The Paintings, Watercolors and Drawings of Paul Cezanne
An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
Catalogue entry
FWN 609
Pastorale
1870
Alternate titles: Don Quichotte sur les rives de Barbarie; Fête au Bord de la mer; Idylle; L'Idylle; L'Idylle (Pastorale); Pastoral; Pastoral (Idyll); Pastorale (Idylle); Scène de plein air; Scène en plein air
Rewald: (166) 1870; Venturi revised: 1870; Venturi: (104) 1870; Rivière: 1875; Vollard: 1870
Oil on canvas
25 5/8 x 31 7/8 in. (65 x 81 cm)
Dated 1870 at right
Vollard A stockbook: no. 3307, Manière noire du peintre époque 1870. Personnages nus et habillés d'en diverses positions au bord de l'eau, 65 x 81 cm (200 frs)
Vollard B stockbook: no. 3783, Le repas sur l'herbe. Personnages nus et habillés, 65 x 81 cm (300 frs)
Vollard archives: photo no. 21, Annotated by Cezanne's son: 1870
Provenance
Exhibition History
Galerie Vollard, Paris, Paul Cézanne, November 15–December 1899 (exhibition catalogue), no. 23, as Fête au Bord de la mer, tentative identification.
Galerie Vollard, Paris, January 20–February 20, 1901. Thirty-six paintings were reportedly shown; a catalogue seems to have been issued, but none has been located. Béral writes that two or three bather compositions were shown as well as "No 23 dénommé Amours pastorales...Le pain fendu...Le Bouquet de fleurs No 1...l'Aqueduc dans la campagne, le Fumeur, l'Enfant à la veste bleue." (exhibition catalogue), tentative identification, described in Béral "c'est encore au Anciens que nous songeons en regardant cette tête de femme coiffée d'une sorte de capulet, et sa simplicité d'exécution donne une allure magistrale à ce portrait."
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936 (exhibition catalogue, 2nd revised edition)
A major exhibition commemorating the thirtieth anniversary of the artist's death. Catalogue notes by Charles Sterling, foreword by Jacques-Émile Blanche, and preface by Paul Jamot, no. 12, pl. X, as Idylle, lent by Pellerin.
A major exhibition commemorating the thirtieth anniversary of the artist's death. Catalogue notes by Charles Sterling, foreword by Jacques-Émile Blanche, and preface by Paul Jamot, no. 12, pl. X, as Idylle, lent by Pellerin.
Bibliothèque Nationale, Paris, Emile Zola: exposition organisée pour le cinquantième anniversaire de sa mort, December 12, 1952–March 1, 1953 (exhibition catalogue by Jean Adhémar and Marcel Thomas, introduction by Julien Cain) Photographs of FWN 394, 395, 399, 402, 403, 590 and 703 were also shown, no. 344, ill., as Pastoral, 1870, lent by Private collection.
Orangerie, Paris, Monticelli et le baroque provençal, June 19–September 15, 1953 (exhibition catalogue; essay by Germain Bazin), no. 11, as L'Idylle, 1870, lent by Private collection, Paris.
Pavillon de Vendôme, Aix-en-Provence, France, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July 21–August 15, 1956. Preface by Fritz Novotny. Watercolors and drawings were also shown. (exhibition catalogue), no. 3, ill., lent by Pellerin.
Tate Gallery, London, The Romantic Movement, July 10–September 27, 1959, no. 50.
Grand Palais, Paris, Anciens et Nouveaux: Choix d'oeuvres acquises par l'état ou avec sa participation de 1981 à 1985, November 5, 1985–February 3, 1986, no. 128.
Brooklyn Museum, Brooklyn, New York, From Courbet to Cézanne: A New 19th Century Preview of the Musée d'Orsay, March 13–May 5, 1986, no. 2, ill., pp. 44-45. Traveled to: Dallas Museum of Art, Dallas, June 1–August 3, 1986.
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988 (exhibition catalogue; text by Lawrence Gowing with contributions by Götz Adriani, Mary Tompkins Lewis, Mary Louise Krumrine, John Rewald, and Sylvie Patin), no. 52, ill. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19–January 1, 1988. National Gallery of Art, Washington, D.C, January 29–April 30, 1989.
