The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 706
Sucrier, poires et tasse bleue
1865–66
Alternate titles: Nature morte; Nature morte: Pommes, poires, sucrier; Nature morte: sucrier, poires et tasse bleue; Suger Bowl, Pears and Blue Cup; Zuccheriera, pere e tazza blu
Rewald (93): 1865–66; Venturi revised: 1866–67; Venturi (62): 1865–67; Rivière: 1873; Gowing: (London) c.1866
Oil on canvas
11 13/16 x 16 1/8 in. (30 x 41 cm)
Provenance
Exhibition History
Orangerie, Paris, Monticelli et le baroque provençal, June 19–September 15, 1953, no. 4, pl. XXV, as Sucrier, poires et tasse bleue, c. 1865-1867, lent by Private collection, Paris.
Palais de Tokyo, musée d'Art et d'Essai, Paris, Nouvelles acquisitions du musée d'Orsay 1980-1983, November 28, 1983–September 1984, no. 22, as Nature morte: sucrier, poires et tasse bleue, c. 1865.
Museo Español de Arte Contemporáneo, Madrid, Paul Cézanne, March 9–April 1984, no. 1, ill.
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, no. 14, ill. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C., January 29–April 30, 1989.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 4, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Museo del palacio de bellas artes, Mexico City, La Provenza de los pintores : ruptura y tradición, February 20–May 3, 1998, no. 64, ill., as Nature morte: Pommes, poires, sucrier, c. 1866.
Complesso del Vittoriano, Rome, Cézanne: Il padre dei moderni, March 7–July 7, 2002, listed p. 100, ill., as Zuccheriera, pere e tazza blu, lent by Musée d'Orsay, Paris.
National Museum of Art, Beijing, Trésors impressionnistes des collections nationales françaises, October 10–November 24, 2004, no. 43, ill., as Suger Bowl, Pears and Blue Cup. Traveled to: Museum of Art, Shanghai, November 8, 2004–January 25, 2005; Museum of Art, Hong Kong, February 5–April 10, 2005.
National Gallery of Art, Washington, D.C., Cézanne in Provence, January 29–May 7, 2006, no. 7, ill. Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Gemeentemuseum, The Hague, the Netherlands, Cézanne, Picasso, Mondriaan: in nieuw perspectief, October 17, 2009–January 24, 2010, no. 104, ill., as Sucrier, poires et tasse bleue.
Palazzo Reale, Milan, Cézanne: Les ateliers du midi, October 20, 2011–February 26, 2012, no. 13, ill., as Sucrier, poires et tasse bleue, lent by Musée Orsay / Granet.
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 8, ill.
Barnes Foundation, Philadelphia, The World is an Apple: The Still Lifes of Paul Cézanne, June 14–September 22, 2014, pl. 4, p. 46 (dated c. 1886). Traveled to: Art Gallery of Hamilton, Hamilton, Ontario, Canada, November 1, 2014–January 31, 2015.
Musée Granet, Aix-en-Provence, France, Cézanne at home, October 20, 2017–April 1, 2018.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 1, ill. 1865–70. Traveled to: Tate Modern, London, October 6, 2022–March 12, 2023.
Published References
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 201, listed.
Fry, Roger. "Le développement de Cézanne." L'Amour de l'art 7, no. 12 (December 1926), p. 398, as Nature morte.
Rewald, John. "Cézanne et son oeuvre." L'Art sacré: revue mensuelle, special number, Cézanne (May 1936), p. 7, fig. 1 p. 3, as Nature morte.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 62, ill. vol. II, as Sucrier, poires et tasse bleue.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54, as Nature morte.
Sheon, Aaron. Monticelli: His Contemporaries, His Influence. Pittsburgh: Museum of Art, Carnegie Institute, 1978. Exhibition catalogue, fig. 55.
Reff, Theodore. "The Pictures within Cézanne's Pictures." Arts Magazine 53, no. 10 (June 1979), fig. 5.
