The Paintings, Watercolors and Drawings of Paul Cezanne
Pin et rochers près des grottes au-dessus de Château Noir
Alternate titles: Kiefer und Felsen oberhalb des Château Noir (Pin et rochers au-dessus de Château Noir); Le Rocher; Pin et rochers au Château Noir; Pine and Rocks near the Cave above Château Noir; Rocher
Rewald: (W508); Venturi revised: 1895–99; Venturi: (1041) 1895–1900
Graphite and watercolor on wove paper
18 1/8 x 14 in. (46 x 35.5 cm)
Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Traveled to: Kunsthaus, Zürich, April 2–May 31, 1982.
Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Traveled to: Royal Academy, London, July 12–October 18, 2020 (N.B. This venue was cancelled due to 2020 coronavirus).
Waldemar-George. Cézanne: Aquarelles. Paris: Editions des quatre chemins, 1926, pl. 2, collection A. Vollard.
Johnson, Erle Loran. "Cézanne's Country." The Arts 16, no. 8 (April 1930), pp. 536-37, ill.
Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. CV p.140.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1041, ill. vol. II, as Pin et rochers au Château Noir.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 30.
Loran, Erle. Cézanne's Composition. Berkeley: University of California Press, 1943, pp. 116-17, pl. XXXIII (with photograph of the motif).
Rewald, John. "The Camera verifies Cézanne's watercolors." Art News (Sept. 1944), p. 18, ill.
Rewald, John. "Cézanne's Last Motifs at Aix." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 91, ill. (with photograph of the motif) and pl. 65.
Schapiro, Meyer. Modern Art: Selected Papers. New York: G. Braziller, 1978, pl. III.
Kelder, Diane. The Great Book of French Impressionism. New York: Abbeville Press, 1980, p. 422, ill.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 508, ill.
Kendall, Richard, ed. Cézanne: By Himself. London: Macdonald, 1988, p. 272, ill.
Bach, Friedrich Teja. "The Stake in the Pictorial Flesh: Disruptions in Cézanne's Oeuvre." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 67. fig. 7a, as Pine and Rocks near the Cave above Château Noir, Princeton University Art Museum.
Société Paul Cézanne. P. Cézanne: Les sites provençaux. Edited by Pavel Machotka. Marseille: Editions Crès, 2005, p. 115 ill., photo of motif by John Rewald, p. 114.
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 244, fig. 171.
Elderfield, John. "Excavations." In Cézanne, The Rock and Quarry Paintings. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2020. Exhibition catalogue, p. 33, fig. 23, as Pine and Rocks near the Cave above Château Noir, dated 1895–1900.
Lewis, Mary Tompkins. "Cezanne and Constructivism, Historiography." In Cezanne to Malevich, Arcadia to Abstraction. Budapest: Museum of Fine Arts, 2021. Exhibition catalogue, fig. 7.
Record last updated January 6, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Pin et rochers près des grottes au-dessus de Château Noir, c.1900 (FWN 1448)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=1490 (accessed on December 3, 2022).