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Catalogue entry

FWN 190
Saint-Henri et le golfe de Marseille
c.1883
Alternate titles: L'Estaque; L'Estaque et le golfe de Marseille; Le port de Marseille; Saint-Henri and the Guf of Marseille; View of the Bay of Marseilles with the Village of Saint-Henri
Rewald (515): c.1883; Venturi revised: 1883–85; Venturi (411): 1882–85; Ratcliffe: probably between November 1883 and February 1884
Oil on canvas
25 5/8 x 31 7/8 in. (65 x 81 cm)
Vollard X stockbook: no. 5141, paysage, L'Estaque
Vollard archives: photo no. 71, Annotated by Cezanne's son: L'Estaque 1883
Philadelphia Museum of Art, Philadelphia (Bequest of Mr. and Mrs. Carroll S. Tyson, Jr.) (1963-116-3)

Keywords

Provenance
Ambroise Vollard, Paris
Paul Cassirer, Berlin (Apr. 17, 1912)
Oskar Schmitz, Dresden (on temporary deposit at the Kunsthalle Basel)
Wildenstein Galleries, Paris, London, and New York
Mr.and Mrs. Carroll S. Tyson, Philadelphia;
Philadelphia Museum of Art, Philadelphia (1963)
Exhibition History
1904b Paris
Salon d'Automne, Grand Palais, Paris, Salle Cézanne, October 15–November 15, 1904, no. 26, as Le port de Marseille, lent by Vollard.
1932a Zurich
Kunsthaus Zürich, Zurich, Sammlung Oscar Schmitz: Französische Malerei des XIX. Jahrhunderts, January 14–February 14, 1932, no. 30, as L'Estaque.
1932b Zürich
Kunsthaus Zürich, Zurich, Sammlung Oscar Schmitz, Dresden-Zürich; Französische Impressionisten aus verschiedenem Besitz, January 14–February 14, 1932, no. 42, as L'Estaque.
1933 Zurich
Kunsthaus, Zurich, Französische Maler des XIX. Jahrhunderts, May 14–August 6, 1933, no. 83, pl. XIII, as L'Estaque, c. 1880, [lent by Schmitz].
1936c New York
Wildenstein Galleries, New York, The Oscar Schmitz Collection, 1936, no. 10.
1936a Paris
Wildenstein Galleries, Paris, La Collection Oskar Schmitz, 1936, no. 10, ill.
1947b New York
Wildenstein Galleries, New York, Cézanne, March 27–April 26, 1947, no. 23, ill. lent by Tyson.
1947 Philadelphia
Philadelphia Museum of Art, Philadelphia, Masterpieces of Philadelphia Private Collections, May 20–September 15, 1947, no. 20.
1983 Philadelphia
Philadelphia Museum of Art, Philadelphia, Cézanne in Philadelphia Collections, July 19–August 21, 1983, no. 11, ill. lent by Philadelphia Museum.
2009 Philadelphia
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, pl. 109, p. 320, as Saint-Henri et le golfe de Marseille.
Published References
Vollard 1914
Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, pl. 44.
Meier-Graefe 1918a
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 126.
Scheffler 1921
Scheffler, Karl. "Die Sammlung Oskar Schmitz in Dresden." Kunst und Künstler 19, no. 5 (1921), p. 188, ill. p. 187.
Meier-Graefe 1922
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 154.
Dormoy 1926c
Dormoy, Marie. "La collection Schmitz à Dresde." L'Amour de l'art 7, no. 10 (October 1926), p. 342, ill. p. 339, as L'Estaque.
Waldmann 1930a
Waldmann, Emil. "La Collection Schmitz: L'art français." Documents 6 (1930), p. 317, ill.
Jüngst 1932
Jüngst. "Finanzamt bringt Deutschland um eine wertvolle Kunstsammlung." Das Kunstblatt 16 (January, 1932), ill. p. 5.
Hazama, Adachi, and Nakogawa, eds. 1935
Hazama, Mosuke, Genichiri Adachi, and Kaziamasa Nakogawa, eds. Recueil important des oeuvres de Paul Cézanne. Vol. 1: Paysages, edited by Hazama. Vol. 2: Portraits et Nus., edited by Adachi. Vol. 3: Nature-mortes., edited by Nakogawa. Tokyo: Atorie-sha, 1935, pl. 5.
D'Ors 1936b
Ors, Eugenio d.' "Crise de Cézanne." Gazette des beaux-arts, vol. 15, periode 6 (June 1936), p. 362, fig. 1, as L'Estaque.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 411, ill. vol. II, as L'Estaque et le golfe de Marseille.
Novotny 1937
Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 41.
Vollard 1937
Vollard, Ambroise. Souvenirs d'un marchand de tableaux. Paris: Albin Michel, 1937, pl. 19.
Rewald 1937a
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Novotny 1938
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 111, fig. 40.
Loran 1943
Loran, Erle. Cézanne's Composition. Berkeley: University of California Press, 1943, p. 107, pl. XXVIII (with photograph of the motif).
Rewald 1944
