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The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
Catalogue entry
Bruce M. White
FWN 347
Vue vers la route du Tholonet près du Château Noir
1900–04
Alternate titles: La Route à le Tholonet; Le Tholonet; The Route to Le Tholonnet
Rewald (942): 1900–04; Venturi revised: 1895–1900
Oil on canvas
39 13/16 x 32 in. (101.1 x 81.3 cm)
Vollard W stockbook: no. 1406, paysage; huile, 92 x 73 (20,000)
Provenance
Ambroise Vollard, Paris;
Estate of Ambroise Vollard, Paris
Mr. and Mrs. Henry Pearlman, New York (1958);
Henry and Rose Pearlman Foundation, New York (after 1974)
Exhibition History
1959 Cambridge, Mass.
Fogg Art Museum, Cambridge, Massachusetts, Drawings, Watercolors and Oils by Paul Cézanne, Lent by an Anonymous Collector, July 1–September 1, 1959, no. 5.1959g New York
Knoedler Galleries, New York, A loan exhibition of Paintings, Watercolors and Sculpture from the Collection of Mr. and Mrs. Henry Pearlman for the benefit of Greenwich House, January 27–February 21, 1959, no. 5, ill. in color, as Le Tholonet, 1906.1961e New York
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1961, no. 17, lent by Mr. and Mrs. Henry Pearlman.1963b New York
Solomon R. Guggenheim Museum, New York, Cézanne and Structure in Modern Painting, June–August 1963.1964 Brooklyn
Brooklyn Museum, Brooklyn, New York, The Pearlman Collection, May 22–October 15, 1964, no. 18.1966b New York
The Metropolitan Museum of Art, New York, Summer Loan Exhibition, July–September 1966, no. 30, lent by Mr. and Mrs. Henry Pearlman.1967 Detroit
Detroit Institute of Arts, Detroit, Cézanne and His Contemporaries: The Mr. and Mrs. Henry Pearlman Collection, June 14–October 1, 1967, no. 5.1968b New York
The Metropolitan Museum of Art, New York, New York Collects, July 3–September 2, 1968, no. 36.1968 New York
The Metropolitan Museum of Art, New York, New York Collects: Paintings, Watercolors and Sculpture from Private Collections, July 3–September 2, 1968, no. 36, as The Route to Le Tholonnet, lent by Mr. and Mrs. Henry Pearlman.1970 Hartford
Wadsworth Atheneum, Hartford, Connecticut, Impressionism, Post-Impressionism, Expressionism: The Mr. & Mrs. Henry Pearlman Collection of Works, June 10–October 4, 1970, no. 5.1971a New York
The Metropolitan Museum of Art, New York, Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation, July 13–September 7, 1971, no. 5.1974 Brooklyn and traveling
Brooklyn Museum, Brooklyn, New York, Paintings, Watercolors, Sculptures and Drawings from the Collection of Mr. and Mrs. Henry Pearlman, May 22–September 29, 1974, no. 6, (dated 1900–04), as La Route à le Tholonet. Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.1977–78 New York and traveling
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 49, pl. 56. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).1999–2000 Riehen/Basel
Fondation Beyeler, Riehen/Basel, Switzerland, Cézanne und die Moderne, October 10, 1999–January 9, 2000, no. 40, ill., p. 88, as Vue vers la route du Tholonet près du Château Noir.2000 Vienna and traveling
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 126, ill., as Vue vers la route du Tholonet près du Château Noir. Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).2004–05 Essen
Museum Folkwang, Essen, Germany, Cézanne: Aufbruch in die Moderne, September 18, 2004–January 16, 2005, listed p. 233, ill. p. 129, as Vue vers la route du Tholonet près du Château Noir.2014–16 Oxford and traveling
Ashmolean Museum, University of Oxford, Oxford, United Kingdom, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, March 13–June 22, 2014, no. 17, ill. Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.2017 Basel
Kunstmuseum Basel, Basel, Switzerland, The Hidden Cézanne: From Sketchbook to Canvas, June 10–September 24, 2017, no. 180, ill.2017–18 Aix-en-Provence
Musée Granet, Aix-en-Provence, France, Cézanne at home, October 20, 2017–April 1, 2018.Published References
Chanin 1960
Chanin, A.L. "The Henry Pearlman Collection." Connoisseur 145, no. 586 (June 1960), pp. 232–33, ill.Art International 1962a
"Modern French Painting at Wildenstein's New York." Art International VI/3 (April 1962), p. 73.Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 942, ill. vol. 2 and p. 64, ill. col. vol. 1, as Vue vers la route du Tholonet près du Château Noir.Benesch 2000
Benesch, Evelyn. "From the Incomplete to the Unfinished: Realisation in the Work of Paul Cézanne." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 53, fig. 17, as Vue vers la route du Tholonet près du Château Noir.Feilchenfeldt 2005e
Feilchenfeldt, Walter. "Cézannes Gemälde: Formate und Themen, Echtheitsfragen." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 237, ill.Machotka 2008
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 332; vol. 2, p. 221, as Vue vers la route du Tholonet près du Château Noir.Colrat 2013
Colrat, Jean. Cézanne: Joindre les mains errantes de la nature. Paris-Sorbonne: PUPS, 2013, p. 177, pl. 70.Simms 2014a
Simms, Matthew. "Cézanne, Painting, and Harmony." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, pp. 138 and 141, fig. 88 (cat. 17).Record last updated June 16, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Vue vers la route du Tholonet près du Château Noir, 1900–04 (FWN 347)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=915 (accessed on May 1, 2024).
