loading loading

Catalogue entry

FWN 706
Sucrier, poires et tasse bleue
1865–66
Alternate titles: Nature morte; Nature morte: Pommes, poires, sucrier; Nature morte: sucrier, poires et tasse bleue; Suger Bowl, Pears and Blue Cup; Zuccheriera, pere e tazza blu
Rewald (93): 1865–66; Venturi revised: 1866–67; Venturi (62): 1865–67; Rivière: 1873; Gowing: (London) c.1866
Oil on canvas
11 13/16 x 16 1/8 in. (30 x 41 cm)
Vollard archives: photo no. 299, Annotated by Cezanne's son: 1870
Musée d'Orsay, Paris (accepted by the French government in lieu of Inheritance Tax, 1982), on deposit at the Musée Granet, Aix-en-Provence (RF 1982 44)

Keywords

Provenance
(Émile Zola, Médan?)
(Zola Collection, Hôtel Drouot, Paris, Mar. 9–13, 1903, no. 118?)
Auguste Pellerin, Paris;
Jean-Victor Pellerin, Paris;
Musée d'Orsay, Paris (1982);
Musée du Louvre, galerie du Jeu de Paume, Paris (1982-1984);
Musée d'Orsay, Paris (1982) (on deposit at the Musée Granet, Aix-en-Provence 1984-2004 and from 2006 onwards)
Exhibition History
1953c Paris
Orangerie, Paris, Monticelli et le baroque provençal, June 19–September 15, 1953, no. 4, pl. XXV, as Sucrier, poires et tasse bleue, c. 1865-1867, lent by Private collection, Paris.
1983–84 Paris
Palais de Tokyo, musée d'Art et d'Essai, Paris, Nouvelles acquisitions du musée d'Orsay 1980-1983, November 28, 1983–September 1984, no. 22, as Nature morte: sucrier, poires et tasse bleue, c. 1865.
1984 Madrid
Museo Español de Arte Contemporáneo, Madrid, Paul Cézanne, March 9–April 1984, no. 1, ill.
1988–89a London and traveling
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, no. 14, ill. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C., January 29–April 30, 1989.
1995–96 Paris and traveling
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 4, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
1998 Mexico City
Museo del palacio de bellas artes, Mexico City, La Provenza de los pintores : ruptura y tradición, February 20–May 3, 1998, no. 64, ill., as Nature morte: Pommes, poires, sucrier, c. 1866.
2002 Rome
Complesso del Vittoriano, Rome, Cézanne: Il padre dei moderni, March 7–July 7, 2002, listed p. 100, ill., as Zuccheriera, pere e tazza blu, lent by Musée d'Orsay, Paris.
2004–05 Beijing and traveling
National Museum of Art, Beijing, Trésors impressionnistes des collections nationales françaises, October 10–November 24, 2004, no. 43, ill., as Suger Bowl, Pears and Blue Cup. Traveled to: Museum of Art, Shanghai, November 8, 2004–January 25, 2005; Museum of Art, Hong Kong, February 5–April 10, 2005.
2006 Washington, D.C. and traveling
National Gallery of Art, Washington, D.C., Cézanne in Provence, January 29–May 7, 2006, no. 7, ill. Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
2009–10 The Hague
Gemeentemuseum, The Hague, the Netherlands, Cézanne, Picasso, Mondriaan: in nieuw perspectief, October 17, 2009–January 24, 2010, no. 104, ill., as Sucrier, poires et tasse bleue.
2011–12 Milan
Palazzo Reale, Milan, Cézanne: Les ateliers du midi, October 20, 2011–February 26, 2012, no. 13, ill., as Sucrier, poires et tasse bleue, lent by Musée Orsay / Granet.
2012 Tokyo
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 8, ill.
2014–15 Philadelphia and traveling
Barnes Foundation, Philadelphia, The World is an Apple: The Still Lifes of Paul Cézanne, June 14–September 22, 2014, pl. 4, p. 46 (dated c. 1886). Traveled to: Art Gallery of Hamilton, Hamilton, Ontario, Canada, November 1, 2014–January 31, 2015.
2017–18 Aix-en-Provence
Musée Granet, Aix-en-Provence, France, Cézanne at home, October 20, 2017–April 1, 2018.
2022–23 Chicago and traveling
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 1, ill. 1865–70. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Published References
Rivière 1923
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 201, listed.
Fry 1926
Fry, Roger. "Le développement de Cézanne." L'Amour de l'art 7, no. 12 (December 1926), p. 398, as Nature morte.
Fry 1927a
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, p. 31.
Raynal 1936
Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. LXXX p. 113.
Rewald 1936a
Rewald, John. "Cézanne et son oeuvre." L'Art sacré: revue mensuelle, special number, Cézanne (May 1936), p. 7, fig. 1 p. 3, as Nature morte.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 62, ill. vol. II, as Sucrier, poires et tasse bleue.
Rewald 1937a
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54, as Nature morte.
Guerry 1950
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Flammarion, 1950, p. 34.
Guerry 1966
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Albin-Michel, 1966, p. 47.
Sheon 1978
Sheon, Aaron. Monticelli: His Contemporaries, His Influence. Pittsburgh: Museum of Art, Carnegie Institute, 1978. Exhibition catalogue, fig. 55.
Reff 1979b
Reff, Theodore. "The Pictures within Cézanne's Pictures." Arts Magazine 53, no. 10 (June 1979), fig. 5.
Musée d'Orsay 1983