Rewald, John. "As Cézanne Recreated Nature." Art News 43, no. 1 (February 15, 1944), p. 13, ill. (with photograph of motif).
Novotny 1947
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, col. pl. 33, as Saint-Henri et le golfe de Marseille, c. 1883.
Dorival 1948
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 78, listed pp. 157-158 (err.: for correct text see pl. 80).
Rewald 1948b
Rewald, John. Paul Cézanne: A Biography. New York: Simon and Schuster, 1948, fig. 76 (with photograph of motif).
Rewald 1950a
Rewald, John. Cézanne. London: Phoenix House, 1950, fig. 59.
Rewald 1954b
Rewald, John. "The Collection of Carroll S. Tyson, Jr, Philadelphia, U.S.A." Connoisseur 134 (September 1954), p. 65, ill.
Gazette des beaux-arts 1964
"[Aquisitions des musées du monde entier]." La Chronique des arts: supplément à la Gazette des beaux-arts, no. 1141 (February 1964), p. 71, no. 235, ill., as L'Estaque et le golfe de Marseille.
Rewald 1964
Rewald, John. "The Collection of Carroll S. Tyson, Jr, Philadelphia, U.S.A." Bulletin of the Philadelphia Museum of Art 59, no. 280 (Winter 1964), p. 76, ill.
Plazy 1981
Plazy, Gilles. Cézanne. Fribourg: Editions Medea, 1981, p. 43.
Butler 1984
Butler, Marigene. "An Investigation of the Materials and Technique Used by Paul Cézanne." American Institute for Conservation. 1984, ill.
Shiff 1984
Shiff, Richard. Cézanne and the end of Impressionism: a study of the theory, technique, and a critical evaluation of modern art. Chicago; London: The Univesity of Chicago Press, 1984, pp. 116-121, fig. 26, as Saint-Henri and the Guf of Marseille, c. 1883-85.
Rewald 1986b
Rewald, John. Cézanne: A Biography. New York: Harry N. Abrams, 1986, p. 147, ill.
Kendall 1988
Kendall, Richard, ed. Cézanne: By Himself. London: Macdonald, 1988, p. 136, ill.
Lartigue 1995
Lartigue, Charles de. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, p. 92, ill.
Coutagne et al. 1996
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 100.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 515, ill. vol. 2, as Saint-Henri et le golfe de Marseille.
Kear 2003
Kear, Jonathan. "Leaving L'Estaque. Cézanne's Imagery of Provence in teh 1880s." Art on the Line, 2003, fig. 5.
Schmidt 2004a
Schmidt, Bertram. Cézannes Lehre. Kiel: Ludwig, 2004, fig. 49.
Feilchenfeldt 2005a
Feilchenfeldt, Walter. "Zur Rezeptionsgeschichte Cézannes in Deutschland." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 148, ill.
Serrano 2006
Serrano, Véronique. "Cézanne's L'Estaque: Something More Secret." In Cézanne in Provence. Washington, D.C.: National Gallery of Art; New Haven: Yale University Press, 2006. Exhibition catalogue, p. 135, fig. 13, as Saint-Henri et le golfe de Marseille.
Kienle 2009
Kienle, Anabelle. "Cézanne and Beckmann: 'A Powerful New Pictorial Architecture.'" In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009, p. 320, pl. 109, as View of the Bay of Marseilles with the Village of Saint-Henri.
Novotny 2011
Novotny, Fritz. Paul Cézanne: Gesammelte Schriften zu seinem Werk und Materialien aus dem Nachlaß. Introduction by Gabriel Ramin Schor (editor), Agnes Blaha (assistance). Vienna: Klever, 2011, fig. 40.
Blanc 2013
Blanc, Geneviève. L'Estaque, Art et Patrimoine, Chronique d'une double histoire. Gémenos: Groupe Horizon, 2013, p. 208, ill.
Echte and Feilchenfeldt 2016c
Echte, Bernhard and Feilchenfeldt, Walter. "Paul Cézanne, E.R. Butler, Maria Slavona, G.H. Wolff: 12. April bis Mitte 1912." Kunstsalon Cassirer: Die Ausstellungen 1910-1912. vol. 5, "Verheissung und Erfüllung zugleich". Wädenswil: Nimbus, 2016, p. 555, ill. listed as cat. no. 2, 3, 4, 5 or 6 in "1912a Berlin" exhibition.
Blanc 2019
Blanc, Geneviève. L'Oeuvre de Cezanne à L'Estaque, Huiles – Aquarelles – Dessins, 1864–1885. Marseille: Éditions Gaussen, 2019, fig. 92 (discussion pp. 93–94), as Saint-Henri et le golfe de Marseille (with photographs of the motif, figs. 108–11).
Blanc 2020
Blanc, Geneviève. Et si L'Estaque m'était contée? [privately published], 2020, p. 200, ill.
Record last updated July 13, 2020. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Saint-Henri et le golfe de Marseille, c.1883 (FWN 190)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=504 (accessed on April 25, 2024).