loading loading

Catalogue entry

FWN 871
Pommes et oranges
c.1899
Alternate titles: Apples and Oranges; Naturaleza muerta; Nature morte; Plis de nappe; Pommes et Oranges; Pommes, oranges et tapisseries (Louvre); Still Life with Apples and Oranges; Still Life: Apples and Oranges; Stilleben mit Äpfeln und Orangen
Rewald (847): c.1899; Venturi revised: 1900–1905; Venturi (732): 1895–1900; Gowing: Paris, autumn 1898 and autumn 1899; Reff: c.1896 (MOMA)
Oil on canvas
29 1/8 x 36 5/8 in. (74 x 93 cm)
Musée d'Orsay, Paris (RF 1972)

Keywords

Provenance
Gustave Geffroy, Paris
Galerie Bernheim-Jeune, Paris (January 1907)
Count Isaac de Camondo, Paris (bought May 4, 1907; bequeathed to the Louvre in 1908);
Musée du Louvre, Paris (1911, Bequest of Isaac de Camondo; exhibited from 1914 on);
Musée du Louvre, galerie du Jeu de Paume, Paris (1947-1986);
Musée d'Orsay, Paris (1986)
Exhibition History
1936c Paris
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 96, as Pommes et oranges, lent by Louvre, Camondo.
1952 Chicago and traveling
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 88, ill. lent by Louvre. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
1954 Paris
Orangerie, Paris, Hommage à Cézanne, July 2–October 17, 1954, no. 62, lent by Musée du Louvre.
1955a New York
The Museum of Modern Art, New York, 15 Paintings by French Masters of the Nineteenth Century: lent by the Louvre and the Museums of Albi and Lyon, February 25–April 24, 1955, p. 21, ill., as Still Life: Apples and Oranges, 1895-1900, lent by Musée du Louvre, Paris.
1974b Paris
Orangerie, Paris, Cézanne dans les musées nationaux, July 19–October 14, 1974, extended until October 28, no. 46, ill. in color, as Pommes et oranges.
1977–78 New York and traveling
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 28, pl. 139. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
1978a Paris
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 22, ill.
1995–96 Paris and traveling
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 181, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
1997 Taipei
National Museum of History, Taipei, Taiwan, L’Age d’or de l’impressionnisme: chefs d’œuvre du musée d’Orsay, January 15–April 27, 1997, ill. p. 233, text pp. 320-321 (French).
1997 Kaohsiung
Museum of Fine Arts, Kaohsiung, Taiwan, L’Age d’or de l’impressionnisme: chefs d’œuvre du musée d’Orsay, May 1997, ill. p. 87, text p. 127 and p. 152 (French), as Pommes et oranges.
1999–2000 Yokohama and traveling
Yokohama Museum of Art, Yokohama, Japan, Cézanne and Japan, September 11–December 19, 1999, no. 91, ill., as Pommes et oranges. Traveled to: Aichi Prefectural Museum of Art, Nagoya, Japan, January 5–March 12, 2000.
2002–03 Atlanta and traveling
High Museum of Art, Atlanta, Paris in the Age of Impressionism: Masterworks from the Musée d'Orsay, November 23, 2002–March 16, 2003, listed p. 162, ill. p. 151, as Apples and Oranges, c. 1895-1900. Traveled to: Museum of Fine Arts, Houston, April 6–June 29, 2003.
2004 Melbourne
National Gallery of Victoria, Melbourne, Australia, The Impressionists: Masterpieces from the Musée d'Orsay, June 17–September 26, 2004, n. no., pp. 126-126, 213, ill., as Pommes et oranges.
2006 Moscow
The State Tretyakov Gallery, Moscow, Шедевры Музея Орсе [Chefs-d'oeuvre du musée d'Orsay pour le 150e anniversaire de la galerie Tretyakov], April 25–June 30, 2006, p. 90, ill. p. 91, as Pommes et oranges.
