Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 721 to 743 of 743
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historical photography
Photograph used by Cézanne for Neige fondante à Fontanebleau (image courtesy National Gallery of Art Photo Archives)
possibly Eugène Cuvelier
historical photography
Photograph of Gustave Geffroy by Nadar
Portrait de Gustave Geffroy, 1895–96 (516)
historical photography
Photograph of Émile Zola by Étienne Carjat, c. 1862
Portrait d'Émile Zola, 1862–64 (394)
Portrait d'Émile Zola, 1862–64 (394)
historical photography
Photograph of Alfred Hauge
historical photography
Photograph of Paul Cézanne, c. 1861
John Rewald Papers. National Gallery of Art, Gallery Archives
Portrait de Paul Cezanne, 1862–64 (390)
Portrait de Paul Cezanne, 1862–64 (390)
historical photography
Antony Valabrègue, date unknown
Portrait d'Antony Valabrègue, 1866, Spring (399)
Portrait d'Antony Valabrègue, 1866, Spring (399)
historical photography
Antony Valabrègue, date unknown
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Les Quatre Saisons: L'Été, 1860–61 (562)
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Les Quatre Saisons: L'Hiver, 1860–61 (563)
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
The salon of the Jas de Bouffan with Cézanne's murals still in place, circa 1900. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
Interior of the salon of the Jas de Bouffan in 1912. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Contraste, c.1870 (605)
Contraste, c.1870 (605)
historical photography
Interior of the salon of the Jas de Bouffan in 1912. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Le Christ aux limbes, c.1869 (598)
Le Christ aux limbes, c.1869 (598)
historical photography
Interior of the salon of the Jas de Bouffan in 1912. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
historical photography
Head of a life-size dummy from Cézanne's studio. Private collection, Aix-en-Provence. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
L'Homme à la pipe, 1892–96 (1767)
L'Homme à la pipe, 1892–96 (1767)
historical photography
Henri Matisse in Nice, 1932
Portrait de madame Cezanne, 1886–87 (488)
historical photography
Henri Matisse in Nice, 1932
historical photography
Site identified by Chédeville and Hurtu
Le moulin, 1889–92 (3015-27b)
Le moulin, 1889–92 (3015-27b)
historical photography
Courtesy Paul Smith
reproduction
IIllustration in Julius Meier-Graefe's 1922 edition of Cézanne und sein Kreis, 1922
reproduction
image from Cézanne und sein Kreis, 1922
Le Christ aux limbes, c.1869 (598)
Le Christ aux limbes, c.1869 (598)
reproduction
Title page of Ambroise Vollard, Paul Cézanne, 1914
Madame Cezanne cousant, c.1880 (1735)
Madame Cezanne cousant, c.1880 (1735)
results 721 to 743 of 743
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php (accessed on February 24, 2024).