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Catalogue entry

FWN 834
Nature morte
c.1890
Alternate titles: Nature morte. Pêches et poires; Pêches et poires; Still Life; Stilleben; Stilleben mit Fayencekrug; Sucrier et Poires
Rewald (664): c.1890; Venturi revised: 1888–90; Venturi (619): 1888–90
Oil on canvas
24 x 35 3/8 in. (61 x 90 cm)
Vollard X stockbook: no. 5042, Nature morte de chez Kann
Vollard archives: photo no. 358, Annotated by Cezanne's son: 1887
Pushkin Museum, Moscow

Keywords

Provenance
Georges Bernheim, Paris
Galerie Bernheim-Jeune, Paris (2/3 share), and Ambroise Vollard, Paris (1/3 share) (Mar. 21, 1907)
Alphonse Kann, Saint-Germain-en-Laye (Dec. 30 1908)
Galerie Bernheim-Jeune, Paris (March 23, 1911)
Ambroise Vollard, Paris (March 24, 1911)
Ivan Morosov, Moscow (Jan. 22, 1912);
First Museum of Modern Western Painting, Moscow (1918);
State Museum of Modern Western Art, Moscow (1923);
Pushkin Museum, Moscow (1948)
Exhibition History
1909b Berlin
Paul Cassirer, Berlin, XII. Jahrgang, III. Ausstellung, November 17–December 12, 1909, no. 3, as Stilleben.
1910a Paris
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 29, as Pêches et poires, lent by Alph. Kann.
1926 Moscow
Museum of Modern Western Art, Moscow, Paul Cézanne, Vincent van Gogh, 1926, no. 19.
1936c Paris
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 68, as Nature morte, lent by Musée d'Art Moderne Occidental, Moscow.
1955 Moscow
Pushkin Museum, Moscow, French Art from the Fifteenth to the Twentieth Century, 1955, p. 57.
1956a Leningrad
Hermitage Museum, Leningrad, Russian Federation, Paul Cézanne: 50 Years since His Death, 1956, no. 15, ill.
1993–94 Essen and traveling
Museum Folkwang, Essen, Germany, Morozov and Shchukin: The Russian Collectors, June 25–October 31, 1993, no. 28, ill. Traveled to: Pushkin Museum, Moscow, November 30, 1993–January 30, 1994; Hermitage Museum, St. Petersburg, Russian Federation, February 16–April 16, 1994.
1998 St. Petersburg and traveling
State Hermitage Museum, St. Petersburg, Russian Federation, Cézanne and the Russian Avant-Garde, August 9–September 24, 1998, no. 37, ill., (dated c. 1895). Traveled to: Pushkin Museum of Fine Arts, Moscow, October 15–November 18, 1998 (exhibition catalogue in Russian; text by Albert Kostenevich).
1999–2000 Riehen/Basel
Fondation Beyeler, Riehen/Basel, Switzerland, Cézanne und die Moderne, October 10, 1999–January 9, 2000, no. 18, ill., p. 84, as Nature morte.
2009 Philadelphia
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, fig. 172, p. 467, as Nature morte.
2019 St. Petersburg
State Hermitage Museum, Mansion of Yusupova (42 Liteiny Avenue), St. Petersburg, Russian Federation, The Morosov Brothers: Great Russian Collectors, June 20–October 6, 2019, no. 27.
2021–22 Paris
Fondation Louis Vuitton, Paris, La collection Morozov: icônes de l'art moderne, September 22, 2021–February 22, 2022, p. 489, ill. p. 317, as Nature morte. Pêches et poires.
Published References
Kozmutza 1908
Kozmutza, Ottilie de. "The Art of Paul Cézanne." Burr-McIntosh Monthly 15, no. 60 (March 1908), ill., as Still Life.
Makovsky 1912
Makovsky, Serguei. "[French artists in I. Morosov's collection, Moscow]." Apollon (St. Petersburg) 3, nos. 3–4 (March 1912), listed p. 23, as Nature morte.
Ternovietz 1925
Ternovietz, Boris Nikolaevich. "Le Musée d'Art moderne de Moscou (Anciennes collections Stchoukine et Morosoff)." L'Amour de l'art 6, no. 12 (December 1925), p. 470, ill. p. 465, as Nature morte.
Charensol 1926
Charensol, Georges. "Les détracteurs de Cézanne [Hommage à Paul Cézanne]." L'Art vivant (Paris), no. 37 (July 1, 1926), p. 494, ill., as Nature morte.
Museum of Modern Western Art 1928
Catalogue du Musée d'art occidental moderne. Moscow: Museum of Modern Western Art, 1928, no. 562.
Réau 1929
Réau, Louis. "III: Musée d'art occidental moderne à Moscou." In Catalogue de l'art français dans les musées russes. Paris: A. Colin, 1929, no. 744.
Iavorskaia 1935a
Iavorskaia, Nina. Cézanne. Moscow: Ogiz-Izogiz, 1935, ill. opp. p. 32.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 619, ill. vol. II, as Nature morte.
Rewald 1937a
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Barnes and de Mazia 1939
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 117, p. 222, ill. (analysis p. 346).