2007–08 Atlanta and traveling
High Museum of Art, Atlanta, Inspiring Impressionism: The Impressionists and the Art of the Past, October 16, 2007–January 13, 2008, no. 17, ill. p. 192, as Still Life with Apples and Oranges, c. 1895-1900, shown in Denver and Seattle only. Traveled to: Art Museum, Denver, February 23–May 25, 2008; Art Museum, Seattle, June 15–September 21, 2008.
2012 Tokyo
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 83, ill.
2013 Madrid
Fundación Cultural MAPFRE, Madrid, Impresionistas y postimpresionistas: el nacimiento del arte moderno, February 2–May 5, 2013, no. 29, ill., as Pommes et oranges.
2022–23 Chicago and traveling
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 76, ill. shown in Chicago only. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
2022–23 Abu Dhabi
Louvre Abu Dhabi, Abu Dhabi, United Arab Emirates, Impressionnisme: la modernité, October 12, 2022–February 5, 2023, no. 141, ill., as Pommes et oranges.
Published References
Wright 1916a
Wright, Willard Huntington. "Paul Cézanne, The Misanthropic Don Quixote of Modern Art." Current Opinion 60 (February 1916).
Meier-Graefe 1918a
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 196.
Maestri Moderni 1920
Maestri Moderni. I, Cézanne. Rome: La Voce, 1920, ill.
Meier-Graefe 1922
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 238.
Vitry et al. 1922
Paul Vitry, Carle Dreyfus, Paul Leprieur... [et al.]. Catalogue de la Collection Isaac de Camondo. Paris: Musée national du Louvre, 1922, no. 155, as Pommes et oranges, c. 1892.
Le Bulletin de la vie artistique 1923
"Paroles." Le Bulletin de la vie artistique 4, no. 14 (July 15, 1923), ill. p. 302.
Salmon 1923
Salmon, André. Cézanne. Paris: Librairie Stock, 1923, pl. 13.
Brière 1924
Brière, Gaston. Musée National du Louvre: catalogue des peintures exposées dans les galeries. I, école française. Paris: Musées Nationaux, Palais du Louvre, 1924, p. 25, no. CA. 155, as Pommes et oranges, c. 1892.
Lehel 1926
Lehel, Ferenc. Nôtre Art dément: quatre études sur l'art pathologique. Paris: Jonquières, 1926, ill. p. 97, as Plis de nappe.
Rutter 1926
Rutter, Frank. Evolution in Modern Art. London: George G Harrap & Company Limited, 1926, pl. 6.
Faure 1926b
Faure, Élie. Histoire de l'Art. Paris: G. Crès, 1926, pl. 95.
Schwabacher 1927
Schwabacher, Sascha. "Die Impressionisten der Sammlung Camondo im Louvre." Der Cicerone 19, no. 12 (1927), p. 376.
Meier-Graefe 1927a
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. XCVIII.
Gasquet 1928
Gasquet, Joachim. Cézanne: 24 phototypies. Paris: Librairie de France, [1928], [pl. 23], as Nature morte.
Bertram 1929
Bertram, Anthony. Cézanne. London: Studio, 1929, pl. 20.
Jamot 1929a
Jamot, Paul. "Ecole française: XIXe siècle - 3e partie." In La peinture au musée du Louvre I, Ecole française. Paris: L'Illustration, 1929, p. 78, pl. 60, as Pommes et oranges.
Waldmann 1930b
Waldmann, Emil. Paul Cézanne: Acht farbige Gemälde. Leipzig: E.A. Seemann, 1930, pl. 2.
Neugass 1931b
Neugass, Fritz. "Paul Cézanne: zu seinem 25. Todestag am 22. Oktober 1931." Deutsche Kunst und Dekoration 69 (October 1931–March 1932), p. 137, ill.
Rivière 1933
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 159, ill.
Mack 1935
Mack, Gerstle. Paul Cézanne. New York: Alfred A. Knopf, 1935, fig. 32.
