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Catalogue entry

FWN 705
Pain et gigot d'agneau
c.1865
Alternate titles: Brot und Hammelkeule; Hammelkeule mit Brot; Hammelkeule und Brot; Le Pain et le gigot
Rewald (80): c.1865; Venturi revised: 1866–67; Venturi (65): 1865–67; Gowing: (London) c.1866
Oil on canvas
10 5/8 x 14 in. (27 x 35.5 cm)
Kunsthaus Zürich (2440)

Keywords

Provenance
(Ambroise Vollard, Paris?)
Galerie Neupert, Zurich
Kunsthaus Zürich (1938)
Exhibition History
1939 Lyon
Musée de Lyon, Palais Saint-Pierre, Lyon, France, Centenaire de Paul Cézanne, May 7–June 18, 1939, no. 5, lent by Kunsthaus, Zürich.
1939b Paris
Société des artistes indépendants, Grand Palais, Paris, 50e exposition - Centenaire du peintre indépendant Paul Cézanne, March 17–April 10, 1939, no. 2, as Le Pain et le gigot, lent by Kunstmuseum Zürich.
1939d London
Wildenstein Galleries, London, Homage to Paul Cézanne, July 1939, no. 4, lent by Kunsthaus Zürich.
1943 Zurich
Kunsthaus Zürich, Zurich, Ausländische Kunst in Zürich, July 25–September 26, 1943, no. 543, as Brot und Hammelkeule.
1950 Zurich
Kunsthaus, Zurich, Europäische Kunst, 13. bis 20. Jahrhundert, June 6–August 13, 1950, listed p. 26, p. 26, as Hammelkeule und Brot, 1865/67, lent by Kunsthaus Zürich.
1953c Paris
Orangerie, Paris, Monticelli et le baroque provençal, June 19–September 15, 1953, no. 5, pl. XXVI, as Pain et gigot d'agneau, c. 1865-1867, lent by Kunsthaus Zürich.
1956 The Hague
Haags Gemeentemuseum, The Hague, the Netherlands, Paul Cézanne, June 1–August 1, 1956, no. 2.
1956 Zurich
Kunsthaus, Zurich, Paul Cézanne, August 22–October 7, 1956, no. 2.
1956 Munich
Haus der Kunst, Munich, Paul Cézanne, October 12–November 18, 1956, no. 1, ill. lent by Kunsthaus Zürich.
1956–57 Cologne
Wallraf-Richartz-Museum, (Kunsthaus Lempertz), Cologne, Cézanne, Ausstellung zum Gedenken an sein 50. Todesjahr, December 1956–January 1957, no. 1, ill. lent by Kunsthaus Zürich.
1961 Vienna
Österreichische Galerie, Belvedere, Vienna, Paul Cézanne, April 14–June 18, 1961, no. 3, pl.1
1961 Aix-en-Provence
Pavillon de Vendôme, Aix-en-Provence, France, Exposition Cézanne: Tableaux, Aquarelles, Dessins, July 1–August 15, 1961, no. 3, pl. 1.
1988–89a London and traveling
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, no. 13, ill. Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C., January 29–April 30, 1989.
1996–97 Zurich
Kunsthaus, Zurich, Von Claude Lorrain bis Giovanni Segantini, Gemäldeoberfläche und Bildwirkung, October 24, 1996–February 13, 1997, no. 21, pl. 12, as Hammelkeule mit Brot, dated 1865–67.
2000 Dortmund
Museum für Kunst und Kulturgeschichte der Stadt Dortmund, Dortmund, Germany, Cézanne, Manet, Schuch: drei Wege zur autonomen Kunst, May 30–July 30, 2000, no. 2, ill., as Hammelkeule und Brot.
2001–02 Bologna
Gallerie d'Arte Moderna, Bologna, Italy, La natura della morta: Da Manet ai nostri giorni [English translation: The Nature of Still Life: From Manet to the Present Day], December 1, 2001–April 1, 2002, no. 4, ill.
2006–07 Zurich
Kunsthaus, Zurich, Hommage à Cézanne, November 30, 2006–February 11, 2007, no no., as Pain et gigot d'agneau, c. 1866, Kunsthaus Zürich.
2022–23 Chicago and traveling
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 4, ill. c. 1866, shown in Chicago only. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Published References
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 65, ill. vol. II, as Pain et gigot d'agneau.
Elles 1958
Elles, Iris. Das Stilleben in der französischen Malerei des 19. Jahrhunderts. Zurich: Origo Verl, 1958, pp. 99–100.
Kunsthaus Zürich 1968
Aus der Sammlung. Zurich: Kunsthaus Zürich, 1968, pl. 92.
Du 1989
"Das Tor zur Moderne. Paul Cézanne in Schweizer Sammlungen." Du 49, no. 9 (September 1989), p. 87, ill.
Kitschen 1995
Kitschen, Friederike. Cézanne: Stilleben. Ostfildern-Ruit: Verlag Gerd Hatje, 1995, fig. 2.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 80, ill. vol. 2, as Pain et gigot d'agneau.
Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 64; vol. 2, p. 61, as Pain et gigot d'agneau.
Machotka 2011a
Machotka, Pavel. "Des paysages du nord aux premiers pas du cubisme." In Cézanne et Paris. Paris: Éditions de la Rmn-Grand Palais, 2011. Exhibition catalogue, p. 186, fig. 100, as Pain et gigot d'agneau.
Notes

Rewald suggests that Rembrandt's Flayed Ox (1655) may have inspired Cézanne; the painting entered the Louvre in 1857.

Pain et gigot d'agneau, c.1865 (FWN 705). Rembrandt van Rijn, The Flayed Ox, 1655. Musée du Louvre, Paris
Rembrandt van Rijn, The Flayed Ox, 1655. Musée du Louvre, Paris
Record last updated October 28, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Pain et gigot d'agneau, c.1865 (FWN 705)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=94 (accessed on April 19, 2024).