The Paintings, Watercolors and Drawings of Paul Cezanne
Le Vase paillé, sucrier et pommes
Alternate titles: Le Vase garni de paille, Sucrier et Pommes; Nature morte; Straw-Trimmed Vase, Sugar Bowl and Apples; Vase paillé, sucrier et pommes; Vaso impagliato, zuccheriera e mele
Rewald: (733) 1890–93; Venturi revised: 1893–95; Venturi: (616) 1890–93
Oil on canvas
13 13/16 x 17 11/16 in. (35 x 45 cm)
Traveled to: Municipal Museum, Kyoto, Japan, June 1–July 17, 1974; Cultural Center, Fukuoka, Japan, July 24–August 18, 1974.
Traveled to: Musée Granet, Aix-en-Provence, France, June 12–August 31, 1982 (exhibition catalogue; preface by Denis Coutagne).
Traveled to: Nagoya City Art Museum, Nagoya, Japan, February 23–April 7, 1999; Musée départemental d'arts, Hiroshima, Japan, April 17–June 27, 1999; Musée départemental d'art moderne, Niigata, Japan, July 10–September 12, 1999; Musée national d'art moderne, Kyoto, Japan, September 21–November 14, 1999; Musée d'art moderne, Taipei, Taiwan, November 4, 1999–March 1, 2000; Museum of fine arts, Kaoshiung, Taiwan, 2000.
Traveled to: Kimbell Art Museum, Fort Worth, Texas, November 12, 2000–February 25, 2001; Queensland Art Gallery, Brisbane, Australia, March 29–May 20, 2001; Art Gallery New Soth Wales, Sydney, June 1–July 29, 2001; National Gallery of Victoria on Russell, Melbourne, Australia, August 10–September 30, 2001; Fundación La Caixa - CaixaForum, Barcelona, Spain, April 11–June 30, 2002.
Traveled to: Musée de l'Orangerie, Paris, March 6–June 17, 2019.
"Les Peintres nouveaux. La Formation d'une plastique moderne." Cahiers d'Art 2, no. 1 (1927), p. 25, ill.
Paris: Éditions des Arts à Paris, 1929, ill. p. 51, as Nature morte.
"La grande peinture contemporaine à la collection Paul Guillaume." La Renaissance (Paris; New York), vol. 12, no. 4 (April 1929), ill. p. 175, as Nature morte.
"Les origines de la peinture contemporaine: Genèse et position de l'art moderne." L'Amour de l'art 14, no. 1 (January 1933), p. 14, fig. 14 p. 16, as Nature morte.
Paris: Editions Paul Rosenberg, 1936, no. 616, ill. vol. II, as Le Vase paillé, sucrier et pommes.
Paris: Réunion des musées nationaux, 1966, no. 14, ill., as Vase paillé, sucrier et pommes.
Paris: Editions de la Réunion des musées nationaux, 1986, p. 36, no. 12, ill., as Vase paillé, sucrier et pommes.
Translated by Barbara Shuey. Paris: Réunion des musées nationaux, 1987, pp. 36–37, no. 12, ill., as Straw-Trimmed Vase, Sugar Bowl and Apples.
Paris: Editions Herscher, 1993, p. 35, ill.
Paris: Editions Assouline, 1995.
, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 733, ill. vol. 2, as Le Vase garni de paille, sucrier et pommes.
"Un motif." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 122, fig. 55, as Vase paillé, sucrier et pommes.
Paris-Sorbonne: PUPS, 2013, p. 189, pl. 81.
Record last updated June 21, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Le Vase paillé, sucrier et pommes, 1890–93 (FWN 837)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=711 (accessed on August 8, 2022).