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Catalogue entry

FWN 62
Paris, quai de Jussieu (la halle aux vins)
1872
Alternate titles: La halle au vin; La Halle aux vins; Les Quais; Les quais de Bercy; Paris: La Halle aux Vins; Paris: Quai de Bercy—la Halle aux vins; Paysage (Quai de Bercy); Vue sur les Halles aux vins
Rewald (179): 1872; Venturi revised: c.1872; Venturi (56): 1871–72; Cooper: c.1871 (Burlington); Ratcliffe: 1872
Oil on canvas
28 11/16 x 36 3/16 in. (73 x 92 cm)
Portland Art Museum, Portland, Ore.

Keywords

  • Locales
    Northern France:
Provenance
Camille Pissarro, Paris
Auguste Pellerin, Paris;
M. et Mme René Lecomte, Paris;
Private collection;
Pellerin Collection, Sotheby's, New York, Nov. 13, 1997, no. 115, ill.; bought in
Portland Art Museum, Portland, Ore. (1999)
Exhibition History
1936c Paris
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 22, pl. XIX, as La Halle aux vins, lent by Lecomte; exhibited for the first time.
1954 Paris
Orangerie, Paris, Hommage à Cézanne, July 2–October 17, 1954, no. 22, pl. IX, lent by private collection, Paris.
1988–89a London and traveling
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, no. 62, ill. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C., January 29–April 30, 1989.
1995–96 Paris and traveling
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 26, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
2011–12 Paris
Musée du Luxembourg, Paris, Cézanne et Paris, October 12, 2011–February 26, 2012, no. 28, ill., p. 68, as La Halle aux vins, lent by Portland Art Museum.
Published References
Fry 1926
Fry, Roger. "Le développement de Cézanne." L'Amour de l'art 7, no. 12 (December 1926), ill. p. 396, as Les Quais.
Fry 1927a
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, pp. 22–23, fig. 9, pl. VII.
Rivière 1933
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 57, ill.
Faure 1936
Faure, Élie. Cézanne. Paris: Editions Braun, 1936, pl. 5.
Tourrette 1936
Tourrette, Gilles de la. "Paul Cézanne." Art et les Artistes 32 (July 1936), p. 334, ill., as La Halle aux vins, dated circa 1872.
Rewald 1936a
Rewald, John. "Cézanne et son oeuvre." L'Art sacré: revue mensuelle, special number, Cézanne (May 1936), p. 8, fig. 6 p. 11, as Vue sur les Halles aux vins.
Huyghe 1936b
Huyghe, René. "Cézanne et son oeuvre." L'Amour de l'art 17, no. 5 (May 1936), fig. 51 p. 172, as La halle au vin.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 56, ill. vol. II, as Les quais de Bercy.
Huyghe 1936d
Huyghe, René. Cézanne. Paris: Plon, Éditions d'Art et d'Histoire, 1936, pl. 6.
Novotny 1937
Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 16.
Rewald 1937a
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 54, as La Halle aux vins.
Rewald 1937c
Rewald, John. "Paysages de Paris: de Corot à Utrillo." La Renaissance (Paris), vol. 20, nos. 1-2 (January–February 1937), ill. p. [25], as La Halle aux vins.
Novotny 1938
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 113.
Imbourg 1939
Imbourg, Pierre. "Cézanne et ses logis … à Paris." Beaux-arts: Chronique des arts et de la curiosité, no. 316 (January 20, 1939), ill. p. 3 (with photograph of motif), as La Halle aux vins.
Cogniat 1939a
Cogniat, Raymond. Cézanne. Paris: Pierre Tisné, 1939, pl. 7.
Rewald 1939c
Rewald, John. Cézanne, sa vie, son œuvre, son amitié pour Zola. Paris: Albin Michel, 1939, fig. 29.
Rivière 1942
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 59, ill.
Bauër 1944
Bauër, Gérard. Paris, Peintres et écrivains. Lausanne: Mermod, 1944, p. 93, ill.
Novotny 1947
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 15, as La Halle aux vins.
Dorival 1948
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 30, listed p. 147.
Jedlicka 1948
Jedlicka, Gotthard. Cézanne. Berne: Alfred Scherz Verlag, 1948, fig. 10, as Paris: Quai de Bercy—la Halle aux vins.
Rewald 1948b
Rewald, John. Paul Cézanne: A Biography. New York: Simon and Schuster, 1948, fig. 37.
Clark 1950
Clark, Kenneth. Landscape Painting. New York: Scribner, 1950, pp. 121–22.
Rewald 1950a
Rewald, John. Cézanne. London: Phoenix House, 1950, fig. 25.
Fry 1952
Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 23, pl. VII fig. 9, as Les Quais.
Perruchot 1955
Perruchot, Henri. "Les Quinze Logis de Monsieur Cézanne." L'Oeil, no. 12 (Christmas 1955), pp. 33–34, ill.
Novotny 1961
Novotny, Fritz. Cézanne. London: Phaidon, 1961, pl. 7.
Rewald 1986b
Rewald, John. Cézanne: A Biography. New York: Harry N. Abrams, 1986, p. 94, ill.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 179, ill. vol. 2, as Paris: Quai de Bercy—la Halle aux vins.
Lewis 2000
Lewis, Mary Tompkins. Cézanne. London: Phaidon, 2000, p. 101, fig. 58.
Platzman 2001
Platzman, Steven. Cézanne: The Self-Portraits. Berkeley: University of California, 2001, p. 74, ill., as Paris: Quai de Bercy—la Halle aux vins, dated 1871-72.
Lewis 2002
Lewis, Mary Tompkins. "The Path to Les Lauves: A History of Cézanne's Studios." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 10, ill. in color.
Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 45; vol. 2, p. 52, as Paris: Quai de Bercy—la Halle aux vins.
Simms 2008
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 46, fig. 32.
Rubin 2011
Rubin, James. "Armand Guillaumin et Paul Cézanne en Île-de-France." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 68, ill., as Paris: Quai de Bercy—la Halle aux vins.
Société Paul Cézanne 2011
Société Paul Cézanne. P. Cézanne: À Paris et en Île de France. ed., Denis Coutagne. Marseille: Éditions Crès, 2011, p. 31, ill., as Paris: La Halle aux Vins.
Elderfield, Morton, Rey 2017
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 266, fig. 89.
Warman 2017
Warman, Jayne. "Chronologie." In Cézanne Portraits. Paris: Musée d'Orsay and Editions Gallimard, 2017. Exhibition catalogue, p. 266, fig. 89.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 156, ill., as Paysage (Quai de Bercy).
Nagaï 2022
Nagaï, Takanori. "L'idée de l'anti-modernisation social chez Cézanne." Bulletin of Kyoto Institute of Technology 14 (February 2022), fig. 36.
Notes

Viewed from Cezanne's apartment at 45, rue Jussieu. It is the last of a series of monochromatic landscapes and still lifes that include Usines près du plateau du Cengle, 1867–69 (51), Paysage provençal; Rochers à l'Estaque; Masures sous la neige, c.1870 (52), Le Village des pêcheurs à l'Estaque, 1867–69 (possibly 1870) (49), La Pendule noire, 1867–69 (708), Pot vert et bouilloire d'étain, 1867–69 (709), Pots, bouteille, tasse et fruits, 1867–69 (710) and La Neige fondue à l'Estaque – Les Toits rouges, c.1870 (53) (Rewald 1996, p. 141).

Record last updated April 5, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Paris, quai de Jussieu (la halle aux vins), 1872 (FWN 62)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=14 (accessed on April 19, 2024).