Loran 1943
Loran, Erle. Cézanne's Composition. Berkeley: University of California Press, 1943, pp. 92–93, pl. XX.
Larguier 1947
Larguier, Léo. Cézanne ou la lutte avec l'ange de la peinture. Paris: René Julliard, 1947, ill. opp. p. 97.
Cahiers d'Art 1950
"L'Art moderne français dans…le Musée d'Art Moderne Occidentale." Cahiers d'Art (1950), no. 18, listed p. 339, as Nature morte.
Guerry 1950
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Flammarion, 1950, pl. 33.
Sterling 1957
Sterling, Charles. Musée de l'Ermitage: La Peinture française de Poussin à nos jours. Paris: Cercle d'art, 1957, pp. 112–13, pl. 92.
Balzer 1958
Balzer, Wolfgang. Der Französische Impressionismus: Die Hauptmeister in der Malerei. Dresden: Verlag der Kunst, 1958, no. 107, ill., as Stilleben mit Fayencekrug, c. 1886.
Sterling 1958
Sterling, Charles. Great French Painting in the Hermitage Museum, Leningrad. New York: Abrams, 1958, p. 116, pl. 92.
Descargues 1961
Descargues, Pierre. The Hermitage Museum, Leningrad. New York: Thames and Hudson, 1961, p. 214, ill.
Feist 1962
Feist, Peter Heinz. "Harmonie Parallel zur Natur, zur Malerei Paul Cezannes." Bildende Kunst 1 (1962), p. 18, ill.
Feist 1963
Feist, Peter Heinz. Paul Cézanne. Leipzig: E.A. Seemann, 1963, pp. 29, 30, 48, 50, pl. 43.
Fiala 1964
Fiala, Vlastimil. Impressionismus. Prague: Nakladatelství Academia, 1964, p. 59, ill.
Guerry 1966
Guerry, Liliane. Cézanne et l'expression de l'espace. Paris: Albin-Michel, 1966, pl. 33.
Schapiro 1973
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 41.
Sedova 1974
Sedova, Tat'jana Alekseevna. From Manet to Picasso. Moscow: Izdatelʹstvo Izobrazitelʹnoe Iskusstvo, 1974, no. 30, ill.
Elgar 1975
Elgar, Frank. Cézanne. New York: Praeger, 1975, fig. 71.
Kuznetsova and Georgievskaia 1979
Kuznetsova, Irina Aleksandrovna, and Evgenia Georgievskaia. French Painting from the Pushkin Museum: 17th to 20th Century. Leningrad: Aurora, 1979, no. 180, ill.
Barskaya 1983a
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, p. 140, pl. 31-33.
Bessonova and Williams 1986
Bessonova, Marina, and William Williams. Impressionism and Post-Impressionism: The Hermitage, Leningrad, The Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington. New York: Park Lane, 1986, p. 166, ill.
Pickvance and Takumi 1986
Pickvance, Ronald, and Hideo Takumi. Cézanne. Tokyo: Tokyo Shimbun, 1986. Exhibition catalogue, p. 58, ill. b/w.
Lévêque 1988
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 15, ill. in color.
Düchting 1989
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 188, ill.
Kitschen 1995
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 40.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 664, ill. vol. 2, as Nature morte.
Feilchenfeldt 2000b
Feilchenfeldt, Walter. "Bathers." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 247, fig. 4, as Nature morte.
Dittmann 2002
Dittmann, Lorenz. "Cézanne un der Cézanneismus der Künstlergruppe 'Karo-Bube.'" In Die russische Avantgarde und Paul Cézanne. Bönen: Kettler, 2002. Exhibition catalogue, p. 42, fig. 1.
Feilchenfeldt 2005h
Feilchenfeldt, Walter. "Cézanne: Vollendet, Unvollendet." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 278, ill.
Bardazzi 2007b
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, pp. 134–35, ill., as Nature morte.
Bernstein 2009
Bernstein, Roberta. "Cézanne and Johns: 'At Every Point in Nature There Is Something to See.'" In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 467, fig. 17.2, as Still Life.
Echte and Feilchenfeldt 2013d
Echte, Bernhard and Feilchenfeldt, Walter. "Kollektion Paul Cézanne: 17. November bis 12. Dezember 1909." Kunstsalon Cassirer: Die Ausstellungen 1908-1910. vol. 4, "Ganz eigenartige neue Werte". Wädenswil: Nimbus, 2013, p. 284, ill.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 12, ill., as Nature morte (installation photograph from 1910 exhibition, p. 87).
Baldassari, ed. 2021
Baldassari, Anne, ed. La collection Morozov: icônes de l'art moderne. Paris: Editions Gallimard and Fondation Louis Vuitton, 2021. Exhibition catalogue, p. 489 (listed), ill. p. 317.
Record last updated October 29, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Nature morte, c.1890 (FWN 834)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=644 (accessed on April 24, 2024).