The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 1751-TA
Arlequin
1888–90
Alternate titles: Harlekin; Harlequin; Pierrot; Pierrot (Studie zum 'Mardi Gras')
Rewald (W295); Venturi revised: 1888; Venturi (1079): 1888
Graphite and watercolor on paper
19 x 11 13/16 in. (48.3 x 30 cm)
Private collection, Paris
Provenance
Paul Cassirer, Berlin (private collection) (March 31, 1913)
Private collection, Paris
Exhibition History
Paul Cassirer, Berlin, XV. Jahrgang, Sommer 1913, [Zehnte Ausstellung], July– c. September 26, 1913, as Harlequin.
Paul Cassirer, Berlin, Cézanne-Ausstellung: Cézannes Werke in deutschem Privatbesitz: Gemälde, Aquarelle, Zeichnungen, November–December 11, 1921, no. 47, ill. no. 48 [sic], as Pierrot (Studie zum 'Mardi Gras'), lent by Paul Cassirer pr.
Published References
Meier-Graefe, Julius. Cézanne Aquarelle: Mappe mit zehn Faksimiles nach Aquarellen des Meisters. Munich: R. Piper & Co., 1918, pl. IV, as Harlekin (Durieux-Cassirer).
Meier-Graefe, Julius. "Gesammelte Worte über große Meister: Cézannes Aquarelle." In Ganymed: Blätter der Marées-Gesellschaft 2. Munich: Piper & Co., 1920, ill. opposite p. 86, as Harlekin.
Waldmann, Emil. "Paul Cézanne: zur Ausstellung im Kunstsalon Paul Cassirer." Kunst und Künstler 20, no. 4 (1922), ill. p. 130, as Pierrot.
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. LXXVI.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1079, ill. vol. II, as Arlequin.
Commandement en chef français en Allemagne. Répertoire des biens spoliés en France durant la guerre 1939-1945, tome II, tableaux - tapisseries - sculpture (List of Property removed from France during the war 1939-1945, Volume 2, paintings, tapestries and sculpture). G. Glasser, directeur des réparations et restitutions. Berlin, 1947, p. 127, no. 2936, 37.954, as Arlequin, M. Paul Rosenberg.
Schmidt, Georg. Aquarelle von Paul Cézanne. Mit zweiundreissig vielfarbigen Tafeln. Basel: Holbein-Verlag, 1952, fig. 28.
Haftmann, Werner. Painting in the Twentieth Century. 2. London: Lund Humphries, c. 1960, ill. p. 40, as Harlequin, c. 1889.
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 138.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 295, ill and frontispiece in color.
Feilchenfeldt, Walter. "Die Zeichnungen Cézannes: Kleine Formate: Skizzen. Grosse Formate: Aquarelle ohne Farbe." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 223, ill.
Echte, Bernhard and Feilchenfeldt, Walter. "Sommerausstellung: Juli bis Ende September 1913." In Kunstsalon Cassirer: Die Ausstellungen 1912-1914 vol. 6, "Eine neue Klassik". Wädenswil: Nimbus, 2016, p. 414, ill.
Related work
Record last updated November 1, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Arlequin, 1888–90 (FWN 1751-TA)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1276 (accessed on April 26, 2024).
