The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 146
La Côte des Jalais à Pontoise
1879–81
Alternate titles: Environs de Paris; La Côte du Galet à Pontoise; La Côte du Galet, à Pontoise; La Route tournante; La svolta; La vallée de Pontoise; Landscape; Landschaft; Le tournant de la route; Lo svolto della strada
Rewald (410): 1879–81; Venturi revised: 1880–81; Venturi (319): 1879–82
Oil on canvas
23 5/8 x 28 11/16 in. (60 x 73 cm)
Provenance
Exhibition History
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 23, as La Route tournante, lent by E. Fabbri.
Biennale, Venice, Italy, Mostra Individuale di Paul Cézanne, April 15–October 31, 1920, no. 13, (dated 1882), as La svolta, lent by Fabbri.
Kunsthalle, Basel, Switzerland, Cézanne, February 6–March 6, 1921, no. 3, as La Route tournante.
Fogg Art Museum, Cambridge, Massachusetts, French Painting of the XIXth and XXth Centuries, March 6–April 6, 1929, no. 5a, as Environs de Paris, lent by Wildenstein.
Pennsylvania Museum of Art, Philadelphia, Cézanne, November 10–December 10, 1934, no. 25, (dated c. 1886), as Landscape, lent by Private collection, Philadelphia.
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 51, pl. XXV (dated 1881), as La Côte du Galet à Pontoise, lent by Tyson.
Wildenstein Galleries, New York, Cézanne, March 27–April 26, 1947, no. 15, ill. lent by Tyson.
Philadelphia Museum of Art, Philadelphia, Masterpieces of Philadelphia Private Collections, May 20–September 15, 1947, no. 15.
Philadelphia Museum of Art, Philadelphia, Cézanne in Philadelphia Collections, July 19–August 21, 1983, no. 7, ill.
The Museum of Modern Art, New York, Pioneering Modern Painting: Cézanne & Pissarro 1865–1885, June 26–September 12, 2005, no. 91, ill., p. 195 (size: 60 x 75.6 cm), as La Côte du Galet à Pontoise, lent by LVMH/ Moët Hennessy, Louis Vuitton Collection. Traveled to: Los Angeles County Museum of Art, Los Angeles, October 20, 2005–January 16, 2006; Musée d'Orsay, Paris, February 27–May 28, 2006 (Cézanne et Pissarro 1865-1885).
Palazzo Strozzi, Florence, Italy, Cézanne a Firenze: Due collezionisti e la mostra dell'impressionismo del 1910 [In English:Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism], March 2–July 29, 2007, fig. 17, pp. 98–99, ill., 261, as La Côte du Galet à Pontoise, Private collection.
Fondation Pierre Gianadda, Martigny, Switzerland, Paul Cézanne: le chant de la terre, June 16–November 19, 2017, no. 29, ill. lent by Fondation Louis Vuitton, Paris.
Published References
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 176.
Henraux, Lucien. "I Cézanne della raccolta Fabbri." Dedalo vol. 1, no. 1 (1920), ill. p. 63, as Lo svolto della strada, 1885.
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 212.
L.[ucien] H.[enraux]. "Une grande collection de Cézanne en Italie: la collection Egisto Fabbri." L'Amour de l'art 5, no. 11 (November 1924), ill. p. 343, as Le tournant de la route, 1885.
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 99, as Landschaft.
Venturi, Lionello. "Paul Cézanne." L'Arte 6, nos. 4 and 5 (July 1935), p. 317, fig. 10.
Rydbeck, Ingrid. "Apropå Cézanne." Konstrevy (Stockholm) XII, no. 5 (1936), ill. p. 138, as La vallée de Pontoise.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 319, ill. vol. II, as La Côte du Galet, à Pontoise.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 146, ill.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, fig. 50.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 76 (listed; analysis pp. 339–40).
Monneret, Sophie. Cézanne, Zola . . . La fraternité du génie. Paris: Denoël, 1978, ill. p. 62.
Monneret, Sophie. L'Impressionnisme et son époque: dictionnaire international illustré. Paris: Denoël, 1978, vol.2, ill. p. 134.
Butler, Marigene. "An Investigation of the Materials and Technique Used by Paul Cézanne." American Institute for Conservation. 1984, ill.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 410, ill. vol. 2, as La Côte du Galet à Pontoise.
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, p. 261, fig. 17.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 160; vol. 2, p. 116, as La Côte du Galet à Pontoise.
Novotny, Fritz. Paul Cézanne: Gesammelte Schriften zu seinem Werk und Materialien aus dem Nachlaß. Introduction by Gabriel Ramin Schor (editor), Agnes Blaha (assistance). Vienna: Klever, 2011, fig. 50.
Related
Record last updated October 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Côte des Jalais à Pontoise, 1879–81 (FWN 146)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=404 (accessed on December 8, 2024).
