The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 190
Saint-Henri et le golfe de Marseille
c.1883
Alternate titles: L'Estaque; L'Estaque et le golfe de Marseille; Le port de Marseille; Saint-Henri and the Gulf of Marseille; View of the Bay of Marseilles with the Village of Saint-Henri
Rewald (515): c.1883; Venturi revised: 1883–85; Venturi (411): 1882–85; Ratcliffe: probably between November 1883 and February 1884
Oil on canvas
25 5/8 x 31 7/8 in. (65 x 81 cm)
Vollard X stockbook: no. 5141, paysage, L'Estaque
Vollard archives: photo no. 71, Annotated by Cezanne's son: L'Estaque 1883
Provenance
Exhibition History
Salon d'Automne, Grand Palais, Paris, Salle Cézanne, October 15–November 15, 1904, no. 26, as Le port de Marseille, lent by Vollard.
Kunsthaus Zürich, Zurich, Sammlung Oscar Schmitz: Französische Malerei des XIX. Jahrhunderts, January 14–February 14, 1932, no. 30, as L'Estaque.
Kunsthaus Zürich, Zurich, Sammlung Oscar Schmitz, Dresden-Zürich; Französische Impressionisten aus verschiedenem Besitz, January 14–February 14, 1932, no. 42, as L'Estaque.
Kunsthaus, Zurich, Französische Maler des XIX. Jahrhunderts, May 14–August 6, 1933, no. 83, pl. XIII, as L'Estaque, c. 1880, [lent by Schmitz].
Wildenstein Galleries, Paris, La Collection Oskar Schmitz, 1936, no. 10, ill.
Wildenstein Galleries, New York, Cézanne, March 27–April 26, 1947, no. 23, ill. lent by Tyson.
Philadelphia Museum of Art, Philadelphia, Masterpieces of Philadelphia Private Collections, May 20–September 15, 1947, no. 20.
Philadelphia Museum of Art, Philadelphia, Cézanne in Philadelphia Collections, July 19–August 21, 1983, no. 11, ill. lent by Philadelphia Museum.
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, pl. 109, p. 320, as Saint-Henri et le golfe de Marseille.
Published References
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 126.
Scheffler, Karl. "Die Sammlung Oskar Schmitz in Dresden." Kunst und Künstler 19, no. 5 (1921), p. 188, ill. p. 187.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 154.
Dormoy, Marie. "La collection Schmitz à Dresde." L'Amour de l'art 7, no. 10 (October 1926), p. 342, ill. p. 339, as L'Estaque.
Waldmann, Emil. "La Collection Schmitz: L'art français." Documents 6 (1930), p. 317, ill.
Jüngst. "Finanzamt bringt Deutschland um eine wertvolle Kunstsammlung." Das Kunstblatt 16 (January, 1932), ill. p. 5.
Hazama, Mosuke, Genichiri Adachi, and Kaziamasa Nakogawa, eds. Recueil important des oeuvres de Paul Cézanne. Vol. 1: Paysages, edited by Hazama. Vol. 2: Portraits et Nus., edited by Adachi. Vol. 3: Nature-mortes., edited by Nakogawa. Tokyo: Atorie-sha, 1935, pl. 5.
Ors, Eugenio d.' "Crise de Cézanne." Gazette des beaux-arts, vol. 15, periode 6 (June 1936), p. 362, fig. 1, as L'Estaque.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 411, ill. vol. II, as L'Estaque et le golfe de Marseille.
Vollard, Ambroise. Souvenirs d'un marchand de tableaux. Paris: Albin Michel, 1937, pl. 19.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 111, fig. 40.
Loran, Erle. Cézanne's Composition. Berkeley: University of California Press, 1943, p. 107, pl. XXVIII (with photograph of the motif).
Rewald, John. "As Cézanne Recreated Nature." Art News 43, no. 1 (February 15, 1944), p. 13, ill. (with photograph of motif).
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, col. pl. 33, as Saint-Henri et le golfe de Marseille, c. 1883.
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 78, listed pp. 157-158 (err.: for correct text see pl. 80).
Rewald, John. Paul Cézanne: A Biography. New York: Simon and Schuster, 1948, fig. 76 (with photograph of motif).
Rewald, John. "The Collection of Carroll S. Tyson, Jr, Philadelphia, U.S.A." Connoisseur 134 (September 1954), p. 65, ill.
"[Aquisitions des musées du monde entier]." La Chronique des arts: supplément à la Gazette des beaux-arts, no. 1141 (February 1964), p. 71, no. 235, ill., as L'Estaque et le golfe de Marseille.
Rewald, John. "The Collection of Carroll S. Tyson, Jr, Philadelphia, U.S.A." Bulletin of the Philadelphia Museum of Art 59, no. 280 (Winter 1964), p. 76, ill.
Butler, Marigene. "An Investigation of the Materials and Technique Used by Paul Cézanne." American Institute for Conservation. 1984, ill.
Shiff, Richard. Cézanne and the end of Impressionism: a study of the theory, technique, and a critical evaluation of modern art. Chicago; London: The Univesity of Chicago Press, 1984, pp. 116-121, fig. 26, as Saint-Henri and the Gulf of Marseille, c. 1883-85.
Lartigue, Charles de. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, p. 92, ill.
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 100.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 515, ill. vol. 2, as Saint-Henri et le golfe de Marseille.
Kear, Jonathan. "Leaving L'Estaque. Cézanne's Imagery of Provence in the 1880s." Art on the Line, 2003, fig. 5.
Feilchenfeldt, Walter. "Zur Rezeptionsgeschichte Cézannes in Deutschland." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 148, ill.
Serrano, Véronique. "Cézanne's L'Estaque: Something More Secret." In Cézanne in Provence. Washington, D.C.: National Gallery of Art; New Haven: Yale University Press, 2006. Exhibition catalogue, p. 135, fig. 13, as Saint-Henri et le golfe de Marseille.
Kienle, Anabelle. "Cézanne and Beckmann: 'A Powerful New Pictorial Architecture.'" In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009, p. 320, pl. 109, as View of the Bay of Marseilles with the Village of Saint-Henri.
Novotny, Fritz. Paul Cézanne: Gesammelte Schriften zu seinem Werk und Materialien aus dem Nachlaß. Introduction by Gabriel Ramin Schor (editor), Agnes Blaha (assistance). Vienna: Klever, 2011, fig. 40.
Blanc, Geneviève. L'Estaque, Art et Patrimoine, Chronique d'une double histoire. Gémenos: Groupe Horizon, 2013, p. 208, ill.
Echte, Bernhard and Feilchenfeldt, Walter. "Paul Cézanne, E.R. Butler, Maria Slavona, G.H. Wolff: 12. April bis Mitte 1912." Kunstsalon Cassirer: Die Ausstellungen 1910-1912. vol. 5, "Verheissung und Erfüllung zugleich". Wädenswil: Nimbus, 2016, p. 555, ill. listed as cat. no. 2, 3, 4, 5 or 6 in "1912a Berlin" exhibition.
Blanc, Geneviève. L'Oeuvre de Cezanne à L'Estaque, Huiles – Aquarelles – Dessins, 1864–1885. Marseille: Éditions Gaussen, 2019, fig. 92 (discussion pp. 93–94), as Saint-Henri et le golfe de Marseille (with photographs of the motif, figs. 108–11).
Blanc, Geneviève. Et si L'Estaque m'était contée? [privately published], 2020, p. 200, ill.
Record last updated August 15, 2024. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Saint-Henri et le golfe de Marseille, c.1883 (FWN 190)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=504 (accessed on October 15, 2024).
