The Paintings, Watercolors and Drawings of Paul Cezanne
An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
FWN 871
Pommes et oranges
c.1899
Alternate titles: Apples and Oranges; Naturaleza muerta; Nature morte; Pommes et Oranges; Pommes, oranges et tapisseries (Louvre); Still Life with Apples and Oranges; Still Life: Apples and Oranges; Stilleben mit Äpfeln und Orangen
Rewald: (847) c.1899; Venturi revised: 1900–1905; Venturi: (732) 1895–1900; Gowing: Paris, autumn 1898 and autumn 1899; Reff: c.1896 (MOMA)
Oil on canvas
29 1/8 x 36 5/8 in. (74 x 93 cm)
Provenance
Exhibition History
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 96, as Pommes et oranges, lent by Louvre, Camondo.
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 88, ill. lent by Louvre. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
Orangerie, Paris, Hommage à Cézanne, July 2–October 17, 1954, no. 62, lent by Musée du Louvre.
The Museum of Modern Art, New York, 15 Paintings by French Masters of the Nineteenth Century: lent by the Louvre and the Museums of Albi and Lyon, February 25–April 24, 1955, p. 21, ill, as Still Life: Apples and Oranges, 1895-1900, lent by Musée du Louvre, Paris.
Orangerie, Paris, Cézanne dans les musées nationaux, July 19–October 14, 1974, extended until October 28, no. 46.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 28, pl. 139. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978. Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 22, ill.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 181, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996. Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Yokohama Museum of Art, Yokohama, Japan, Cézanne and Japan, September 11–December 19, 1999, no. 91, ill., as Pommes et oranges. Traveled to: Aichi Prefectural Museum of Art, Nagoya, Japan, January 5–March 12, 2000.
National Gallery of Victoria, Melbourne, Australia, The Impressionists: Masterpieces from the Musée d'Orsay, June 17–September 26, 2004, n. no, pp. 126-126, 213, ill, as Pommes et oranges.
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 83, ill.
Fundación Cultural MAPFRE, Madrid, Impresionistas y postimpresionistas: el nacimiento del arte moderno, February 2, 2013, no. 29, ill., as Pommes et oranges.
Published References
Wright, Willard Huntington. "Paul Cézanne, The Misanthropic Don Quixote of Modern Art." Current Opinion 60 (February 1916).
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 196.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 238.
Paul Vitry, Carle Dreyfus, Paul Leprieur... [et al.]. Catalogue de la Collection Isaac de Camondo. Paris: Musée national du Louvre, 1922, no. 155 as Pommes et oranges, c. 1892.
"Paroles." Le Bulletin de la vie artistique 4, no. 14 (July 15, 1923), ill. p. 302.
Brière, Gaston. Musée National du Louvre: catalogue des peintures exposées dans les galeries. I, école française. Paris: Musées Nationaux, Palais du Louvre, 1924, p. 25, no. CA. 155 as Pommes et oranges, c. 1892.
Rutter, Frank. Evolution in Modern Art. London: George G Harrap & Company Limited, 1926, pl. 6.
Schwabacher, Sascha. "Die Impressionisten der Sammlung Camondo im Louvre." Der Cicerone 19, no. 12 (1927), p. 376.
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XCVIII.
Gasquet, Joachim. Cézanne: 24 phototypies. Paris: Librairie de France, [1928], [pl. 23] as Nature morte.
Waldmann, Emil. Paul Cézanne: Acht farbige Gemälde. Leipzig: E.A. Seemann, 1930, pl. 2.
Neugass, Fritz. "Paul Cézanne: zu seinem 25. Todestag am 22. Oktober 1931." Deutsche Kunst und Dekoration 69 (October 1931–March 32), ill. p. 137.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 159, ill.
L'Art sacré: revue mensuelle. Special number, Cézanne. Paris, May 1936, fig. 21 p. 22 as Nature morte.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 391, ill. vol. II as Pommes et Oranges.
Barnes, Albert C, and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 159, p. 247, ill. (analysis p. 389).
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 147, ill.
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 81 as Pommes et oranges, 1895-1900.
Storey, Benjamin. "Retrospettiva Cézanne." Emporium 115, no. 689 (May 1952), p. 204, ill.
Adhémar, Hélène. Catalogue des peintures, pastels, sculptures impressionnistes du Musée du Louvre. Paris: Editions des Musées Nationaux, 1958, p. 27, no. 52.
Bazin, Germain. Trésors de l'impressionnisme au Louvre. Paris: A. Somogy, 1958, p. 275, ill.