Catalogue sommaire illustré des nouvelles acquisitions du Musée d’Orsay: 1980-1983. Lacambre, Geneviève et Thiébaut Philippe, publication directors, coordination. Paris: Editions de la Réunion des musées nationaux, 1983, p. 16, no. 22, ill., as Nature morte: sucrier, poires et tasse bleue, c. 1865.
Gache-Patin 1984
Gache-Patin, Sylvie. "Musée d'Orsay, Galerie du Jeu de Paume: douze œuvres de Cézanne de l'ancienne collection Pellerin." La Revue du Louvre et des musées de France 34, no. 2 (1984), p. 130, fig. 2.
Coutagne et al. 1984a
Coutagne, Denis, et al. "Catalogue des oeuvres de Cézanne conservées au musée Granet d'Aix-en-Provence." In Cézanne au Musée d'Aix. Aix-en-Provence: Musée Granet, 1984, pp. 212-213, no. 3, ill. and back cover.
Réunion des Musées Nationaux 1985
Anciens et Nouveaux: Choix d'oeuvres acquises par l'état ou avec sa participation de 1981 à 1985. Paris: Réunion des musées nationaux, 1985. Exhibition catalogue, p. 323, ill.
Rewald 1986b
Rewald, John. Cézanne: A Biography. New York: Harry N. Abrams, 1986, p. 22, ill.
Naubert-Riser 1992
Naubert-Riser, Constance. Cézanne. London: Studio Editions, 1994, p. 47.
Baron and Bonafoux 1993
Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 13, ill.
Arrouye 1995
Arrouye, Jean. Cézanne: Paris, Provence. Paris: Textuel, 1995, p. 55, ill.
Kitschen 1995
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 6.
Patin 1995
Patin, Sylvie. Cézanne. Paris: Editions Hazan, 1995, p. 8.
Coutagne et al. 1996
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 211.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 93, ill. vol. 2, as Sucrier, poires et tasse bleue.
Smith 1996
Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 35, fig. 28, as Suger Bowl, Pears and Blue Cup.
Coutagne 1997
Coutagne, Denis. "Approche contradictoire d'un thème: Le Jas de Bouffan chez Cézanne." In Cézanne aujourd'hui. Paris: Editions de la Réunion des Musées Nationaux, 1997, p. 79.
Vischer 1998
Vischer, Bodo. "Beobachtungen zu Chardins Einfluss auf die Stillebenmalerei im 19. Jahrhundert an Beispielen von Manet, Courbet und Cézanne." In Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue, fig. 10.
Kitschen 2000
Kitschen, Friederike. "Malen, Sehen, Denken, Fühlen - Cézannes Stilleben." In Cézanne Manet Schuch: drei Wege zur autonomen Kunst. Munich: Hirmer, 2000. Exhibition catalogue, fig. 3.
Lewis 2002
Lewis, Mary Tompkins. "The Path to Les Lauves: A History of Cézanne's Studios." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 6, ill. in color.
Nin 2002
Nin, Núria. "Memories of Objects, Objects of Memory." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 7, ill. in color.
Armstrong 2004
Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue, p. 12, fig. 5, as Suger Bowl, Pears and Blue Cup, c. 1866.
Pissarro 2005
Pissarro, Joachim. Pioneering Modern Painting: Cézanne & Pissarro 1865–85. New York: The Museum of Modern Art, 2005. Exhibition catalogue, p. 34, fig. 24.
Farber 2006
Farber, Jules B. Autour de Cézanne. Sommières: Romain Pages, 2006, p. 73, ill. in color.
Mothe et al. 2006
Mothe, Alain, et al. Cézanne à Auvers-sur-Oise. Saint-Ouen-L'Aumône: editions du Valharmeil, 2006, p. 74, ill.
Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 65; vol. 2, p. 61, as Sucrier, poires et tasse bleue.
The Metropolitan Museum of Art 2009
The Metropolitan Museum of Art. Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection - New Edition. Stein, Susan Alyson and Asher Ethan Miller. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2009, fig. 107, ill. p. 146.
Cézanne 2013
Cézanne, Paul. The Letters of Paul Cézanne. Edited and translated by Alex Danchev. London and Los Angeles: Thames & Hudson; Getty Publications, 2013, p. 131, ill.
Nagaï 2016
Nagaï, Takanori. "Cézanne and Jas de Bouffan." In Le "basho" dans l'art moderne français. Tokyo: Sangensha, 2016, p. 116, ill.
Elderfield, Morton, Rey 2017
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 78, fig. 28.
Marchesseau 2017
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 114, ill.
Nagaï 2017
Nagaï, Takanori. "How Paul Cézanne Rejected the Fini Concept." Kyoto Studies in Art History vol. 2 (2017), p. 143, fig. 9.
Elderfield, Morton, Rey 2017a
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 28.
Armstrong 2018
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 5.
Société Paul Cezanne 2019
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 202 p. 208.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 28bis, as Sucrier, poires et tasse bleue.
Cezanne 2021
Cézanne, Philippe. Paul Cezanne dépeint par ses contemporains. Lyon: Fage éditions, 2021, fig. 16.
Nagaï 2022a
Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 22.

Related

Record last updated September 27, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Sucrier, poires et tasse bleue, 1865–66 (FWN 706)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=106 (accessed on April 20, 2024).