Kunstmuseum, Basel, Switzerland, Paul Cézanne: Die Badenden, September 10–December 10, 1989 (exhibition catalogue; text by Mary Louise Krumrine with essays by Gottfried Boehm and Christian Geelhaar), no. 5, ill., discussed pp. 75–81, pl. 40.
Grand Palais, Paris, Impressionnisme: Les origines, 1859–1869, April 19–August 8, 1994 (exhibition catalogue), no. 34, fig. 161. Traveled to: The Metropolitan Museum of Art, New York, Origins of Impressionism, September 19, 1994–January 8, 1995.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996. Organised by Réunion des musées nationaux / musée d'Orsay, Tate Gallery and Philadelphia Museum of Art. Initially scheduled to end on January 7 the Paris exhibition was prolonged until January 14. (exhibition catalogue; text by Françoise Cachin and Joseph Rishel with contributions by Isabelle Cahn, Walter Feilchenfeldt and Henri Loyrette; English edition: Cézanne, Philadelphia Museum of Art, 1996), no. 23, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996. Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Musée Granet, Aix-en-Provence, France, Au fil de l'eau: Cézanne, June 17–September 15, 2000. Curated by Denis Coutagne. (exhibition catalogue).This exhibition on the general theme Au fil de l'eau was shown in various museums throughout Aix. The Cézanne section was shown at the Musée Granet, no. 7, ill., lent by Musée d'Orsay.
The Metropolitan Museum of Art, New York, Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, September 14, 2006–January 7, 2007. Curated by Rebecca A. Rabinow, Douglas W. Druick, Ann Dumas, Gloria Groom, Anne Roquebert and Gary Tinterow. Catalogue notes on Cézanne paintings by Jayne Warman (exhibition catalogue). Also printed in French, no. 27, fig. 32, pp. 32, 336, as Pastorale. Traveled to: The Art Institute of Chicago, Chicago, February 17–May 13, 2007. Musée d'Orsay, Paris, June 19–September 16, 2007.
Staatliche Kunsthalle, Karlsruhe, Cézanne - Metamorphosen, October 28, 2017–February 11, 2018 (exhibition catalogue edited by Alexander Eiling), no. 6, ill.
Published References
Meier-Graefe, Julius. Impressionisten: Guys, Manet, van Gogh, Pissarro, Cézanne. Munich: R. Piper, 1907, p. 177, ill.
Meier-Graefe, Julius. Paul Cézanne, 3rd ed. Munich: R. Piper & Co, 1910, p. 19, ill.
Meier-Graefe, Julius. Paul Cézanne. Munich: R. Piper & Co, 1913, p. 20, ill.
Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, pl. 7 as Scène de plein air.
Gregg, Frederick James. "Paul Cézanne: At Last." Vanity Fair (December 1915), p. 58, ill.
Meier-Graefe, Julius. Entwicklungsgeschichte der moderne Kunst, vol. 3. Munich: R. Piper & Co, 1915, pl. 490, ill.
Scheffler, Karl. "Die Maler 1870 und 1914." Kunst und Künstler 13 (1915), p. 206, ill.
Fry, Roger. "'Paul Cézanne' by Ambroise Vollard: Paris, 1915, A Review." Burlington 31, no. 173 (August 1917), pl. I.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 93.
Denis, Maurice. "L'Influence de Cézanne." Amour de l'Art, no. 8 (December 1920), p. 282, ill. as Scène en plein air, [photo Vollard].
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 105 as Idylle.
Meier-Graefe, Julius. Paul Cézanne, 5th ed. Munich: R. Piper, 1923, p. 17, ill.
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 202, listed.
Fry, Roger. "Le développement de Cézanne." Amour de l'Art, no. 12 (December 1926), p. 398, ill.
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, p. 24, fig. 10, pl. VII.
Meier-Graefe, Julius. Cézanne. Translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. VIII.
Fry, Roger. "Cézannes Udvikling." Samleren 6 (1929), p. 101, ill.
D'Ors, Eugenio. Paul Cézanne. Paris: Editions des Chroniques du Jour, 1930, pl. 32.
