Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 421 to 480 of 617   //   per page
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work by other artists
Charles-Antoine Coysevox, Portrait présumé de Charles Le Brun, premier peintre du roi de France Louis XIV (1643-1715) (Presumed Portrait of Charles Le Brun), marble, Musée du Louvre, Louvre-Lens.
René-Gabriel Ojéda; RMN-Grand Palais (Musée du Louvre)
work by other artists
Le Magasin pittoresque, 1958, p. 12.
gallica.bnf.fr / Bibliothèque national de France
work by other artists
Le Magasin pittoresque, 1958, p. 13.
gallica.bnf.fr / Bibliothèque national de France
work by other artists
Le Magasin pittoresque, 1958, p. 13.
gallica.bnf.fr / Bibliothèque national de France
work by other artists
Leonardo da Vinci, Tête d'enfant de trois quarts à droite, Musée du Louvre, Paris.
RMN-Grand Palais (Musée du Louvre)
work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1877–80 (3006-28b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1877–80 (3006-11a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-34b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-33b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-19a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-20a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-37b)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-36a)
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
D'après l'Ecorché, 1879–82 (3006-23b)
work by other artists
Antonio Pisanello, Mulet harnaché, de profil vers la gauche, Musée du Louvre, Paris.
Michèle Bellot; RMN-Grand Palais
work by other artists
Giovanni Antonio Boltraffio, Profil d'enfant tourné vers la gauche, Musée du Louvre, Paris.
RMN-Grand Palais (Musée du Louvre)
work by other artists
Roman Imperial Period (1st -2nd Century AD ?), Arès dit "Arès Borghèse" (The Borghese Mars), marble, Musée du Louvre, Paris.
Musée du Louvre
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
work by other artists
Jean-Baptiste Pigalle, Mercure attachant ses talonnières, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
D'après Pigalle: Mercure, c.1890 (3007-08a)
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1894–97 (3007-12b)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
Etude pour La toilette, 1879–82 (3007-41b)
work by other artists
Eugène Delacroix, Le lever, oil on canvas, former collection Mme et M. David-Weill.
Etude pour La toilette, 1879–82 (3007-41b)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur et annotations diverses, 1883–86 (3007-01a)
work by other artists
work by other artists
Giorgione or Titian, Le Concert champêtre. Musée du Louvre
work by other artists
Raphael, Psyché présentant à Vénus l'eau du Styx or Psyché présentant à Vénus le cadeau de Proserpine (Venus receiving rom Psyche the flask containing water from the Styx), sanguine, Musée du Louvre, Paris.
S. Nagy; RMN-Grand Palais (Musée du Louvre)
D'après Raphaël: Vénus et Psyché, c.1877–80 (3008-08a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1873–75 (3008-13a)
work by other artists
Engraving of the painting in the Louvre, published in: Le Magasin pittoresque, vol. XIII, January 1, 1845, p. 9
work by other artists
Guillaume Coustou, Bust of Nicolas Coustou, terracotta, Musée du Louvre, Paris.
D'après G. Coustou: Nicolas Coustou, c.1895–98 (3008-27b)
work by other artists
After Peter Paul Rubens: engraving after the painting of Ceres held in in the Hermitage Museum, St. Petersburg; the engraving was published in Le Magazin Pittoresque, 1879, p. 137.
gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Antonin Mercié, David, bronze, Musée d'Orsay, Paris.
D'après Mercié: David, 1877–80 (3008-37a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1872–73 (3008-38a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1872–73 (3008-47a)
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
D'après l'antique: Vénus de Milo, c.1873–75 (3008-12a)
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
D'après Michel-Ange: deux soldats, c.1874–79 (3008-48b)
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Marcantonio Raimondi, La Cassolette, engraving after Raphael, V&A's collections, London.
Victoria and Albert Museum, London
work by other artists
Marcantonio Raimondi, La Cassolette, engraving after Raphael, V&A's collections, London.
Victoria and Albert Museum, London
work by other artists
Antoine-Louis Barye, Jaguar marchant, bronze.
D'après Barye: Jaguar, 1877–80 (3008-05b)
work by other artists
Attributed to Francesco Mazzola, dit Parmigianino, Portrait de jeune homme (Portrait of a Young Man), oil on panel, Musée du Louvre.
work by other artists
Peter Paul Rubens, La Naissance du dauphin (futur Louis XIII) à Fontainebleau, le 27 septembre 1601 (Birth of Louis XIII), from the Medici cycle, Musée du Louvre, Paris.
work by other artists
Camille Pissarro, Femme cousant, gouache, Private collection.
D'après Pissarro: Femme cousant, 1881–83 (3009-16a)
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, La Prise de Juliers (The Victory at Jülich), from the Maria de Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
Tête de cheval, n.d. (3010-15b)
work by other artists
D’après Lysippe, 2nd century AD, Rome, after a Greek bronze, c. 300 BC, Le dieu Hermès (Mercure) rattachant sa sandale, dit "Cincinnatus" (Hermes Fastening his Sandal), marble, Musée du Louvre, Paris.
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, La Prise de Juliers (The Victory at Jülich), from the Maria de Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
D'après Rubens: cheval, c.1900 (3010-27a)
work by other artists
Roman 1st - 2nd century AD, Aphrodite du type du Capitole, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Michelangelo, La Résurrection du Christ (The Resurrection of Christ), red chalk, Musée du Louvre, Paris.
work by other artists
François Boucher, Les forges de Vulcain (Vulcan's Forge), oil on canvas, Musée du Louvre, Paris.
work by other artists
Roman 1st - 2nd century AD, Aphrodite du type du Capitole, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
D'après Rubens: Bellone, 1888–91 (3010-39b)
work by other artists
Antoine-Louis Barye, Lion and Serpent, bronze, Musée du Louvre, Paris.
Thierry Ollivier; Musée du Louvre
work by other artists
Peter Paul Rubens, Le Traité d'Angoulême (The Negotiations at Angoulême), from the Medici cycle, Musée du Louvre, Paris.
D'après Rubens: Mercure, 1884–87 (3010-41b)
work by other artists
Michelangelo, Captif ("l'Esclave mourant") (Dying Slave), marble, Musée du Louvre, Paris.
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Germain Pilon, Monument du coeur d'Henri II, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
work by other artists
Antonin Mercié, David, bronze, Musée d'Orsay, Paris.
D'après Mercié: David, 1877–80 (3010-07a)
work by other artists
Pierre Puget, Alexandre et Diogène (The Meeting of Alexander and Diogenes), monumental relief, marble, Musée du Louvre, Paris.
results 421 to 480 of 617   //   per page
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on July 19, 2019).