Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 481 to 540 of 743
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work by other artists
Nicolas Poussin, Les Bergers d'Arcadie, dit aussi Et in Arcadia ego, oil on canvas, Musée du Louvre, Paris.
work by other artists
Nicolas Poussin, Concert d'amours, oil on canvas (fragment), Musée du Louvre, Paris.
Martine Beck-Coppola; RMN-Grand Palais (Musée du Louvre)
D'après Poussin: Concert d'amours, 1887–90 (3005-48a)
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Antoine Coysevox, Marie Serre (the mother of the painter Hyacinthe Rigaud), marble. Musée du Louvre, Paris.
D'après Coysevox: Marie Serre, c.1900 (3005-49a)
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
D'après Rubens: Bellone, 1896–99 (3005-50a)
D'après Rubens: Bellone, 1896–99 (3005-50a)
work by other artists
Jean-Louis Lemoyne, Bust of J. Hardouin Mansart, marble, Musée du Louvre, Paris.
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
C. 130-150 AD, after Euphranor (actif c. 330 BC), Apollon vainqueur du monstre Python, du type dit de l’"Apollon lycien" (The Lycian Apollo), marble, Musée du Louvre, Paris.
RMN-Grand Palais (Musée du Louvre)
D'après l'antique: Apollon lycien, 1881–84 (3005-52a)
work by other artists
Louis Le Nain, La Forge (Blacksmith at his Forge), oil on canvas, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
work by other artists
Eugène Delacroix, La Pietà, encaustic mural, Eglise Saint-Denys-du-Saint-Sacrement, Paris.
D'après Delacroix: La Pietà, 1866–67 (3017-14a)
D'après Delacroix: La Pietà, 1866–67 (3017-14a)
work by other artists
Paolo Veronese, Les noces de Cana (The Marriage at Cana), oil on canvas, Musée du Louvre.
work by other artists
Jusepe de Ribera, L'Adoration des bergers (The Adoration of the Shepherds), oil on canvas (detail), Musée du Louvre.
work by other artists
Bartolomé Esteban Murillo, La cuisine des Anges (The Angel's Kitchen), oil on canvas, Musée du Louvre.
work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
Etudes, 1869–72 (3017-14b)
Etudes, 1869–72 (3017-14b)
work by other artists
Eugène Delacroix, Femmes d'Alger dans leur appartement (Women of Algiers in their Apartment), oil on canvas, Musée du Louvre.
Etudes d'après Delacroix, 1867–70 (3017-24a)
Etudes d'après Delacroix, 1867–70 (3017-24a)
work by other artists
Eugène Delacroix, La Liberté guidant le peuple (Liberty Leading the People), oil on canvas, Musée du Louvre.
Etudes d'après Delacroix, 1867–70 (3017-24a)
Etudes d'après Delacroix, 1867–70 (3017-24a)
work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
work by other artists
Sebastiano del Piombo, Christ’s Descent into Limbo, 1516, oil on canvas, Museum del Prado, Madrid.
work by other artists
Alonso Cano, Cristo muerto sostenido por un ángel (The Dead Christ Supported by an Angel), Museo del Prado, Madrid. Cezanne probably knew this work from a wood-engraved reproduction in Charles Blanc's 1869 Histoire des peintres de toutes les écoles: Ecole espagnole.
Baigneurs, c.1890 (possibly later) (3018-03a)
Baigneurs, c.1890 (possibly later) (3018-03a)
work by other artists
Alonso Cano, Cristo muerto sostenido por un ángel (The Dead Christ Supported by an Angel), Museo del Prado, Madrid. Cezanne probably knew this work from a wood-engraved reproduction in Charles Blanc's 1869 Histoire des peintres de toutes les écoles: Ecole espagnole.
Baigneur descendant dans l'eau, c.1885 (3010-33a)
work by other artists
Jean-Baptiste Pigalle, L'Amour embrassant l'Amitié, marble, Musée du Louvre, Paris.
P. Philibert; Musée du Louvre
work by other artists
Charles-Antoine Coysevox, Berger flûteur (Faun Playing a Flute), marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Pierre Puget, Hercules Resting, marble, Musee du Louvre, Paris.
work by other artists
François Girardon, Nicolas Boileau, known as Despréaux, marble, Musée du Louvre, Paris.
Stéphane Maréchalle; RMN-Grand Palais
work by other artists
Thomas Couture, Romains de la décadence (The Romans of the Decadence), oil on canvas, Musée d'Orsay, Paris.
Deux esquisses de femmes, 1883–86 (3003-02a-TA)
Deux esquisses de femmes, 1883–86 (3003-02a-TA)
work by other artists
2nd century AD, after a Greek original c. 330 BC, Artémis, déesse de la chasse, dite "Diane de Versailles", marble, Musée du Louvre, Paris. Probably a replica in the Luxemburg Gardens, Paris, was the model for Cezanne's study.
