The Paintings, Watercolors and Drawings of Paul Cezanne
An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
FWN 83
Vue panoramique d'Auvers-sur-Oise
1873–74
Alternate titles: Auvers, vue panoramique; Auvers-sur-Oise; Auvers-sur-Oise (Vue panoramique); Auvers-sur-Oise, village panorama; Blick auf Auvers; Panoramic view of Auvers-sur-Oise; View of Auvers; View of Auvers-sur-Oise; Vista de Auvers; Vue d'Auvers; Vue d'Auvers sur Oise
Rewald: (221) 1873–74; Venturi revised: 1873–75; Cézanne fils: Auvers 1875; Venturi: (150) 1873–75
Oil on canvas
25 11/16 x 32 in. (65.2 x 81.3 cm)
Vollard archives: photo no. 209, Annotated by Cezanne's son: Auvers 1875
Provenance
Exhibition History
Manzi, Joyant & Cie, l'Hôtel de la revue "Les Arts," Paris, Exposition d'art moderne, June 6–July 6, 1912, no. 15, as Auvers-sur-Oise (Vue panoramique), [lent by Vollard].
The Art Institute of Chicago, Chicago, The Mrs. L.L. Coburn Collection: Modern Paintings and Watercolors, April 6–October 9, 1932, no. 1, ill.
The Art Institute of Chicago, Chicago, A Century of Progress, June 1–November 1, 1933, no. 304, (dated 1873), lent by Art Institute.
Pennsylvania Museum of Art, Philadelphia, Cézanne, November–December 1934, no. 4, (dated 1873), as Auvers-sur-Oise, village panorama, lent by The Art Institute of Chicago.
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 15, ill. lent by Chicago. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952..
Orangerie, Paris, Van Gogh et les peintres d'Auvers-sur-Oise, November 26, 1954–February 28, 1955, no. 12, ill., pl. VII, as Vue d'Auvers, 1873-1874.
Los Angeles County Museum of Art, Los Angeles, A Day in the Country: Impressionism and the French Landscape, June 28–September 16, 1984, no. 69, ill., as Auvers, vue panoramique, 1873-75. Traveled to: The Art Institute of Chicago, Chicago, October 23, 1984–January 6, 1985.; Grand Palais, Paris, February 4–April 22, 1985 (L’Impressionnisme et le paysage français, see 1985a Paris)..
Grand Palais, Paris, L’Impressionnisme et le paysage français, February 4–April 22, 1985, no. 35, ill., as Auvers, vue panoramique, 1873-75.
Seibu Museum of Art, Tokyo, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18–December 17, 1985, no. 26.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 31, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996.; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996..
Glasgow Art Museum, Glasgow, United Kingdom, The Birth of Impressionism, From Constable to Monet, May 23–September 7, 1997, listed p. 31.
Art Gallery of New South Wales, Sydney, Classic Cézanne, November 28, 1998–February 28, 1999, no. 3, ill., as Vue panoramique d'Auvers-sur-Oise.
Grand Palais, Paris, Un ami de Cézanne et de Van Gogh: le docteur Gachet, January 28–April 26, 1999, without no. (P.G. II-4), ill., as Vue panoramique d'Auvers-sur-Oise, 1873-74, lent by The Art Institute of Chicago. Traveled to: The Metropolitan Museum of Art, New York, Cézanne to Van Gogh: The Collection of Doctor Gachet, May 25–August 15, 1999.; Van Gogh Museum, Amsterdam, September 24–December 5, 1999..
The Museum of Modern Art, New York, Pioneering Modern Painting: Cézanne & Pissarro 1865–1885, June 26–September 12, 2005, no. 66, ill., p. 166 (dated c. 1875–76), as Vue panoramique d'Auvers-sur-Oise. Traveled to: Los Angeles County Museum of Art, Los Angeles, October 20, 2005–January 16, 2006.; Musée d'Orsay, Paris, February 27–May 28, 2006 (Cézanne et Pissarro 1865-1885)..
Museo Thyssen-Bornemisza, Madrid, Van Gogh: los ultimos paisajes, Auvers-sur-Oise, 20 de mayo-29 de julio 1890, May 20–July 29, 2007, no. 1, ill., as Vista de Auvers, 1873-1875.
Musée du Luxembourg, Paris, Cézanne et Paris, October 12, 2011–February 26, 2012, no. 33, ill., p. 73, as Vue panoramique d'Auvers-sur-Oise, lent by The Art Institute of Chicago.
Albertinum, Galerie Neue Meister, Dresden, Germany, Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinne / A Shock to the Senses, March 16–July 14, 2013, pp. 94 and 183, ill., as Blick auf Auvers, 1873/75.
Published References
Rich, Daniel C. "The Bequests of Mrs. L.L. Coburn." Bulletin of the Art Institute of Chicago 26 (1932), p. 70, as Auvers-sur-Oise.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 150, ill. vol. II, Auvers, vue panoramique.