Catalogue sommaire illustré des nouvelles acquisitions du Musée d’Orsay: 1980-1983. Lacambre, Geneviève et Thiébaut Philippe, publication directors, coordination. Paris: Editions de la Réunion des musées nationaux, 1983, p. 16, no. 22, ill., as Nature morte: sucrier, poires et tasse bleue, c. 1865.
Gache-Patin, Sylvie. "Musée d'Orsay, Galerie du Jeu de Paume: douze œuvres de Cézanne de l'ancienne collection Pellerin." La Revue du Louvre et des musées de France 34, no. 2 (1984), p. 130, fig. 2.
Coutagne, Denis, et al. "Catalogue des oeuvres de Cézanne conservées au musée Granet d'Aix-en-Provence." In Cézanne au Musée d'Aix. Aix-en-Provence: Musée Granet, 1984, pp. 212-213, no. 3, ill. and back cover.
Anciens et Nouveaux: Choix d'oeuvres acquises par l'état ou avec sa participation de 1981 à 1985. Paris: Réunion des musées nationaux, 1985. Exhibition catalogue, p. 323, ill.
Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 13, ill.
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 6.
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 211.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 93, ill. vol. 2, as Sucrier, poires et tasse bleue.
Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 35, fig. 28, as Suger Bowl, Pears and Blue Cup.
Coutagne, Denis. "Approche contradictoire d'un thème: Le Jas de Bouffan chez Cézanne." In Cézanne aujourd'hui. Paris: Editions de la Réunion des Musées Nationaux, 1997, p. 79.
Vischer, Bodo. "Beobachtungen zu Chardins Einfluss auf die Stillebenmalerei im 19. Jahrhundert an Beispielen von Manet, Courbet und Cézanne." In Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue, fig. 10.
Kitschen, Friederike. "Malen, Sehen, Denken, Fühlen - Cézannes Stilleben." In Cézanne Manet Schuch: drei Wege zur autonomen Kunst. Munich: Hirmer, 2000. Exhibition catalogue, fig. 3.
Lewis, Mary Tompkins. "The Path to Les Lauves: A History of Cézanne's Studios." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 6, ill. in color.
Nin, Núria. "Memories of Objects, Objects of Memory." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 7, ill. in color.
Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue, p. 12, fig. 5, as Suger Bowl, Pears and Blue Cup, c. 1866.
Pissarro, Joachim. Pioneering Modern Painting: Cézanne & Pissarro 1865–85. New York: The Museum of Modern Art, 2005. Exhibition catalogue, p. 34, fig. 24.
Mothe, Alain, et al. Cézanne à Auvers-sur-Oise. Saint-Ouen-L'Aumône: editions du Valharmeil, 2006, p. 74, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 65; vol. 2, p. 61, as Sucrier, poires et tasse bleue.
The Metropolitan Museum of Art. Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection - New Edition. Stein, Susan Alyson and Asher Ethan Miller. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2009, fig. 107, ill. p. 146.
Cézanne, Paul. The Letters of Paul Cézanne. Edited and translated by Alex Danchev. London and Los Angeles: Thames & Hudson; Getty Publications, 2013, p. 131, ill.
Nagaï, Takanori. "Cézanne and Jas de Bouffan." In Le "basho" dans l'art moderne français. Tokyo: Sangensha, 2016, p. 116, ill.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 78, fig. 28.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 114, ill.
Nagaï, Takanori. "How Paul Cézanne Rejected the Fini Concept." Kyoto Studies in Art History vol. 2 (2017), p. 143, fig. 9.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 28.
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 5.
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 202 p. 208.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 28bis, as Sucrier, poires et tasse bleue.
Cézanne, Philippe. Paul Cezanne dépeint par ses contemporains. Lyon: Fage éditions, 2021, fig. 16.
Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 22.
Related
Record last updated September 27, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Sucrier, poires et tasse bleue, 1865–66 (FWN 706)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=106 (accessed on March 15, 2025).