Sterling, Charles, and Hélène Adhémar. La Peinture au Musée du Louvre, vol. I. Paris: Éditions des Musées Nationaux, 1958, fig. 269.
Sylvester, David. "'Still Life with Teapot,' by Cézanne." The Listener (London) (January 18, 1962), ill.
Haftmann, Werner. Malerei im 20. Jahrhundert: eine Bild-Enzyklopädie. Munich: Prestel, 1965, listed p. 405, fig. 6 p. 21 as Stilleben mit Äpfeln und Orangen, 1895-1900.
Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 135.
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 41, with comments.
Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Colli: pl. 7.
Serraller, Francisco Calvo. "Imagenes de lo insignificante: una aproximación del arte de vanguardia." Fragmentos (Madrid), no. 1 (1984), ill. p. 65 as Naturaleza muerta.
Wetzel, Christoph. Paul Cézanne: Leben u. Werk. Stuttgart/Zurich: Belser, 1984, p. 66/67, ill. in color.
Compin, Isabelle et Anne Roquebert. Catalogue sommaire illustré des peintures du musée du Louvre et du musée d'Orsay. 3, École Française, A-K. Paris: Réunion des musées nationaux, 1986, p. 112, ill. as Pommes et oranges, c. 1895-1900.
Laclotte, Michel, Genviève Lacambre, Anne Distel, et al. La Peinture au Musée d'Orsay. Paris: Editions Scala, 1986, p. 93, ill.
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 190, ill. in color.
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 138, ill. in color.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 192, ill.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 239, fig. 119.
Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 51, ill.
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 58.
Cachin, Françoise and Laure Buhart. "Cézanne: 'un sujet intimidant ....'" Dossier de l'art (Dijon), no. 25 (September - October 1995), ill. p. 6-7.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 847, ill. vol. 2 as Pommes et Oranges.
Shone, Richard. "London: Cezanne." The Burlington Magazine, vol. 138, no. 1118 (May 1996), fig. 38 p. 340 as Apples and Oranges.
Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 55, fig. 44 as Apples and Oranges.
Schmidt, Katharina. "Cézannes letztes Stilleben." In Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue., fig. 3.
Buberl, Brigitte. "Cézanne Manet Schuch. Ein (un)zulässiger Vergleich." In Cézanne Manet Schuch: drei Wege zur autonomen Kunst. Munich: Hirmer, 2000. Exhibition catalogue., fig. 2.
Freudenberg, Inken. Der Zweifler Cézanne. Heidelberg: Kehrer Verlag Heidelberg, 2001, pl. 53 (detail).
Nin, Núria. "Memories of Objects, Objects of Memory." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 6, ill. in color.
Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue., p. 52, fig. 21 as Still Life with Apples and Oranges, c. 1895-1900.
Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 169, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 389; vol. 2, p. 246 as Pommes et oranges.
Rishel, Joseph J. "Cézanne and Hartley: On Sacred Ground." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue., p. 159, ill. as Apples and Oranges.
Chiappini, Rudy. "Quel silenzio, in attesa del tempo della rivelazione." In Cézanne: Les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue., p. 37, fig. 20.
Freudenberg, Inken. "'And the picture, once left, torments us and pursues us': Cézanne and Delacroix." In Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012. Exhibition catalogue., p. 58, fig. 27, p. 59 (detail) as Apples and Oranges.
Chiappini, Rudy. "I temi prediletti del padre della modernità." In Cézanne e gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue., p. 28, fig. 1.
Gottlieb, Lennart. Modernism: Reinventing Painting, 1908–41. Aarhus: ARoS Aarhus Kunstmuseum, 2013. Exhibition catalogue., fig. 80.
Smith, Paul. "Cézanne's Color Lab: Not-So-Still-Life." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue., p. 106, fig. 5 as Apples and Oranges.
Inaga, Shigemi. "Between Revolutionary and Oriental Sage: Paul Cézanne in Japan." Japan review: Journal of the International Research Center for Japanese Studies 28 (2015:), p. 163, fig. 25.
Stuffmann, Margret. "Hidden Propensities, Cézanne and Delacroix." In Cézanne Metamorphoses. Munich and Karlsruhe: Prestel and Staatliche Kunsthalle Karlsruhe, 2017. Exhibition catalogue., fig. 10.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue., fig. 77.
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 46, 1899.
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 188 p. 194.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F.Dauberville & Archives Bernheim-Jeune, 2020, no. 14, ill. as Pommes, oranges et tapisseries (Louvre).
Record last updated March 7, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Pommes et oranges, c.1899 (FWN 871)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=822 (accessed on June 25, 2021).
