The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 834
Nature morte
c.1890
Alternate titles: Nature morte. Pêches et poires; Pêches et poires; Still Life; Stilleben; Stilleben mit Fayencekrug; Sucrier et Poires
Rewald (664): c.1890; Venturi revised: 1888–90; Venturi (619): 1888–90
Oil on canvas
24 x 35 3/8 in. (61 x 90 cm)
Provenance
Exhibition History
Paul Cassirer, Berlin, XII. Jahrgang, III. Ausstellung, November 17–December 12, 1909, no. 3, as Stilleben.
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 29, as Pêches et poires, lent by Alph. Kann.
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 68, as Nature morte, lent by Musée d'Art Moderne Occidental, Moscow.
Pushkin Museum, Moscow, French Art from the Fifteenth to the Twentieth Century, 1955, p. 57.
Hermitage Museum, Leningrad, Russian Federation, Paul Cézanne: 50 Years since His Death, 1956, no. 15, ill.
Museum Folkwang, Essen, Germany, Morozov and Shchukin: The Russian Collectors, June 25–October 31, 1993, no. 28, ill. Traveled to: Pushkin Museum, Moscow, November 30, 1993–January 30, 1994; Hermitage Museum, St. Petersburg, Russian Federation, February 16–April 16, 1994.
State Hermitage Museum, St. Petersburg, Russian Federation, Cézanne and the Russian Avant-Garde, August 9–September 24, 1998, no. 37, ill., (dated c. 1895). Traveled to: Pushkin Museum of Fine Arts, Moscow, October 15–November 18, 1998 (exhibition catalogue in Russian; text by Albert Kostenevich).
Fondation Beyeler, Riehen/Basel, Switzerland, Cézanne und die Moderne, October 10, 1999–January 9, 2000, no. 18, ill., p. 84, as Nature morte.
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, fig. 172, p. 467, as Nature morte.
State Hermitage Museum, Mansion of Yusupova (42 Liteiny Avenue), St. Petersburg, Russian Federation, The Morosov Brothers: Great Russian Collectors, June 20–October 6, 2019, no. 27.
Fondation Louis Vuitton, Paris, La collection Morozov: icônes de l'art moderne, September 22, 2021–February 22, 2022, p. 489, ill. p. 317, as Nature morte. Pêches et poires.
Published References
Kozmutza, Ottilie de. "The Art of Paul Cézanne." Burr-McIntosh Monthly 15, no. 60 (March 1908), ill., as Still Life.
Makovsky, Serguei. "[French artists in I. Morosov's collection, Moscow]." Apollon (St. Petersburg) 3, nos. 3–4 (March 1912), listed p. 23, as Nature morte.
Ternovietz, Boris Nikolaevich. "Le Musée d'Art moderne de Moscou (Anciennes collections Stchoukine et Morosoff)." L'Amour de l'art 6, no. 12 (December 1925), p. 470, ill. p. 465, as Nature morte.
Charensol, Georges. "Les détracteurs de Cézanne [Hommage à Paul Cézanne]." L'Art vivant (Paris), no. 37 (July 1, 1926), p. 494, ill., as Nature morte.
Catalogue du Musée d'art occidental moderne. Moscow: Museum of Modern Western Art, 1928, no. 562.
Réau, Louis. "III: Musée d'art occidental moderne à Moscou." In Catalogue de l'art français dans les musées russes. Paris: A. Colin, 1929, no. 744.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 619, ill. vol. II, as Nature morte.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 117, p. 222, ill. (analysis p. 346).
Loran, Erle. Cézanne's Composition. Berkeley: University of California Press, 1943, pp. 92–93, pl. XX.
Larguier, Léo. Cézanne ou la lutte avec l'ange de la peinture. Paris: René Julliard, 1947, ill. opp. p. 97.
"L'Art moderne français dans…le Musée d'Art Moderne Occidentale." Cahiers d'Art (1950), no. 18, listed p. 339, as Nature morte.
Sterling, Charles. Musée de l'Ermitage: La Peinture française de Poussin à nos jours. Paris: Cercle d'art, 1957, pp. 112–13, pl. 92.
Balzer, Wolfgang. Der Französische Impressionismus: Die Hauptmeister in der Malerei. Dresden: Verlag der Kunst, 1958, no. 107, ill., as Stilleben mit Fayencekrug, c. 1886.
Sterling, Charles. Great French Painting in the Hermitage Museum, Leningrad. New York: Abrams, 1958, p. 116, pl. 92.
Descargues, Pierre. The Hermitage Museum, Leningrad. New York: Thames and Hudson, 1961, p. 214, ill.
Feist, Peter Heinz. "Harmonie Parallel zur Natur, zur Malerei Paul Cezannes." Bildende Kunst 1 (1962), p. 18, ill.
Feist, Peter Heinz. Paul Cézanne. Leipzig: E.A. Seemann, 1963, pp. 29, 30, 48, 50, pl. 43.
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 41.
Sedova, Tat'jana Alekseevna. From Manet to Picasso. Moscow: Izdatelʹstvo Izobrazitelʹnoe Iskusstvo, 1974, no. 30, ill.
Kuznetsova, Irina Aleksandrovna, and Evgenia Georgievskaia. French Painting from the Pushkin Museum: 17th to 20th Century. Leningrad: Aurora, 1979, no. 180, ill.
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, p. 140, pl. 31-33.
Bessonova, Marina, and William Williams. Impressionism and Post-Impressionism: The Hermitage, Leningrad, The Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington. New York: Park Lane, 1986, p. 166, ill.
Pickvance, Ronald, and Hideo Takumi. Cézanne. Tokyo: Tokyo Shimbun, 1986. Exhibition catalogue, p. 58, ill. b/w.
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 15, ill. in color.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 188, ill.
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 40.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 664, ill. vol. 2, as Nature morte.
Feilchenfeldt, Walter. "Bathers." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 247, fig. 4, as Nature morte.
Dittmann, Lorenz. "Cézanne un der Cézanneismus der Künstlergruppe 'Karo-Bube.'" In Die russische Avantgarde und Paul Cézanne. Bönen: Kettler, 2002. Exhibition catalogue, p. 42, fig. 1.
Feilchenfeldt, Walter. "Cézanne: Vollendet, Unvollendet." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 278, ill.
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, pp. 134–35, ill., as Nature morte.
Bernstein, Roberta. "Cézanne and Johns: 'At Every Point in Nature There Is Something to See.'" In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 467, fig. 17.2, as Still Life.
Echte, Bernhard and Feilchenfeldt, Walter. "Kollektion Paul Cézanne: 17. November bis 12. Dezember 1909." Kunstsalon Cassirer: Die Ausstellungen 1908-1910. vol. 4, "Ganz eigenartige neue Werte". Wädenswil: Nimbus, 2013, p. 284, ill.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 12, ill., as Nature morte (installation photograph from 1910 exhibition, p. 87).
Baldassari, Anne, ed. La collection Morozov: icônes de l'art moderne. Paris: Editions Gallimard and Fondation Louis Vuitton, 2021. Exhibition catalogue, p. 489 (listed), ill. p. 317.
Record last updated October 29, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Nature morte, c.1890 (FWN 834)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=644 (accessed on May 1, 2025).
