Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 481 to 540 of 726
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work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-23b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
L'Ecorché, 1900–04 (3010-29b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (3018-32b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (3012-04b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (2175)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
Etude de "l'Ecorché", 1893–96 (2173)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1893–96 (2174-TA)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Les Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3011-02a (right))
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1889–92 (3002-28b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1890–94 (3010-18a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1881–84 (3010-44b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1894–97 (3007-12b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3005-03a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3005-03b)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1890–94 (3005-39a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1884–87 (3003-04a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Statue before restauration.
RMN-Grand Palais (Musée du Louvre)
work by other artists
Peter Paul Rubens, La Naissance du dauphin (futur Louis XIII) à Fontainebleau, le 27 septembre 1601 (Birth of Louis XIII), from the Medici cycle, Musée du Louvre, Paris.
work by other artists
Antonio del Pollaiuolo, Young Florentine, terracotta, National Museum of Bargello, Florence. Cezanne copied a plaster cast that was on exhibit at the Musée de Sculpture comparée in the Palais de Chaillot, Trocadéro, Paris.
work by other artists
Pierre Julien, Amalthée et la chèvre de Jupiter, marble, Musée du Louvre, Paris. Formerly kept in the Louvre, this statue decorates again a fountain at Château Rambouillet, its original destination.
P. Philibert; RMN-Grand Palais (Musée du Louvre)
work by other artists
Attributed to Francesco Mazzola, dit Parmigianino, Portrait de jeune homme (Portrait of a Young Man), oil on panel, Musée du Louvre.
work by other artists
Francisco de Goya y Lucientes, No se puede mirar (One can’t look), plate 26 in the series Los Desastres de la Guerra (The Disasters of War), 1810-20, etching.
work by other artists
Eugène Delacroix, Autoportrait, dit au gilet vert, Musée du Louvre, Paris.
Musée du Louvre
work by other artists
Marcantonio Raimondi, after RaphaelThe Judgment of Paris, engraving.
work by other artists
After Juan de Pareja, The Calling of Saint Matthew, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [177].
work by other artists
After Pedro de Moya, Vision of Saint Mary Magdalene de Pazzi, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [179].
work by other artists
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
work by other artists
Roman Imperial Period (1st -2nd Century AD ?), Arès dit "Arès Borghèse" (The Borghese Mars), marble, Musée du Louvre, Paris.
Musée du Louvre
work by other artists
The terracotta bust in the Louvre served as a model for this marble version which is kept in The Metropolitan Museum of Art, New York.
D'après Houdon: Diderot, c.1888 (3011-20a-TA)
work by other artists
Antoine Coysevox, Venus accroupie (Crouching Venus), marble, Louvre, Lens
Chatsam
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
work by other artists
Eugène Delacroix, Daniel dans la fosse aux lions (Daniel in the Lion's Den), oil o canvas, Musée Fabre, Montpellier.
D'après Delacroix: Daniel, c.1890 (3000-05a)
work by other artists
Jean-Antoine Houdon, Voltaire (François Marie Arouet de Voltaire), marble, The Metropolitan Museum of Art, New York.
D'après Houdon: Voltaire, c.1890 (3011-22b)
work by other artists
Peter Paul Rubens, Henri IV reçoit le portrait de la reine et se laisse désarmer par l'amour, Musée du Louvre, Paris.
work by other artists
Charles Antoine Coysevox, Michel Le Tellier, chancelier de France, marble. (Georges Keller-Dorian, Catalogue raisonné de son oeuvre, vol. 1, 1920, no. 9, pl.15). (N.B. The original bronze was lost at sea in 1939)
work by other artists
Titian, Portrait d'homme, main à la ceinture (Portrait of a Man), oil on canvas, (detail), Musée du Louvre, Paris.
D'après Titien: tête d'homme, 1892–95 (3013-02a)
work by other artists
Mino da Fiesole, Busto ritratto di Rinaldo della Luna, Museo Nazionale del Bargello, Florence. Cezanne copied from a plaster cast in the Musée de Sculpture comparée in the Palais de Chaillot, Trocadéro, now lost.
work by other artists
Mino da Fiesole, Busto ritratto di Rinaldo della Luna, Museo Nazionale del Bargello, Florence. Cezanne copied from a plaster cast in the Musée de Sculpture comparée in the Palais de Chaillot, Trocadéro, now lost.
work by other artists
Mino da Fiesole, Busto ritratto di Rinaldo della Luna, Museo Nazionale del Bargello, Florence. Cezanne copied from a plaster cast in the Musée de Sculpture comparée in the Palais de Chaillot, Trocadéro, now lost.
work by other artists
Christophe Veyrier, Buste de Jean ou de Mathurin de Gabaret, marble, Musée du Louvre, Paris.
Buste d'homme, c.1896 (3013-06b)
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
work by other artists
Roman Imperial Period (1st -2nd Century AD ?), Arès dit "Arès Borghèse" (The Borghese Mars), marble, Musée du Louvre, Paris.
Musée du Louvre
work by other artists
Eugène Delacroix, L'éducation d'Achille, Musée du Louvre, Paris.
RMN
work by other artists
Roman Imperial Period (1st-2nd century AD?), Le discophore (The Discophoros), marble, Musée du Louvre, Paris.
Jastrow
D'après l'antique: Le discophore, 1890–95 (3011-34b)
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
D'après l'antique: Vénus accroupie, c.1894–97 (3003-42a)
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd century BC, Aphrodite accroupie, marble, Musée du Louvre, Paris. In Cezanne's day, the head and right arm of this statue had been restored and are copied here. The additions were later removed.
Musée du Louvre
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd century BC, Aphrodite accroupie, marble, Musée du Louvre, Paris. In Cezanne's day, the head and right arm of this statue had been restored and are copied here. The additions were later removed.
Musée du Louvre
work by other artists
Modern copy of the sculpture in the Louvre.
D'après l'antique: Vénus accroupie, c.1894–97 (3003-42a)
work by other artists
Modern copy of the sculpture in the Louvre.
work by other artists
Modern study of Jean-Antoine Houdon's Ecorché by Avishek Banerjee.
Avishek Banerjee
D'après Houdon: l'Ecorché, 1892–95 (2170-TA)
work by other artists
Modern study of Jean-Antoine Houdon's Ecorché by Avishek Banerjee.
Avishek Banerjee
D'après Houdon: l'Ecorché, 1894–98 (3002-33b)
results 481 to 540 of 726
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on November 29, 2021).