Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:
Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.
Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.
Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.
Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.
Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).
Historical postcard of the plaster cast of the Foolish Virgin's head, Musée des Monuments français, Paris. Centre de documentation, Musée des monuments français, Paris
Historical postcard of the plaster cast of the bust before destruction, Musée des Monuments français, Paris. Centre de documentation, Musée des monuments français, Paris.
The site, which exists today, represents a Gallo-Roman aqueduct that served as an ancient road from Aix to Meyrargues, now known as "traverse Malakoff."
The millstone in the park of Château Noir.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, c. 1935; Sabine Rewald
Motif for no. 149
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, c. 1935; Sabine Rewald
The farm at Montgeroult.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
The cistern in the park of Château Noir.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Motif for no. 292.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Château Noir seen through the trees.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
The house of Bellevue and pigeon tower.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
The house at Bellevue.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
View of Gardanne
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Motif for no. 227.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
View of la montagne Sainte-Victoire seen from Les Lauves.
John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Route du Tholonet with la montagne Sainte-Victoire in the distance.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
The Route du Tholonet with a parasol pine and la montagne Sainte-Victoire in the distance.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Tall trees at the Jas de Bouffan.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Tall trees at the Jas de Bouffan.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Chestnut trees of the Jas de Bouffan.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photo of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
A view of the Château du Duingt seen across the Lac d'Annecy.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Château Noir seen through the trees.
John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C. John Rewald,circa 1935; Sabine Rewald
Motif for no. 238.
John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
The house of the Jas de Bouffan seen through the chestnut trees.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
The pigeon tower at Bellevue.
John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C. John Rewald, circa. 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, 1934; Sabine Rewald
Photograph of the motif, a copy of which was found in Cézanne's Lauves studio.
Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. possibly Emile Bernard, 1904
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1935; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald, circa 1934; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Photograph of the motif.
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C. John Rewald; Sabine Rewald
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php(accessed on February 8, 2025).