Thierry Olivier; Musée du Louvre
D'après l'antique: Diane chasseresse, 1882–85 (3003-16a-TA)
D'après l'antique: Diane chasseresse, 1882–85 (3003-16a-TA)
work by other artists
2nd century AD, after a Greek original c. 330 BC, Artémis, déesse de la chasse, dite "Diane de Versailles", marble, Musée du Louvre, Paris. Probably a replica in the Luxemburg Gardens, Paris, was the model for Cezanne's study.
Thierry Olivier; Musée du Louvre
D'après l'antique: Diane chasseresse, 1882–85 (3003-16b-TA)
D'après l'antique: Diane chasseresse, 1882–85 (3003-16b-TA)
work by other artists
Alonso Cano, Cristo muerto sostenido por un ángel (The Dead Christ Supported by an Angel), Museo del Prado, Madrid. Cezanne probably knew this work from a wood-engraved reproduction in Charles Blanc's 1869 Histoire des peintres de toutes les écoles: Ecole espagnole.
Baigneur descendant dans l'eau, c.1886–89 (3003-31a)
Baigneur descendant dans l'eau, c.1886–89 (3003-31a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, 1872–75 (3003-41b)
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
work by other artists
Michelangelo, l'Esclave rebelle, marble, Musée du Louvre, Paris.
work by other artists
Michelangelo, l'Esclave rebelle, marble, Musée du Louvre, Paris.
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
D'après Michel-Ange: l'Esclave mourant, 1879–82 (3003-49b-TA)
work by other artists
Michelangelo, l'Esclave rebelle, marble, Musée du Louvre, Paris.
work by other artists
Michelangelo, l'Esclave rebelle, marble, Musée du Louvre, Paris.
work by other artists
Attributed to Francesco Mazzola, dit Parmigianino, Portrait de jeune homme (Portrait of a Young Man), oil on panel, Musée du Louvre.
work by other artists
Engraving of the painting in the Louvre, published in: Le Magasin pittoresque, vol. XIII, January 1, 1845, p. 9
work by other artists
Raphael, Psyché présentant à Vénus l'eau du Styx or Psyché présentant à Vénus le cadeau de Proserpine (Venus receiving rom Psyche the flask containing water from the Styx), sanguine, Musée du Louvre, Paris.
S. Nagy; RMN-Grand Palais (Musée du Louvre)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1873–75 (3008-13a)
D'après l'antique: Vénus de Milo, c.1873–75 (3008-13a)
work by other artists
Engraving of the painting in the Louvre, published in: Le Magasin pittoresque, vol. XIII, January 1, 1845, p. 9
work by other artists
Guillaume Coustou, Bust of Nicolas Coustou (the artist's brother), terracotta. Musée du Louvre, Paris.
work by other artists
After Peter Paul Rubens: engraving after the painting of Ceres held in in the Hermitage Museum, St. Petersburg; the engraving was published in Le Magazin Pittoresque, 1879, p. 137.
gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Antonin Mercié, David, bronze, Musée d'Orsay, Paris. The bronze was exhibited in the Salon of 1872 and later in the Musée du Luxembourg and the Louvre.
D'après Mercié: David, 1877–80 (3008-37a)
D'après Mercié: David, 1877–80 (3008-37a)
work by other artists
Michelangelo, Crouching Boy , marble, State Hermitage, St. Petersburg.
D'après Michel-Ange: Garçon accroupi, 1872–75 (3001-11a-TA)
work by other artists
Pierre Puget, Persée et Adromède, marble, Musée du Louvre, Paris.
D'après Puget: Andromède, 1864–67 (2094-TA)
D'après Puget: Andromède, 1864–67 (2094-TA)
work by other artists
Jean-Baptiste Pigalle, Mercure attachant ses talonnières, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
D'après Pigalle: Mercure, 1894–97 (3018-40b)
D'après Pigalle: Mercure, 1894–97 (3018-40b)
work by other artists
Jean-Baptiste Pigalle, Mercure attachant ses talonnières, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
work by other artists
Jean-Baptiste Pigalle, Mercure attachant ses talonnières, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
D'après Pigalle: Mercure, c.1890 (3007-08a)
D'après Pigalle: Mercure, c.1890 (3007-08a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, 1881–84 (3015-52b)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1872–73 (3008-38a)
D'après l'antique: Vénus de Milo, c.1872–73 (3008-38a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1872–73 (3008-47a)
D'après l'antique: Vénus de Milo, c.1872–73 (3008-47a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, 1873–75 (3008-12a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
work by other artists
Jacob van Loo, La jeune femme se couchant, dit Le Coucher à l'italienne, oil on canvas, Musée des Beaux-Arts, Lyon.
work by other artists
Carlo Antonio Porporati, engraving after the original by van Loo.
work by other artists
Peter Paul Rubens (studio of), Anton van Dyck, Le Christ en croix, la Vierge, saint Jean et sainte Madeleine (Christ on the Cross, Mary, John, and the Magdalene), oil on canvas, Musée du Louvre, Paris.
Jean-Gilles Berizzi / Thierry Le Mage; RMN-Grand Palais (musée du Louvre)
results 481 to 540 of 743
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php (accessed on May 20, 2024).