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Catalogue entry

FWN 146
La Côte des Jalais à Pontoise
1879–81
Alternate titles: Environs de Paris; La Côte du Galet à Pontoise; La Côte du Galet, à Pontoise; La Route tournante; La svolta; La vallée de Pontoise; Landscape; Landschaft; Le tournant de la route; Lo svolto della strada
Rewald (410): 1879–81; Venturi revised: 1880–81; Venturi (319): 1879–82
Oil on canvas
23 5/8 x 28 11/16 in. (60 x 73 cm)
LVMH, Louis Vuitton Foundation, Paris

Keywords

Provenance
Ambroise Vollard, Paris
Egisto Fabbri, Florence and Paris
Paul Rosenberg, Paris and New York (Nov. 1928)
Wildenstein Galleries, Paris, London, and New York
Mr.and Mrs. Carroll S. Tyson, Philadelphia;
Mr. and Mrs. Charles R. Tyson, Philadelphia;
Sotheby's, New York, May 10, 1988, no. 19, ill.
Kazuo Fujii, Japan;
Sotheby's, New York, Nov. 12, 1996, no. 18, ill.
Wafic Said, Paris and Monaco;
Phillips, New York, Nov. 6, 2000, no. 13, ill.
LVMH, Louis Vuitton Foundation, Paris (2000)
Exhibition History
1910a Paris
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 23, as La Route tournante, lent by E. Fabbri.
1920 Venice
Biennale, Venice, Italy, Mostra Individuale di Paul Cézanne, April 15–October 31, 1920, no. 13, (dated 1882), as La svolta, lent by Fabbri.
1921 Basel
Kunsthalle, Basel, Switzerland, Cézanne, February 6–March 6, 1921, no. 3, as La Route tournante.
1929 Cambridge, Mass.
Fogg Art Museum, Cambridge, Massachusetts, French Painting of the XIXth and XXth Centuries, March 6–April 6, 1929, no. 5a, as Environs de Paris, lent by Wildenstein.
1934 Philadelphia
Pennsylvania Museum of Art, Philadelphia, Cézanne, November–December 1934, no. 25, (dated c. 1886), as Landscape, lent by Private collection, Philadelphia.
1936c Paris
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 51, pl. XXV (dated 1881), as La Côte du Galet à Pontoise, lent by Tyson.
1947b New York
Wildenstein Galleries, New York, Cézanne, March 27–April 26, 1947, no. 15, ill. lent by Tyson.
1947 Philadelphia
Philadelphia Museum of Art, Philadelphia, Masterpieces of Philadelphia Private Collections, May 20–September 15, 1947, no. 15.
1983 Philadelphia
Philadelphia Museum of Art, Philadelphia, Cézanne in Philadelphia Collections, July 19–August 21, 1983, no. 7, ill.
2005–06 New York and traveling
The Museum of Modern Art, New York, Pioneering Modern Painting: Cézanne & Pissarro 1865–1885, June 26–September 12, 2005, no. 91, ill., p. 195 (size: 60 x 75.6 cm), as La Côte du Galet à Pontoise, lent by LVMH/ Moët Hennessy, Louis Vuitton Collection. Traveled to: Los Angeles County Museum of Art, Los Angeles, October 20, 2005–January 16, 2006; Musée d'Orsay, Paris, February 27–May 28, 2006 (Cézanne et Pissarro 1865-1885).
2007 Florence
Palazzo Strozzi, Florence, Italy, Cézanne a Firenze: Due collezionisti e la mostra dell'impressionismo del 1910 [In English:Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism], March 2–July 29, 2007, fig. 17, pp. 98–99, ill., 261, as La Côte du Galet à Pontoise, Private collection.
2017 Martigny
Fondation Pierre Gianadda, Martigny, Switzerland, Paul Cézanne: le chant de la terre, June 16–November 19, 2017, no. 29, ill. lent by Fondation Louis Vuitton, Paris.
Published References
Meier-Graefe 1907b
Meier-Graefe, Julius. "Paul Cézanne." Volné směry (Prague) 11 (1907), ill. p. 98.
Meier-Graefe 1918a
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 176.
Henraux 1920
Henraux, Lucien. "I Cézanne della raccolta Fabbri." Dedalo vol. 1, no. 1 (1920), ill. p. 63, as Lo svolto della strada, 1885.
Meier-Graefe 1922
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 212.
Henraux 1924
L.[ucien] H.[enraux]. "Une grande collection de Cézanne en Italie: la collection Egisto Fabbri." L'Amour de l'art 5, no. 11 (November 1924), ill. p. 343, as Le tournant de la route, 1885.
Pfister 1927
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 99, as Landschaft.
Venturi 1935b
Venturi, Lionello. "Paul Cézanne." L'Arte 6, nos. 4 and 5 (July 1935), p. 317, fig. 10.
Rydbeck 1936
Rydbeck, Ingrid. "Apropå Cézanne." Konstrevy (Stockholm) XII, no. 5 (1936), ill. p. 138, as La vallée de Pontoise.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 319, ill. vol. II, as La Côte du Galet, à Pontoise.
Rewald 1937a
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Goldwater 1938
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 146, ill.
Novotny 1938
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, fig. 50.
Barnes and de Mazia 1939
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 76 (listed; analysis pp. 339–40).
Schildt 1946
Schildt, Göran. Cézanne. Stockholm: Wahlström & Widstrand, 1946, fig. 26.
Dorival 1948
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 54, listed p. 152.
Rewald 1948b
Rewald, John. Paul Cézanne: A Biography. New York: Simon and Schuster, 1948, pl. II.
Rewald 1950a
Rewald, John. Cézanne. London: Phoenix House, 1950, pl. II.
Beucken 1955
Beucken, Jean de. Un portrait de Cézanne. Paris: Gallimard, [1955], p. 179.
Badt 1956
Badt, Kurt. Die Kunst Cézannes. Munich: Prestel, 1956, pl. 43.
Elgar 1975
Elgar, Frank. Cézanne. New York: Praeger, 1975, fig. 48.
Monneret 1978a
Monneret, Sophie. Cézanne, Zola . . . La fraternité du génie. Paris: Denoël, 1978, ill. p. 62.
Monneret 1978b
Monneret, Sophie. L'Impressionnisme et son époque: dictionnaire international illustré. Paris: Denoël, 1978, vol.2, ill. p. 134.
Butler 1984
Butler, Marigene. "An Investigation of the Materials and Technique Used by Paul Cézanne." American Institute for Conservation. 1984, ill.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 410, ill. vol. 2, as La Côte du Galet à Pontoise.
Bardazzi 2007b
Bardazzi, Francesca, ed. Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism. Translated by John Venerella. Milan: Mondadori Electa, 2007. Exhibition catalogue, p. 261, fig. 17.
Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 160; vol. 2, p. 116, as La Côte du Galet à Pontoise.
Novotny 2011
Novotny, Fritz. Paul Cézanne: Gesammelte Schriften zu seinem Werk und Materialien aus dem Nachlaß. Introduction by Gabriel Ramin Schor (editor), Agnes Blaha (assistance). Vienna: Klever, 2011, fig. 50.

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Record last updated October 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Côte des Jalais à Pontoise, 1879–81 (FWN 146)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=404 (accessed on April 16, 2024).