The Paintings, Watercolors and Drawings of Paul Cezanne
An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
Catalogue entry
FWN 871
Pommes et oranges
c.1899
Alternate titles: Apples and Oranges; Pommes et Oranges; Still Life: Apples and Oranges
Rewald: (847) c.1899; Venturi revised: 1900–1905; Venturi: (732) 1895–1900; Gowing: Paris, autumn 1898 and autumn 1899; Reff: c.1896 (MOMA)
Oil on canvas
29 1/8 x 36 5/8 in. (74 x 93 cm)
Provenance
Exhibition History
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936 (exhibition catalogue, 2nd revised edition)
A major exhibition commemorating the thirtieth anniversary of the artist's death. Catalogue notes by Charles Sterling, foreword by Jacques-Émile Blanche, and preface by Paul Jamot, no. 96, as Pommes et oranges, lent by Louvre, Camondo.
A major exhibition commemorating the thirtieth anniversary of the artist's death. Catalogue notes by Charles Sterling, foreword by Jacques-Émile Blanche, and preface by Paul Jamot, no. 96, as Pommes et oranges, lent by Louvre, Camondo.
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952 (exhibition catalogue; introduction by Theodore Rousseau, Jr. and text to illustrations by Daniel C. Rich), no. 88, ill., lent by Louvre. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
Orangerie, Paris, Hommage à Cézanne, July 2–October 17, 1954 (exhibition catalogue; introduction by Germain Bazin and catalogue notes by Albert Châtelet), no. 62, lent by Musée du Louvre.
The Museum of Modern Art, New York, 15 Paintings by French Masters of the Nineteenth Century: lent by the Louvre and the Museums of Albi and Lyon, February 25–April 24, 1955.
(exhibition catalogue, The Museum of Modern Art Bulletin, vol. XXII, no. 3, Spring 1955) A loan exhibition on the occasion of the Museum's twenty-fifth anniversary, p. 21, ill, as Still Life: Apples and Oranges, 1895-1900, lent by Musée du Louvre, Paris.
(exhibition catalogue, The Museum of Modern Art Bulletin, vol. XXII, no. 3, Spring 1955) A loan exhibition on the occasion of the Museum's twenty-fifth anniversary, p. 21, ill, as Still Life: Apples and Oranges, 1895-1900, lent by Musée du Louvre, Paris.
Orangerie, Paris, Cézanne dans les musées nationaux, July 19–October 14, 1974 (exhibition catalogue; catalogue by Michel Hoog in collaboration with Simone Rufenacht and Geneviève Monnier), no. 46.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978.
N.B. This is the first of three venues. The catalogue numbers are different from the forthcoming French edition and therefore listed separately here, no. 28, pl. 139. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978. Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
N.B. This is the first of three venues. The catalogue numbers are different from the forthcoming French edition and therefore listed separately here, no. 28, pl. 139. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978. Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978.
N.B. This is the last of three venues (see 1977–78 New York and traveling). The catalogue numbers are different from the English edition and therefore listed separately here, no. 22, ill.
N.B. This is the last of three venues (see 1977–78 New York and traveling). The catalogue numbers are different from the English edition and therefore listed separately here, no. 22, ill.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996. Organised by Réunion des musées nationaux / musée d'Orsay, Tate Gallery and Philadelphia Museum of Art. Initially scheduled to end on January 7 the Paris exhibition was prolonged until January 14. (exhibition catalogue; text by Françoise Cachin and Joseph Rishel with contributions by Isabelle Cahn, Walter Feilchenfeldt and Henri Loyrette; English edition: Cézanne, Philadelphia Museum of Art, 1996), no. 181, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996. Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Yokohama Museum of Art, Yokohama, Japan, Cézanne and Japan, September 11–December 19, 1999 (exhibition catalogue), no. 91, ill., as Pommes et oranges. Traveled to: Aichi Prefectural Museum of Art, Nagoya, Japan, January 5–March 12, 2000.