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54, as ...paysage ...
Goldwater, Robert J. "Cézanne in America: The Master's Paintings in American Collections." Art News Annual 36, no. 26 (March 26, 1938), p. 146, ill.
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 47, listed.
Cooper, Douglas. "The Painters of Auvers-sur-Oise." The Burlington Magazine 97, no. 625 (April 1955), fig. 8 p. [102], as Vue d'Auvers sur Oise, 1873.
Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection. Chicago: The Art Institute of Chicago, 1961, p. 71 (with incorrect provenance and incomplete references).
Reidemeister, Leopold. Auf den Spuren der Maler der Ile de France. Berlin: Propyläen Verlag, 1963, p. 63, ill. (with photograph of site).
Rewald, John. "Chocquet et Cézanne." Gazette des beaux-arts, vol. 74, periode 6 (July–August 1969), p. 82, no. 6.
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 7, with comments.
Huyghe, René. La Relève du réel: impressionnisme, symbolisme. Paris: Flammarion, 1974, no. 179.
Shikes, Ralph E., and Paula Harper. Pissarro: His Life and Work. New York: Horizon, 1980, p. 119, ill.
Shiff, Richard. Cézanne and the End of Impressionism. Chicago: University of Chicago Press, 1984, fig. 22.
Shiff, Richard. Cézanne and the end of Impressionism: a study of the theory, technique, and a critical evaluation of modern art. Chicago; London: The Univesity of Chicago Press, 1984. Exhibition brochure, pp. 112-114, fig. 22, as View of Auvers, c. 1874.
Gache-Patin, Sylvie. Le petit journal des grandes expositions. no. 149, L'impressionisme et le paysage français. Paris: Réunion des musées nationaux, 1985, p. [2], ill., as Auvers, vue panoramique, 1873-75.
Brettell, Richard. French Impressionists. Chicago: The Art Institute of Chicago, 1987, pp. 19, 117, ill. p. 18.
Wollheim, Richard. Painting as an Art. Princeton: Princeton University Press, 1987, fig. 1.
Gowing, Lawrence. Paul Cézanne: The Basel Sketchbooks. New York: The Museum of Modern Art, 1988. Exhibition catalogue, fig. 16 p. 30, listed p. 145.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 72, ill. p. 66.
Lartigue, Charles de. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, pp. 62-63, ill.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 221, ill. vol. 2, as Vue panoramique d'Auvers-sur-Oise.
Stein, Susan, with the assistance of Julie Steiner. "Summary Catalogue of Works by Major Artists (Volume II, Cézanne [catalogue raisonné by Paul Gachet fils)." Cézanne to Van Gogh: The Collection of Doctor Gachet. New York: The Metropolitan Museum of Art, 1999. Exhibition catalogue, pp. 199-200, P.G. II-4, ill. and fig. 82 p. 164, as Panoramic view of Auvers-sur-Oise, 1873-74.
Benesch, Evelyn. "From the Incomplete to the Unfinished: Realisation in the Work of Paul Cézanne." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 44, fig. 3, as Vue panoramique d'Auvers-sur-Oise.
Feilchenfeldt, Walter. "Doktor Gachet: Ein Freund von Cézanne und Van Gogh? Ein Beitrag zu Echtheitsfragen bei Cézanne." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 257, ill.
Mothe, Alain, et al. Cézanne à Auvers-sur-Oise. Saint-Ouen-L'Aumône: editions du Valharmeil, 2006, p. 43, ill. with photo of motif (partial view).
Mothe, Alain. Ce que voyait Cézanne: Les paysages impressionnistes à la lumière des cartes postales. Paris: Éditions de la Rmn-Grand Palais, 2011, pp. 36–37, ill., as Vue panoramique d'Auvers-sur-Oise, with present-day photograph taken from rue des Meulières.
Pissarro, Joachim. "Cézanne et Pissarro esthétiques de la résistance/Résistances à toute esthétique." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 73, ill., as Vue panoramique d'Auvers-sur-Oise.
Société Paul Cézanne. P. Cézanne: À Paris et en Île de France. ed., Denis Coutagne. Marseille: Éditions Crès, 2011, p. 49, ill., as Vue panoramique d'Auvers-sur-Oise.
Schubert, Karsten. "Cézanne and Paris." The Burlington Magazine 154, no. 1309 (April 2012), fig. 68, as View of Auvers-sur-Oise, c. 1873-74.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 150, ill.
Notes
The early provenance of this work is uncertain. See on this subject exhibition catalogue Cézanne to Van Gogh: The Collection of Dr. Gachet, 1999, pp. 199–200.
Related
Record last updated April 28, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Vue panoramique d'Auvers-sur-Oise, 1873–74 (FWN 83)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=225 (accessed on October 20, 2021).
