The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 543
Le Jardinier Vallier; Le Marin
1902–06
Alternate titles: A Sailor; Le Jardinier Vallier; Le Marin; Le Marin; also known as Le Jardinier Vallier; The Sailor
Rewald (949): 1902–06; Venturi revised: 1906
Oil on canvas
42 5/16 x 29 5/16 in. (107.4 x 74.5 cm)
Vollard B stockbook: no. 4467, Paysan assis les mains croisées (20000/40000 frs)
Provenance
Exhibition History
The Metropolitan Museum of Art, New York, Fiftieth Anniversary Exhibition, May 7–November 1, 1920, no number, listed p. 9, lent by Mrs. Eugene Meyer.
The Metropolitan Museum of Art, New York, Impressionist and Post-Impressionist Paintings, May 3–September 15, 1921, no. 24, ill., as A Sailor, lent by Meyer.
The Metropolitan Museum of Art, New York, The Taste of Today in Masterpieces of Painting before 1900, July 10–October 2, 1932.
National Gallery of Art, Washington, D.C., Masterpieces of Impressionist and Post-Impressionist Painting, April 25–May 24, 1959, listed p. 32, ill., as Le Marin, 1904-1905, lent by Mr. and Mrs. Eugene Meyer.
Phillips Collection, Washington, D.C., Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection, February 27–March 28, 1971, no. 34. Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 66, pl. 24. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 14, ill.
Royal Academy of Arts, London, Post-Impressionism: Cross-Currents in European Painting, November 17, 1979–March 16, 1980, no. 49, ill., (dated 1905–06), as Le Jardinier Vallier, lent by National Gallery of Art, Washington, D.C. Traveled to: National Gallery of Art, Washington, D.C., May 25–September 1, 1980.
National Gallery of Art, Washington, D.C., Cézanne in Provence, January 29–May 7, 2006, no. 153, ill. Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 71, ill.
Musée d'Orsay, Paris, Cézanne Portraits, June 13–September 24, 2017, no. 66, ill.
Musée d'Orsay, Paris, Cézanne Portraits, June 13–September 24, 2017, no. 25.1, ill. Traveled to: National Portrait Gallery, London, October 26, 2017–February 11, 2018; National Gallery of Art, Washington, D.C, March 25–July 1, 2018.
Musée Marmottan Monet, Paris, Cezanne et les Maîtres, rêve d'Italie, February 27–July 5, 2020, no. 17, ill. lent by National Gallery of Art, Washington, D.C.
Published References
Carroll, Raymond. "Art Atrocities Puzzles Critics." Evening Public Ledger (Philadelphia), September 7, 1921, p., as The Sailor.
"List of Accessions and Loans, October 1923." The Metropolitan Museum of Art Bulletin 18, no. 11 (November 1923), p. 263, listed.
European Paintings: An Illustrated Summary Catalogue. Washington, D.C.: National Gallery of Art, 1975, no. 1525, p. 61, ill., as The Sailor.
Reff, Theodore. "Painting and Theory in the Final Decade." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, pp. 22, 51.
House, John. Impressionist Masterpieces: National Gallery of Art, Washington. New York: Hugh Lauther Levin, 1985, p. 60, pl. 19.
Bessonova, Marina, and William Williams. Impressionism and Post-Impressionism: The Hermitage, Leningrad, The Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington. New York: Park Lane, 1986, p. 174, ill.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, pp. 159, 305–06, 319, 330, fig. 83.
Gasquet, Joachim. Joachim Gasquet's Cézanne. Translated by C. Pemberton. London and New York: Thames & Hudson, 1991, p. 135, ill.
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 190.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 949, ill. vol. 2 and p. 45, ill. col. vol. 1, as Le Marin; also known as Le Jardinier Vallier .
Coutagne, Denis. "The Major Works in the Lauves Studio." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 7, ill. in color.
Sidlauskas, Susan. Cézanne's Other: The Portraits of Hortense. Berkeley: University of California Press, 2009, p. 16, fig. 5, as Le Marin; also known as Le Jardinier Vallier , dated 1906.
Coutagne, Denis. Cézanne abstraction faite. Paris: Les Editions du Cerf, 2011, p. 194, fig. 135.
Cézanne, Paul. The Letters of Paul Cézanne. Edited and translated by Alex Danchev. London and Los Angeles: Thames & Hudson; Getty Publications, 2013, p. 378, ill.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 314, ill.
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 48 p. 62.
Related work
Record last updated October 27, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Le Jardinier Vallier; Le Marin, 1902–06 (FWN 543)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=922 (accessed on October 5, 2024).