National Art Center, Tokyo, Paris—Provence, March 28–May 11, 2012 (exhibition catalogue in Japanese and French; text by Denis Coutagne, Maryline Assante di Panzillo, Michel Fraisset, Philippe Cézanne, Mitsue Nagaya and Koji Kudo), no. 83, ill.
Published References
Wright, Willard Huntington. "Paul Cézanne, The Misanthropic Don Quixote of Modern Art." Current Opinion 60 (February 1916).
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 196.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 238.
Paul Vitry, Carle Dreyfus, Paul Leprieur... [et al.]. Catalogue de la Collection Isaac de Camondo. Paris: Musée national du Louvre, 1922, no. 155 as Pommes et oranges.
"Paroles." Bulletin de la Vie Artistique 4, no. 14 (July 15, 1923), p. 302, ill.
Salmon, André. Cézanne. Paris: Librairie Stock, 1923, pl. 13.
Lehel, Ferenc. Nôtre Art dément. Paris: Jonquières, 1926, p. 97.
Rutter, Frank. Evolution in Modern Art. London: George G Harrap & Company Limited, 1926, pl. 6.
Faure, Élie. Histoire de l'Art. Paris: G. Crès, 1926, pl. 95.
Meier-Graefe, Julius. Cézanne. Translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XCVIII.
Bertram, Anthony. Cézanne. London: Studio, 1929, pl. 20.
Gasquet, Joachim. Cézanne: 24 Phototypies. Paris: Librairie de France, 1930, ill.
Waldmann, Emil. Paul Cézanne: Acht farbige Gemälde. Leipzig: E.A. Seemann, 1930, pl. 2.
Neugass, Fritz. "Paul Cézanne." Creative Art 9, no. 4 (October 1931), p. 137, ill.
Neugass, Fritz. "Paul Cézanne: zu seinem 25. Todestag am 22. Oktober 1931." Deutsche Kunst und Dekoration 69 (1931–32), p. 137, ill.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 159, ill.
Mack, Gerstle. Paul Cézanne. New York: Alfred A. Knopf, 1935, fig. 32.
Iavorskaia, Nina. Cézanne. Moscow: Ogiz-Izogiz, 1935, pl. 37.
Di San Lazzaro, Gualtieri. Paul Cézanne. Paris: Chroniques du Jour, 1936, pl. 1.
Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. XCII.
D'Ors, Eugenio. Paul Cézanne. New York: E. Weyhe, 1936, p. 8, ill.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 391, ill. vol. II as Pommes et Oranges.
Huyghe, René. Cézanne. Paris: Plon, Éditions d'Art et d'Histoire, 1936, pl. 30.
Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 77.
Barnes, Albert C, and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 159, p. 247, ill. (analysis p. 389).
Cogniat, Raymond. Cézanne. Paris: Pierre Tisné, 1939, pl. 98.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 147, ill.
Schildt, Göran. Cézanne. Stockholm: Wahlström & Widstrand, 1946, fig. 51.
Bazin, Germain. L'Epoque impressionniste. Paris: P. Tisné, 1947, pl. 66.
Dorival, Bernard. Cézanne. Paris: Tisne, 1948, pl. 153.
Storey, Benjamin. "Retrospettiva Cézanne." Emporium 115, no. 689 (May 1952), p. 204, ill.
Schapiro, Meyer. Cézanne. New York: Harry N. Abrams, 1952, pp. 102–03, ill.
Adhémar, Hélène. Catalogue des peintures, pastels, sculptures impressionnistes du Musée du Louvre. Paris: Editions des Musées Nationaux, 1958, p. 27, no. 52.
Bazin, Germain. Trésors de l'impressionnisme au Louvre. Paris: A. Somogy, 1958, p. 275, ill.
Biederman, Charles. The New Cézanne. Winona, MN: Leicht Press, 1958, pl. 7.
Sterling, Charles, and Hélène Adhémar. La Peinture au Musée du Louvre, vol. I. Paris: Éditions des Musées Nationaux, 1958, fig. 269.
Perruchot, Henri. Dix Grands Peintres. Paris: Gauthier-Languereau, 1961, p. 142.