Iavorskaia 1935a
Iavorskaia, Nina. Cézanne. Moscow: Ogiz-Izogiz, 1935, pl. 37.
Besson 1936
Besson, George (introduction). "Paul Cézanne: 1839–1906." Estampes. Paris: Braun & Cie, August 1936 (no. 4), no. 100271 p. 15 (portfolio of 10 color plates).
Di San Lazzaro 1936
Di San Lazzaro, Gualtieri. Paul Cézanne. Paris: Chroniques du Jour, 1936, pl. 1.
L'Art sacré 1936
L'Art sacré: revue mensuelle. Special number, Cézanne. Paris, May 1936, fig. 21 p. 22, as Nature morte.
Raynal 1936
Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. XCII p. 125.
D'Ors 1936a
Ors, Eugenio d.' Paul Cézanne. New York: E. Weyhe, 1936, p. 8, ill.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 391, ill. vol. II, as Pommes et Oranges.
Huyghe 1936d
Huyghe, René. Cézanne. Paris: Plon, Éditions d'Art et d'Histoire, 1936, pl. 30.
Novotny 1937
Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 77.
Barnes and de Mazia 1939
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 159, p. 247, ill. (analysis p. 389).
Cogniat 1939a
Cogniat, Raymond. Cézanne. Paris: Pierre Tisné, 1939, pl. 98.
Rivière 1942
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 147, ill.
Schildt 1946
Schildt, Göran. Cézanne. Stockholm: Wahlström & Widstrand, 1946, fig. 51.
Adhémar et al. 1947
Adhémar, Hélène et al. Catalogue des peintures et sculptures exposées au Musée de l’Impressionnisme (Jeu de Paume des Tuileries): les impressionnistes, leurs précurseurs et leurs contemporains. Paris: Editions des Musées Nationaux, 1947, pp. 26-27, no. 40, as Pommes et Oranges, c. 1895-1900.
Bazin 1947
Bazin, Germain. L'Epoque impressionniste. Paris: P. Tisné, 1947, pl. 66, as Pommes et oranges, 1895-1900.
Novotny 1947
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 81, as Pommes et oranges, 1895-1900.
Dorival 1948
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 153, listed p. 171.
Storey 1952
Storey, Benjamin. "Retrospettiva Cézanne." Emporium 115, no. 689 (May 1952), p. 204, ill.
Schapiro 1952a
Schapiro, Meyer. Cézanne. New York: Harry N. Abrams, 1952, pp. 102–03, ill.
Beucken 1955
Beucken, Jean de. Un portrait de Cézanne. Paris: Gallimard, [1955], p. 237.
Adhémar 1958
Adhémar, Hélène. Catalogue des peintures, pastels, sculptures impressionnistes du Musée du Louvre. Paris: Editions des Musées Nationaux, 1958, p. 27, no. 52.
Bazin 1958
Bazin, Germain. Trésors de l'impressionnisme au Louvre. Paris: A. Somogy, 1958, ill. p. 275, c. 1895-1900.
Biederman 1958
Biederman, Charles. The New Cézanne. Winona, MN: Leicht Press, 1958, pl. 7.
Sterling and Adhémar 1958
Sterling, Charles, and Hélène Adhémar. La Peinture au Musée du Louvre, vol. I. Paris: Éditions des Musées Nationaux, 1958, fig. 269.
Perruchot 1961
Perruchot, Henri. Dix Grands Peintres. Paris: Gauthier-Languereau, 1961, p. 142.
Sylvester 1962
Sylvester, David. "'Still Life with Teapot,' by Cézanne." The Listener (London) (January 18, 1962), ill.
Feist 1963
Feist, Peter Heinz. Paul Cézanne. Leipzig: E.A. Seemann, 1963, pp. 34, 48, 50, pl. 83.
Haftmann 1965b
Haftmann, Werner. Malerei im 20. Jahrhundert: eine Bild-Enzyklopädie. Munich: Prestel, 1965, listed p. 405, fig. 6 p. 21, as Stilleben mit Äpfeln und Orangen, 1895-1900.
