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The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
Catalogue entry
FWN 1751-TA
Arlequin
1888–90
Alternate titles: Harlekin; Harlequin; Pierrot; Pierrot (Studie zum 'Mardi Gras')
Rewald (W295); Venturi revised: 1888; Venturi (1079): 1888
Graphite and watercolor on paper
19 x 11 13/16 in. (48.3 x 30 cm)
Private collection, Paris
Provenance
Ambroise Vollard, Paris
Paul Cassirer, Berlin (private collection) (March 31, 1913)
Suse Paret-Cassirer, Berlin and Menton (1926)
Paul Cassirer, Amsterdam (1935)
Paul Rosenberg, Paris (March 1935)
Fernand Javal, Paris;
Private collection, Paris
Exhibition History
1913c Berlin
Paul Cassirer, Berlin, XV. Jahrgang, Sommer 1913, [Zehnte Ausstellung], July– c. September 26, 1913, as Harlequin.1921 Berlin
Paul Cassirer, Berlin, Cézanne-Ausstellung: Cézannes Werke in deutschem Privatbesitz: Gemälde, Aquarelle, Zeichnungen, November–December 11, 1921, no. 47, ill. no. 48 [sic], as Pierrot (Studie zum 'Mardi Gras'), lent by Paul Cassirer pr.Published References
Marées-Gesellschaft 1918
Meier-Graefe, Julius. Cézanne Aquarelle: Mappe mit zehn Faksimiles nach Aquarellen des Meisters. Munich: R. Piper & Co., 1918, pl. IV, as Harlekin (Durieux-Cassirer).Meier-Graefe 1920b
Meier-Graefe, Julius. "Gesammelte Worte über große Meister: Cézannes Aquarelle." In Ganymed: Blätter der Marées-Gesellschaft 2. Munich: Piper & Co., 1920, ill. opposite p. 86, as Harlekin.Waldmann 1922
Waldmann, Emil. "Paul Cézanne: zur Ausstellung im Kunstsalon Paul Cassirer." Kunst und Künstler 20, no. 4 (1922), ill. p. 130, as Pierrot.Meier-Graefe 1927a
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. LXXVI.Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1079, ill. vol. II, as Arlequin.Commandement en chef français 1947
Commandement en chef français en Allemagne. Répertoire des biens spoliés en France durant la guerre 1939-1945, tome II, tableaux - tapisseries - sculpture (List of Property removed from France during the war 1939-1945, Volume 2, paintings, tapestries and sculpture). G. Glasser, directeur des réparations et restitutions. Berlin, 1947, p. 127, no. 2936, 37.954, as Arlequin, M. Paul Rosenberg.Schmidt 1952
Schmidt, Georg. Aquarelle von Paul Cézanne. Mit zweiundreissig vielfarbigen Tafeln. Basel: Holbein-Verlag, 1952, fig. 28.Haftmann 1960b
Haftmann, Werner. Painting in the Twentieth Century. 2. London: Lund Humphries, c. 1960, ill. p. 40, as Harlequin, c. 1889.Barskaya 1983a
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 138.Rewald 1983a
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 295, ill and frontispiece in color.Feilchenfeldt 2005d
Feilchenfeldt, Walter. "Die Zeichnungen Cézannes: Kleine Formate: Skizzen. Grosse Formate: Aquarelle ohne Farbe." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 223, ill.Echte and Feilchenfeldt 2016f
Echte, Bernhard and Feilchenfeldt, Walter. "Sommerausstellung: Juli bis Ende September 1913." In Kunstsalon Cassirer: Die Ausstellungen 1912-1914 vol. 6, "Eine neue Klassik". Wädenswil: Nimbus, 2016, p. 414, ill.Related work
Record last updated November 1, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Arlequin, 1888–90 (FWN 1751-TA)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1276 (accessed on April 24, 2024).