Sylvester, David. "'Still Life with Teapot,' by Cézanne." The Listener (London) (January 18, 1962), ill.
Feist, Peter Heinz. Paul Cézanne. Leipzig: E.A. Seemann, 1963, pp. 34, 48, 50, pl. 83.
Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 135.
Ikegami, Chuji. Cézanne. Tokyo: Shueisha, 1969, pl. 52.
Huyghe, René. Impressionism. London: Bracken Books, 1971, p. 259, ill.
Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1973, no. 21.
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 41, with comments.
Brion, Marcel. Cézanne. Garden City, NY: Doubleday, 1974, p. 17.
Elgar, Frank. Cézanne. New York: Praeger, 1975, fig. 132.
Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1975, pl. 102.
Barskaya, Anna. Paul Cézanne. Leningrad: Aurora Art Publishers, 1975, p. 185, ill.
Ponente, Nello. Paul Cézanne. Bologna: Capitol, 1980, pl. 28.
Plazy, Gilles. Cézanne. Fribourg: Editions Medea, 1981, p. 81.
Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Colli: pl. 7.
Thomson, Belinda. The Post-Impressionists. London: Phaidon Press, 1983, pl. 124.
Wetzel, Christoph. Paul Cézanne: Leben u. Werk. Stuttgart/Zurich: Belser, 1984, p. 66/67, ill. in color.
Laclotte, Michel, Genviève Lacambre, Anne Distel, et al. La Peinture au Musée d'Orsay. Paris: Editions Scala, 1986, p. 93, ill.
Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1988, no. 31.
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 190, ill. in color.
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 138, ill. in color.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 192, ill.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 239, fig. 119.
Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1989, p. 122, ill. in color.
Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 51, ill.
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 58.
Sollers, Philippe. Le Paradis de Cézanne. Paris: Gallimard, 1995, p. 112, ill.
Cahn, Isabelle. Paul Cézanne. Paris: Somogy Editions d'Art, 1995, p. 71, ill.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 847, ill. vol. 2 as Pommes et Oranges.
Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 55, fig. 44 as Apples and Oranges.
Schmidt, Katharina. "Cézannes letztes Stilleben." In Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue, fig. 3.
Buberl, Brigitte. "Cézanne Manet Schuch. Ein (un)zulässiger Vergleich." In Cézanne Manet Schuch. Munich: Hirmer, 2000. Exhibition catalogue, fig. 2.
Freudenberg, Inken. Der Zweifler Cézanne. Heidelberg: Kehrer Verlag Heidelberg, 2001, pl. 53 (detail).
Nin, Núria. "Memories of Objects, Objects of Memory." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 6, ill. in color.
Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 169, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 389; vol. 2, p. 246 as Pommes et oranges.
Rishel, Joseph J. "Cézanne and Hartley: On Sacred Ground." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 159, ill. as Apples and Oranges.
Chiappini, Rudy. "Quel silenzio, in attesa del tempo della rivelazione." In Cézanne: Les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 37, fig. 20.
Freudenberg, Inken. "'And the picture, once left, torments us and pursues us': Cézanne and Delacroix." In Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012. Exhibition catalogue, p. 58, fig. 27, p. 59 (detail) as Apples and Oranges.
Chiappini, Rudy. "I temi prediletti del padre della modernità." In Cézanne e gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue, p. 28, fig. 1.
Gottlieb, Lennart. Modernism: Reinventing Painting, 1908–41. Aarhus: ARoS Aarhus Kunstmuseum, 2013. Exhibition catalogue, fig. 80.
Smith, Paul. "Cézanne's Color Lab: Not-So-Still-Life." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue, p. 106, fig. 5 as Apples and Oranges.
Stuffmann, Margret. "Hidden Propensities, Cézanne and Delacroix." In Cézanne Metamorphoses. Munich and Karlsruhe: Prestel and Staatliche Kunsthalle Karlsruhe, 2017. Exhibition catalogue, fig. 10.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 77.
Record last updated July 25, 2018. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Pommes et oranges, c.1899 (FWN 871)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=822 (accessed on February 23, 2019).