Murphy 1968
Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 135.
Ikegami 1969
Ikegami, Chuji. Cézanne. Tokyo: Shueisha, 1969, pl. 52.
Brion 1971
Brion, Marcel. Cézanne. Milan: Fratelli Fabbri, 1971, ill. p. 17.
Huyghe 1971
Huyghe, René. Impressionism. London: Bracken Books, 1971, p. 259, ill.
Adhémar et al. 1973
Adhémar, Hélène, and Anne Dayez. Musée du Jeu de Paume. Paris: Editions des Musées Nationaux, 1973, listed p. 141, ill. p. 21 in color and p. 23, as Pommes et oranges, c. 1895-1900.
Erpel 1973
Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1973, no. 21.
Schapiro 1973
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 41, with comments.
Elgar 1975
Elgar, Frank. Cézanne. New York: Praeger, 1975, fig. 132.
Wadley 1975
Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1975, pl. 102.
Ponente 1980
Ponente, Nello. Paul Cézanne. Bologna: Capitol, 1980, pl. 28.
Plazy 1981
Plazy, Gilles. Cézanne. Fribourg: Editions Medea, 1981, p. 81.
Ponente 1981
Ponente, Nello, ed. Cézanne e le avanguardie. Rome: Officina Edizioni, 1981, Colli: pl. 7.
Thomson 1983
Thomson, Belinda. The Post-Impressionists. London: Phaidon Press, 1983, pl. 124.
Barskaya 1983a
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 144.
Serraller 1984
Serraller, Francisco Calvo. "Imagenes de lo insignificante: una aproximación del arte de vanguardia." Fragmentos (Madrid), no. 1 (1984), ill. p. 65, as Naturaleza muerta.
Wetzel 1984
Wetzel, Christoph. Paul Cézanne: Leben u. Werk. Stuttgart/Zurich: Belser, 1984, p. 66/67, ill. in color.
Compin et al. 1986
Compin, Isabelle et Anne Roquebert. Catalogue sommaire illustré des peintures du musée du Louvre et du musée d'Orsay. 3, École Française, A-K. Paris: Réunion des musées nationaux, 1986, p. 112, ill., as Pommes et oranges, c. 1895-1900.
Laclotte, Lacambre, Distel et al. 1986
Laclotte, Michel, Genviève Lacambre, Anne Distel, et al. La Peinture au Musée d'Orsay. Paris: Editions Scala, 1986, p. 93, ill.
Erpel 1988
Erpel, Fritz. Paul Cézanne. Berlin: Henschelverlag, 1988, no. 31.
Lévêque 1988
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 190, ill. in color.
Plazy 1988
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 138, ill. in color.
Düchting 1989
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 192, ill.
Rewald 1989
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 239, fig. 119.
Wadley 1989
Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1989, p. 122, ill. in color.
Verdi 1992
Verdi, Richard. Cézanne. London and New York: Thames & Hudson, 1992, p. 192, fig. 172.
Baron and Bonafoux 1993
Baron, Jean-Marie and Pascal Bonafoux. Cézanne: Les Natures Mortes. Paris: Editions Herscher, 1993, p. 51, ill.
Kitschen 1995
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 58.
Sollers 1995
Sollers, Philippe. Le Paradis de Cézanne. Paris: Gallimard, 1995, p. 112, ill.
Cachin and Buhart 1995b
Cachin, Françoise and Laure Buhart. "Cézanne: 'un sujet intimidant …'" Dossier de l'art (Dijon), no. 25 (September - October 1995), ill. p. 6-7.
Cahn 1995b
Cahn, Isabelle. Paul Cézanne. Paris: Somogy Editions d'Art, 1995, p. 71, ill.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 847, ill. vol. 2, as Pommes et Oranges.
Shone 1996
Shone, Richard. "London: Cezanne." The Burlington Magazine 138, no. 1118 (May 1996), fig. 38 p. 340, as Apples and Oranges.
