprichos.
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris. A. Dequier - M. Bard; Musée du Louvre
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France. Source gallica.bnf.fr / Bibliothèque nationale de France
After Juan de Pareja, The Calling of Saint Matthew, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [177].
After Pedro de Moya, Vision of Saint Mary Magdalene de Pazzi, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [179].
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
Roman copy, 2nd century AD, after a Greek original of the 2nd century BC, Centaure âgé tourmenté par Eros (Cupidon), dieu de l’amour (Old Centaur teased by Eros) , marble, Musée du Louvre, Paris. Jastrow (2006)
After Juan de Pareja, The Calling of Saint Matthew, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [177].
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php(accessed on January 25, 2021).