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Catalogue entry

© Dallas Museum of Art, The Wendy and Emery Reves Collection 1985.R.10
FWN 768
Carafe, boîte à lait, bol et orange
1879–80
Alternate titles: Fruit and Wine; Le Pot au Lait; Nature morte; Still life; The Water Can
Rewald (430): 1879–80; Venturi revised: 1879–82; Venturi (340): 1879–82
Oil on canvas
10 3/16 x 13 13/16 in. (26 x 35 cm)

Keywords

Provenance
Ambroise Vollard, Paris
Cornelis Hoogendijk, Amsterdam
Paul Rosenberg, Paris and New York (1920)
Charles Vignier, Paris
Marius de Zayas, New York
Lillie P. Bliss, New York;
The Museum of Modern Art, New York (Lillie P. Bliss Bequest);
The Museum of Modern Art sale, Parke-Bernet, New York, May 11, 1944, no. 8, ill.
Arthur Bradley Campbell, New York;
Campbell Collection, Parke-Bernet, New York, Oct. 27, 1954, no. 36, ill.
Justin K. Thannhauser, New York
Emery Reves, Roquebrune, Cap-Martin;
Dallas Museum of Art (1985)
Exhibition History
1911 Amsterdam
Moderne Kunstkring, Stedelijk Museum, Amsterdam, Internationale tentoonstelling van moderne kunst, October 6–November 5, 1911, no number, Hoogendijk collection.
1926 Brooklyn
Brooklyn Academy of Arts and Sciences, Brooklyn, New York, Summer Exhibition of Modern French and American Painters, June 12–October 14, 1926, lent by Miss Bliss.
1931–32 New York and traveling
The Museum of Modern Art, New York, Memorial Exhibition: The Collection of the Late Miss Lillie P. Bliss, May 17–September 27, 1931, no. 4. Traveled to: Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, October 17–December 15, 1931; John Herron Art Institute, Indianapolis, January 1932.
1934c New York
The Museum of Modern Art, New York, The Lillie P. Bliss Collection, May 14–September 12, 1934, no. 5, ill., (dated 1880–82).
1934 Philadelphia
Pennsylvania Museum of Art, Philadelphia, Cézanne, November–December 1934, no. 11, (dated c. 1880–82), as The Water Can, lent by Museum of Modern Art.
1949 Palm Beach
Society of the Four Arts, Palm Beach, Florida, The Post-Impressionists and Their Followers, February 4–27, 1949, no. 4, (dated 1880–82), as Le Pot au Lait, lent by A.B. Campbell.
1956 Aix-en-Provence
Pavillon de Vendôme, Aix-en-Provence, France, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July 21–August 15, 1956, no. 28, lent by Reves.
1960–61 Paris
Musée d'Art Moderne, Paris, Les Sources du XXe siècle: les arts en Europe de 1884 à 1914, November 4, 1960–January 23, 1961, no. 80, as Nature morte, c. 1884-85, lent by M. Emery Reves.
1989 Dallas
Dallas Museum of Art, Dallas, Impressionist and Modern Masters in Dallas: Monet to Mondrian, September 3–October 22, 1989, [D] 10, as The Water Can.
2014–15 Philadelphia and traveling
Barnes Foundation, Philadelphia, The World is an Apple: The Still Lifes of Paul Cézanne, June 14–September 22, 2014, pl. 5, p. 54. Traveled to: Art Gallery of Hamilton, Hamilton, Ontario, Canada, November 1, 2014–January 31, 2015.
Published References
Van Riemsdijk 1910
Riemsdijk, Barthold Willem Floris van. Catalogue of the Pictures, Miniatures, Pastels, Framed Drawings etc. at the Rijks-Museum at Amsterdam. Amsterdam: Roeloffzen-Hübner and Van Santen, 1910, p. 425, no. 688F, as Still life.
Rijksmuseum 1911
Catalogue des tableaux, miniatures, pastels, dessins encadrés, etc. du Musée de l'État à Amsterdam. Amsterdam: Roeloffzen-Hübner et Van Santen, 1911, p. 100, no. 688F, as Nature morte.
Klein 1934
Klein, Jerome. The Lillie P. Bliss Collection. New York: The Museum of Modern Art, 1934, no. 5.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 340, ill. vol. II, as Nature morte.
Barr 1942
Barr, Jr., Alfred H. Painting and Sculpture in the Museum of Modern Art. New York: The Museum of Modern Art, 1942, no. 88, as The Water Can.
Barskaya 1983a
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 130.
Dallas Museum of Art 1985
Dallas Museum of Art. The Wendy and Emery Reves Collection. Dallas: Dallas Museum of Art, 1985, p. 128, ill.
Dudar 1987
Dudar, Helen. "An Art-Filled Villa Finds a Special Setting in Texas." Smithsonian 17, no. 10 (January 1987), p. 57, ill.
Henkels 1993
Henkels, Herbert. "Cézanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam: De collectie van Cornelis Hoogendijk (1866–1911)." Bulletin van het Rijksmuseum 41, nos. 3–4 (1993), fig. 97.
Brettell 1995
Brettell, Richard. Impressionist Paintings, Drawings and Sculpture from the Wendy and Emery Reves Collection. Dallas Museum of Art, 1995, pp. 64–65, ill.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 430, ill. vol. 2, as Carafe, boîte à lait, bol et orange.
Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 194; vol. 2, p. 132, as Carafe, boîte à lait, bol et orange.

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Record last updated December 20, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Carafe, boîte à lait, bol et orange, 1879–80 (FWN 768)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=940 (accessed on April 19, 2024).