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Catalogue entry

FWN 182
Le Clos normand (Hattenville)
1882
Alternate titles: Die Bäume; Farm at Hattenville, Normandy; Farm in Normandy; Ferme normande: la cour plantée; Le Clos normand; Le verger (Hattenville)
Rewald (507): 1882; Venturi revised: 1880–81; Venturi (445): 1885–86; Rivière: 1885
Oil on canvas
19 11/16 x 25 5/8 in. (50 x 65 cm)
Vollard archives: photo no. 328, Annotated by Cezanne's son: Hattenville 1885
Albertina, Vienna (Collection Batliner)

Keywords

Provenance
Victor Chocquet, Paris;
Mme veuve Chocquet (née Marie Buisson) (1891);
Chocquet Collection, Galerie G. Petit, Paris, July 1–4, 1899, no. 12 (as Une Ferme à Auvers)
Auguste Pellerin, Paris
Galerie Bernheim-Jeune, Paris (February 6, 1909)
Ambroise Vollard, Paris
Galerie E. Bignou, Paris and New York
Barnes Foundation, Merion (Sept. 1, 1934)
Knoedler Galleries, New York (1934)
Marshall Field, New York (Dec. 1934)
Carroll Carstairs Gallery, New York, and Knoedler Galleries, New York (Dec. 1939)
Galerie E. Bignou, New York (Dec. 1940)
Dalzell Hatfield, Los Angeles
Stanley N. Barbee, Beverly Hills (Dec. 1940)
[Knoedler Galleries, New York (Jan. 12, 1952)]
City Bank Farmers Trust (Feb. 16, 1953)
The Hon. Michael Astor, London
Rita and Herbert Batliner, Vienna;
Albertina, Vienna (2007)
Exhibition History
1933–34 New York and traveling
Knoedler Galleries, New York, Paintings from the Ambroise Vollard Collection, XIX-XX Centuries, November 6–December 3, 1933, no. 8, as Ferme normande: la cour plantée, 1888. Traveled to: Arts and Crafts Club, Detroit, December 11, 1933–January 1934.
1934 Ottawa and traveling
National Gallery of Canada, Ottawa, Ontario, Canada, French Painting of the 19th Century, January 1934, no. 13. Traveled to: Art Gallery of Toronto, Toronto, February 1934; Art Association, Montreal, March 1934.
1937a London
Alex Reid & Lefevre, London, Cézanne, June 1937, no. 15, as Ferme normande: la cour plantée, dated 1885–86.
1941a Los Angeles
Los Angeles County Museum of Art, Los Angeles, Aspects of French Painting from Cézanne to Picasso, January 15–March 2, 1941, no. 9.
2000 Vienna and traveling
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 74, ill., as Le Clos normand (Hattenville). Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
2008–10 Cologne and traveling
Wallraf-Richartz-Museum & Fondation Corboud, Cologne, Impressionismus: Wie das Licht auf die Leinwand kam [Painting Light: The hidden techniques of the Impressionists], February 29–June 22, 2008, no. 284, ill., p. 284, shown in Vienna only. Traveled to: Palazzo Strozzi, Florence, July 11–September 28, 2008; Albertina, Vienna, September 11, 2009–January 10, 2010.
2013 Vaduz
Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, Vo Monet bis Picasso, Aus der Sammlung Batliner – Albertina Wien, October 4–December 1, 2013, pp. 30–31, ill. dated circa 1885–86.
2014a Madrid
Museo Thyssen-Bornemisza, Madrid, Cézanne: site / non-site, February 4–May 18, 2014, no. 26, ill.
Published References
Burger 1913
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1913, pl. 106, as Die Bäume.
Burger 1919
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1919, p. 111.
Burger 1920
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1920, p. 111, ill.
Zeisho 1921
Zeisho, Atzouji. Paul Cézanne. Tokyo: Rakuyodo, Taisho, 1921, fig. 9.
Burger 1923
Burger, Fritz. Cézanne und Hodler. Munich: Delphin Verlag, 1923, pl. 110.
Rivière 1923
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 212, listed.
Studio 1934a
The Studio (London) (January 1934), p. 27.
Iavorskaia 1935b
Iavorskaia, Nina. Paul Cézanne. Milan: Hoepli, 1935, pl. XVIII.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 445, ill. vol. II, as Le Clos normand.
Goldwater 1938
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 149, ill.
Barnes and de Mazia 1939
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 114, ill. p. 211 (analysis p. 388, quoted above).
Jedlicka 1948
Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 31, as Le Clos normand (Hattenville).
Rewald 1969
Rewald, John. "Chocquet et Cézanne." Gazette des beaux-arts, vol. 74, periode 6 (July–August 1969), p. 61, fig. 20 p. 62; p. 83, no. 12.
Rewald 1975a
Rewald, John. "Some Entries for a New Catalogue Raisonné of Cézanne's Paintings." Gazette des beaux-arts, vol. 86, periode 6 (November 1975), pp. 163–68, ill., as Le Clos normand (Hattenville).
Pickvance and Takumi 1986
Pickvance, Ronald, and Hideo Takumi. Cézanne. Tokyo: Tokyo Shimbun, 1986. Exhibition catalogue, p. 48, ill. b/w.
Rewald 1986d
Rewald, John. "Chocquet and Cézanne." In Studies in Impressionism, Edited by Irene Gordon and Frances Weitzenhoffer. New York: Harry N. Abrams, Inc., 1986, p. 151, fig. 83, as Farm at Hattenville, Normandy.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 507, ill. vol. 2, as Le Clos normand (Hattenville).
Reff 1997a
Reff, Theodore. Review of The Paintings of Paul Cézanne: A Catalogue Raisonné, by John Rewald, in collaboration with Walter Feilchenfeldt and Jayne Warman. The Burlington Magazine 139, no. 1136 (November 1997), p. 801, dates the painting 1882 or later.
Warman 2015
Warman, Jayne. "Chocquet und Cézanne – eine einzigartige Freundschaft." In Victor Chocquet – Freund und Sammler der Impressionisten, Renoir, Cézanne, Monet, Manet. Bern and Munich: Bundesamt für Kultur and Hirmer Verlag, 2015. Exhibition catalogue, p. 106, pl. 64.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 61, ill., as Le verger (Hattenville).
Dombrowski, Ireson and Patry 2021
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 172, fig. 5, as Farm in Normandy.
Le Clos normand (Hattenville), 1882 (FWN 182). An orchard in Hattenville, Normandy. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
An orchard in Hattenville, Normandy. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
Photo: John Rewald; © Sabine Rewald
Le Clos normand (Hattenville), 1882 (FWN 182). A postcard view of Chocquet's farm house seen through the trees in Cézanne's painting, identified by Anne Distel.
A postcard view of Chocquet's farm house seen through the trees in Cézanne's painting, identified by Anne Distel.
Record last updated October 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Le Clos normand (Hattenville), 1882 (FWN 182)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=496 (accessed on April 18, 2024).