Zervos, Christian. "Les Problèmes de la jeune peinture." Cahiers d'Art, no. 4 (March–April 1931), p. 206, ill.
Di San Lazzaro, Gualtieri. Paul Cézanne. Paris: Chroniques du Jour, 1936, fig. 45.
Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. XV.
John Rewald et al. "Cézanne." L'amour de l'art 17, no. 5 (May 1936), fig. 48.
Sterling, Charles. "Cézanne et les maîtres d'autrefois." La Renaissance (Paris), vol. 19, nos. 5-6 (May–June 1936), p. 8 as L'Idylle.
Vollard, Ambroise. Recollections of a Picture Dealer. Translated by Violet M. MacDonald. New York: Dover Publications, 1936, ill. opp. p. 119.
D'Ors, Eugenio. Paul Cézanne. New York: E. Weyhe, 1936, pl. 45.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 104, ill. vol. II as Pastorale.
Huyghe, René. Cézanne. Paris: Plon, Éditions d'Art et d'Histoire, 1936, pl. 16.
Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 15.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54 as Pastorale.
Barnes, Albert C, and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 26, p. 165, ill.
Schildt, Göran. Cézanne. Stockholm: Wahlström & Widstrand, 1946, fig. 17.
Dorival, Bernard. Cézanne. Paris: Tisne, 1948, pl. 15.
Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 8 as Pastorale, as Szene im Freien.
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Flammarion, 1950, pp. 19–21, fig. 1, pl. 2.
Venturi, Lionello. Impressionists and Symbolists: Manet, Degas, Monet, Pissarro, Sisley, Renoir, Cézanne, Seurat, Gauguin, Van Gogh, Toulouse-Lautrec. New York: Scribner, 1950, fig. 118.
Schapiro, Meyer. Cézanne. New York: Harry N. Abrams, 1952, p. 22, ill.
Badt, Kurt. Die Kunst Cézannes. Munich: Prestel, 1956, pp. 77, 197, 224, pl. 38.
Chappuis, Adrien. Les dessins de Paul Cézanne au cabinet des estampes du Musée des beaux-arts de Bâle. Olten and Lausanne: Urs Graf, 1962, vol. 1, p. 57, fig. 25.
Badt, Kurt. The Art of Cézanne. Translated by Sheila Ann Ogilvie. Berkeley and Los Angeles: University of California Press, 1965, p. 103.
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Albin-Michel, 1966, pl. 2.
Schapiro, Meyer. "The Apples of Cézanne: An Essay on the Meaning of Still-Life." Art News Annual 34 (1968), p. 38, pl. 5.
Ikegami, Chuji. Cézanne. Tokyo: Shueisha, 1969, fig. 7.
Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1973, no. 2.
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, p. 27, ill.
Geist, Sidney. "The Secret Life of Paul Cézanne." Art International 19, no. 9 (November 20, 1975), p. 8, ill.
Barskaya, Anna. Paul Cézanne. Leningrad: Aurora Art Publishers, 1975, p. 19, ill.
Geist, Sidney. "What Makes 'The Black Clock' Run." Art International 22, no. 2 (February 1978), p. 12, ill.
Venturi, Lionello. Cézanne. Geneva: Skira, 1978, p. 55, ill.
Krumrine, Mary Louise. "Cézanne's Bathers: Form and Content." Arts 54, no. 9 (May 1980), pp. 115, 116, 120.
Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Messing: pl. 7.
Ballas, Guila. "Unknown Sources for Cézanne's Women Bathers." In Norms and Variations in Art: Essays in Honor of Moshe Barasch. Jerusalem: Magnes Press, Hebrew University, 1983, p. 185, fig. 4.
Gache-Patin, Sylvie. "Douze Oeuvres de Cézanne de l'ancienne collection Pellerin." La Revue du Louvre et des Musées de France 34, no. 2 (1984), p. 131, no. 4.
Laclotte, Michel, Genviève Lacambre, Anne Distel, et al. La Peinture au Musée d'Orsay. Paris: Editions Scala, 1986, p. 90, ill.
Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1988, no. 4.
Kendall, Richard, ed. Cézanne: By Himself. London: Macdonald, 1988, p. 47, ill.