Smith 1996
Smith, Paul. Interpreting Cézanne. London: Tate Publishing, 1996, p. 55, fig. 44, as Apples and Oranges.
Schmidt 1998
Schmidt, Katharina. "Cézannes letztes Stilleben." In Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Ostfildern-Ruit: Hatje Cantz, 1998. Exhibition catalogue, fig. 3.
Buberl 2000
Buberl, Brigitte. "Cézanne Manet Schuch. Ein (un)zulässiger Vergleich." In Cézanne Manet Schuch: drei Wege zur autonomen Kunst. Munich: Hirmer, 2000. Exhibition catalogue, fig. 2.
Freudenberg 2001
Freudenberg, Inken. Der Zweifler Cézanne. Heidelberg: Kehrer Verlag Heidelberg, 2001, pl. 53 (detail).
Giles and Armstrong 2002
Giles, Laura, and Carol Armstrong, eds. Cézanne in Focus, Watercolors from The Henry and Rose Pearlman Collection. Pricneton, N.J.: Princeton University Art Museum, 2002. Exhibition catalogue, p. 131, fig. 3.
Nin 2002
Nin, Núria. "Memories of Objects, Objects of Memory." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 6, ill. in color.
Armstrong 2004
Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue, p. 52, fig. 21, as Still Life with Apples and Oranges, c. 1895-1900.
Feilchenfeldt 2005b
Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 169, ill.
Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 389; vol. 2, p. 246, as Pommes et oranges.
Rishel 2009
Rishel, Joseph J. "Cézanne and Hartley: On Sacred Ground." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 159, ill., as Apples and Oranges.
Chiappini 2011
Chiappini, Rudy. "Quel silenzio, in attesa del tempo della rivelazione." In Cézanne: Les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 37, fig. 20.
Freudenberg 2012
Freudenberg, Inken. "'And the picture, once left, torments us and pursues us': Cézanne and Delacroix." In Cézanne and the Past: Tradition and Creativity. Budapest: Museum of Fine Arts, 2012. Exhibition catalogue, p. 58, fig. 27, p. 59 (detail), as Apples and Oranges.
Chiappini 2013
Chiappini, Rudy. "I temi prediletti del padre della modernità." In Cézanne e gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue, p. 28, fig. 1.
Gottlieb 2013
Gottlieb, Lennart. Modernism: Reinventing Painting, 1908–41. Aarhus: ARoS Aarhus Kunstmuseum, 2012. Exhibition catalogue, p. 114, fig. 80.
Smith 2014
Smith, Paul. "Cézanne's Color Lab: Not-So-Still-Life." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue, p. 106, fig. 5, as Apples and Oranges.
Inaga, Shigemi 2015
Inaga, Shigemi. "Between Revolutionary and Oriental Sage: Paul Cézanne in Japan." Japan review: Journal of the International Research Center for Japanese Studies 28 (2015:), p. 163, fig. 25.
Stuffmann 2017
Stuffmann, Margret. "Hidden Propensities, Cézanne and Delacroix." In Cézanne Metamorphoses. Munich and Karlsruhe: Prestel and Staatliche Kunsthalle Karlsruhe, 2017. Exhibition catalogue, fig. 10.
Elderfield, Morton, Rey 2017a
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 77.
Armstrong 2018
Armstrong, Carol. Cézanne's Gravity. New Haven and London: Yale University Press, 2018, fig. 46, 1899.
Société Paul Cezanne 2019
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 188 p. 194.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 14, ill., as Pommes, oranges et tapisseries (Louvre).
Dombrowski, Ireson and Patry 2021
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 226, fig. 2, as Apples and Oranges.
Nagaï 2022a
Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 30.
Nagaï 2023
Nagaï, Takanori. "La théorie d'art chez Cezanne dans sa corresopndance." Bulletin of Kyoto Institute of Technology (2023), fig. 11, as Pommes et oranges.
Record last updated January 18, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Pommes et oranges, c.1899 (FWN 871)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=822 (accessed on April 26, 2024).