The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 183
Ferme normande, été (Hattenville)
1882
Alternate titles: An Orchard in Normandy; Farm in Normandy; Ferme en Normandie, été (Hattenville); Ferme en Normandie: le Clos; Ferme normande: le clos; Paysage d'été
Rewald (508): 1882; Venturi revised: 1880–81; Venturi (443): 1885–86; Rivière: c.1886; Cooper: c.1880 (Courtauld) and probably summer 1880 (also: 1880–81?) (Burlington); Gowing: c.1882 (Edinburgh)
Oil on canvas
19 1/2 x 26 in. (49.5 x 66 cm)
Vollard W stockbook: no. 5745, Le clos normand; huile, [no dimensions given] (40,000 Fr)
Private Collection: On extended loan to The Courtauld Gallery, London (LP.1997.XX.13)
Provenance
Private collection
Exhibition History
Knoedler Galleries, New York, Paintings from the Ambroise Vollard Collection, XIX-XX Centuries, November 6–December 3, 1933, no. 7, as Ferme normande: le clos, 1888. Traveled to: Arts and Crafts Club, Detroit, December 11, 1933–January 1934.
Tate Gallery, London, Samuel Courtauld: Memorial Exhibition, May–June 1948, no. 6, as An Orchard in Normandy, c. 1878-80.
Royal Academy of Arts, London, Landscape in French Art, 1550–1900, December 10, 1949–March 5, 1950, no. 316, as Farm in Normandy, c. 1880, lent by Lady Aberconway.
Royal Scottish Academy, Edinburgh, United Kingdom, Paintings by Cézanne, August 20–September 18, 1954, no. 30, as Ferme en Normandie: le Clos, c. 1882, lent by Christabel Lady Aberconway. Traveled to: Tate Gallery, London, September 29–October 27, 1954.
Musée de l'Orangerie, Paris, Impressionnistes de la Collection Courtauld de Londres, October 1955, no. 4, pl. 37.
Wildenstein Galleries, London, The French Impressionists and Some of Their Contemporaries, April 24–May 18, 1963, no. 22, ill. lent by Lady Aberconway.
Royal Academy of Arts, London, Impressionism: Its Masters, Its Precursors, and Its Influence in Britain, February 9–April 28, 1974, no. 53, as Ferme en Normandie: le Clos.
Arts Council of Great Britain, London, Samuel Courtauld's Collection of French 19th Century Paintings and Drawings, July–August 1976, no. 5.
The Cleveland Museum of Art, Cleveland, Impressionist & Post-Impressionist Masterpieces: The Courtauld Collection, January 14–March 8, 1987, no. 22, ill. Traveled to: Metropolitan Museum of Art, New York, April 4–June 21, 1987; Kimbell Art Museum, Fort Worth, Texas, July 11–September 27, 1987; Art Institute, Chicago, October 17, 1987–January 3, 1988; Nelson-Atkins Museum of Art, Kansas City, Missouri, January 30–April 3, 1988.
Courtauld Institute Galleries, London, Impressionism for England: Samuel Courtauld as Patron and Collector, June 17–September 25, 1994, no. 5, ill.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 86, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
The Courtauld Gallery, London, The Courtauld Cézannes, June 26–October 5, 2008, no. 2, ill., pp. 78–79 (dated 1882), as Ferme normande, été (Hattenville), lent by Private Collection.
Sammlung Oskar Reinhart "am Römerholz," Winterthur, Switzerland, Victor Chocquet: Freund und Sammler der Impressionisten, Renoir, Cézanne, Monet, Manet, February 20–June 7, 2015, no. 25, ill.
Fondation Louis Vuitton, Paris, La Collection Courtauld: le parti de l'impressionnsime, February 20–June 17, 2019. (Exhibition catalogue: Serres et al 2019), no. 34, ill., as Ferme en Normandie, été (Hattenville), c. 1882.
KODE Art Museums, Bergen, Norway, Cézanne: Masterpieces from the Courtauld at KODE Art Museums, July 16–October 10, 2021, no. 2, ill. 1882.
Published References
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 214, listed, as Paysage d'été, dated circa 1886.
Matthews, Herbert L. "Canny Columbus of Modern Art: Ambroise Vollard." New York Times, October 29, 1933, p. 10, ill.
Bulliet, Clarence Joseph. The Significant Moderns and Their Pictures. New York: Covici, 1936, pl. 17.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 443, ill. vol. II, as Ferme normande: le clos.
Rewald, John. "Chocquet et Cézanne." Gazette des beaux-arts, vol. 74, periode 6 (July–August 1969), p. 61, fig. 23 p. 63; p. 83, no. 11.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 508, ill. vol. 2, as Ferme normande, été (Hattenville).
Reff, Theodore. Review of The Paintings of Paul Cézanne: A Catalogue Raisonné, by John Rewald, in collaboration with Walter Feilchenfeldt and Jayne Warman. The Burlington Magazine 139, no. 1136 (November 1997), p. 801, dates the painting 1882 or later.
Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 172, ill.
Record last updated March 21, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Ferme normande, été (Hattenville), 1882 (FWN 183)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=497 (accessed on October 9, 2024).
