Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 61 to 120 of 698   //   per page
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postcard
Vintage postcard view of the Pont de Maincy.
Courtesy Alain Mothe
Le Pont de Maincy, 1879–80 (143)
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka; Courtesy Pavel Machotka Archive
Le Pont de Maincy, 1879–80 (143)
postcard
Postcard view of the two dams in Melun
Courtesy Alain Mothe
historical photography
Photograph used by Cézanne for Neige fondante à Fontanebleau (image courtesy National Gallery of Art Photo Archives)
possibly Eugène Cuvelier
work by other artists
Georges Manzana-Pissarro, Impressionist Picnic (Guillaumin, Pissarro, Gauguin, Cézanne, Madame Cézanne and Manzana-Pissarro). Pen and ink on paper, inscribed "Souvenir de l'été 1881."
work by other artists
Camille Pissarro, Les Carrières du Chou, Pontoise, 1882.
work by other artists
Paul Gauguin, Chou Quarries at Pontoise II, 1882. National Gallery of Canada, Ottawa
postcard
Vintage postcard view of the motif.
Courtesy Alain Mothe
Le Château de Médan, c.1880 (149)
site photography
Motif for no. 149 John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, c. 1935; Sabine Rewald
Le Château de Médan, c.1880 (149)
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
Le Château de Médan, c.1880 (149)
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka; Courtesy Pavel Machotka Archive
Le Viaduc à l'Estaque, 1879–82 (151)
postcard
Courtesy Alain Mothe
site photography
Vallon de Riaux, L'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
site photography
Site identified by Xavier Prati.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Motif for no. 153. Photo courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Rochers à l'Estaque, 1879–82 (153)
site photography
Site identified by Pavel Machotka.
Pavel Machotka; Courtesy Pavel Machotka Archive
Rochers à l'Estaque, 1879–82 (153)
site photography
Site identified by Erle Loran.
Pavel Machotka; Courtesy Pavel Machotka Archive
La Baie de l'Estaque, 1879–83 (155)
work by other artists
Auguste Renoir, Crags at L'Estaque, 1882. Museum of Fine Arts, Boston
site photography
Site identified by Pavel Machotka, Xavier Prati and Benedicte Sire.
Pavel Machotka; Courtesy Pavel Machotka Archive
postcard
Postcard view of the mill on the banks of La Couleuvre near Pontoise. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
site photography
Site identified by Leopold Reidemeister.
Pavel Machotka; Courtesy Pavel Machotka Archive
work by other artists
Edouard Vuillard, Portrait of Jos Hessel, 1905 (Private collection)
site photography
Site identified by Alain Mothe.
Pavel Machotka; Courtesy Pavel Machotka Archive
postcard
Courtesy Alain Mothe
postcard
Courtesy Alain Mothe
site photography
Site identified by Pavel Machotka.
Pavel Machotka; Courtesy Pavel Machotka Archive
postcard
Courtesy Alain Mothe
postcard
Le Pont et le déversoir à Pontoise, image from A.Mothe
work by other artists
Camille Pissarro, Le Pont du chemin de fer Pontoise, 1873. Private collection, UK.
postcard
A postcard view of Chocquet's farm house seen through the trees in Cézanne's painting, identified by Anne Distel.
site photography
An orchard in Hattenville, Normandy. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald; Sabine Rewald
postcard
A postcard view of Chocquet's farm house seen through the trees in Cézanne's painting, identified by Anne Distel.
site photography
Site identified by John Rewald.
John Rewald; Sabine Rewald
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
View of l'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Vue sur l'Estaque, 1882–83 (188)
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka; Courtesy Pavel Machotka Archive
Vue sur l'Estaque, 1882–83 (188)
postcard
Courtesy Alain Mothe
site photography
View of l'Estaque. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Site identified by Xavier Prati and Georges Reynaud.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
le cabanon du Claou, before restoration
Gardanne vu du Claou, 1883–85 (197)
site photography
le cabanon du Claou after restoration (2006)
Gardanne vu du Claou, 1883–85 (197)
site photography
The house of the Jas de Bouffan seen through the chestnut trees. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
postcard
Courtesy Alain Mothe
site photography
The winding road above La Roche-Guyon. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Tall trees at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Tall trees at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Trees in front of the pool at the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Chestnut trees of the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
postcard
Courtesy Alain Mothe
site photography
View of Gardanne John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Site identified by John Rewald.
Pavel Machotka; Courtesy Pavel Machotka Archive
postcard
Postcard view of Gardanne
Courtesy Alain Mothe
site photography
House in Le Quartier des Fabriques, Sainte-Victoire seen from "La Barque"
site photography
Motif for no. 227. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Site identified by Denis Coutagne.
Pavel Machotka; Courtesy Pavel Machotka Archive
postcard
Courtesy Alain Mothe
site photography
Site identified by Denis Coutagne.
Pavel Machotka; Courtesy Pavel Machotka Archive
site photography
Château Noir seen through the trees. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald,circa 1935; Sabine Rewald
Château Noir derrière les arbres, c.1885 (possibly later) (237)
results 61 to 120 of 698   //   per page
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on July 13, 2020).