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 49, ill. in b/w.
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 18, ill. in color.
Lewis, Mary Tompkins. Cézanne's Early Imagery. Berkeley: University of California Press, 1989, pp. 185–92, pl. XIV.
Bonafoux, Pascal. Cézanne: portrait. Paris: Editions Hazan, 1995, p. 137, ill.
Coutagne, Denis. Cézanne en Provence. Paris: Editions Assouline, 1995.
Cahn, Isabelle. Paul Cézanne. Paris: Somogy Editions d'Art, 1995, p. 17, ill.
Machotka, Pavel. Cézanne: Landscape into Art. New Haven: Yale University Press, 1996, p. 35, fig. 10 as Pastorale (Idylle).
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 166, ill. vol. 2 as Pastorale.
Lewis, Mary Tompkins. Cézanne. London: Phaidon, 2000, p. 84-5, pl. 46.
Freudenberg, Inken. Der Zweifler Cézanne. Heidelberg: Kehrer Verlag Heidelberg, 2001, pl. 38.
Platzman, Steven. Cézanne: The Self-Portraits. Berkeley: University of California, 2001, p. 111, 114, 200, fig. 28 as Pastorale.
Ballas, Guila. Cézanne, Baigneuses et Baigneurs. Thème et composition. Paris: Adam Biro, 2002, p. 309, no. 258 (listed), ill. pp. 16, fig. 4b, 26, and 266, fig. a (detail) as L'Idylle (Pastorale), dated 1870.
Mori, Gioia. "'La letteratura si esprime con astrazioni mentre il pittore concretizza.' Gli scrittori di Cézanne: Zola, Balzac e Flaubert." In Cézanne: Il padre dei moderni. Milan: Mazzotta, 2002. Exhibition catalogue, ill. p. 83.
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence, The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 195, fig. 5.4 as Pastorale.
Feilchenfeldt, Walter. "Cézannes Motive: Versuch einer neuen Ordnung." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 203, ill.
Jensen, Robert. "Vollard and Cézanne: An Anatomy of a Relationship." In Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2006. Exhibition catalogue, p. 32, fig. 32 as Pastoral (Idyll).
Kear, Jon. "'Frenhofer: c'est moi': Cézanne's Nudes and Balzac's 'Le Chef-d-oeuvre inconnu.'" The Cambridge Quarterly 35, no. 4 (2006), p. 357, fig. 4.
Kitschen, Friederike. "Melancholie und 'décoration.' Zur Stimmung im Werk Paul Cézannes." In Stimmung. Ästhetische Kategorie und künstlerische Praxis, edited by Kerstin Thomas. Berlin: Deutscher Kunstverlag, 2010, p. 82, ill.
Coutagne, Denis. "Le Femme exposée." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 88, fig. 39 as Pastorale.
Freudenberg, Inken. "'And the picture, once left, torments us and pursues us': Cézanne and Delacroix." In Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012. Exhibition catalogue, p. 53, fig. 22 as Pastoral.
Rishel, Joseph J. "Introduction." In Gauguin, Cézanne, Matisse: Visions of Arcadia. Philadelphia: Philadelphia Museum of Art, 2012. Exhibition catalogue, p. 9, fig. 11 as Pastoral.
Colrat, Jean. Cézanne: Joindre les mains errantes de la nature. Paris-Sorbonne: PUPS, 2013, p. 150, pl. 48.
Gottlieb, Lennart. Modernism: Reinventing Painting, 1908–41. Aarhus: ARoS Aarhus Kunstmuseum, 2013. Exhibition catalogue, p. 182, fig. 124.
Machotka, Pavel. Cézanne: Landscape into Art. Prague: Arbor Vitae, 2014, p. 60, fig. 10 as Pastorale (Idylle).
Eiling, Alexander. "Cézanne's Metamorphoses." In Cézanne Metamorphoses. Munich and Karlsruhe: Prestel and Staatliche Kunsthalle Karlsruhe, 2017. Exhibition catalogue, fig. 16.
Related work
Record last updated July 23, 2018. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Pastorale, 1870 (FWN 609)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=174 (accessed on April 19, 2019).